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Isaimozhi
Lyrics & meaning

Yenna Neenga Enge

From Raman Thediya Seethai -1972 · 1972

Lyricist
Vaali
Singers
L. R. Eswari, Soolamangalam Rajalakshmi, Saibaba
Music director
M. S. Vishwanathan
Details
Raman Thediya Seethai -19721972

Lyrics & meaning

Tanglish lyrics English translation
Female
Yaennaa neenga engae poraelHey mister, where are you going?
Ennenda sollaamae engae poraelWhere are you going without telling me what's wrong?
Ada yaennaa neega engae poraelOh mister, where are you going?
Female
Saveraa hotel kanni maaraaAt Savera Hotel, Connemara...
Capra aada kanni varaaA maiden arrives to perform cabaret!
Aadum pothae mael naattaiWhile dancing, she brings the Western flair,
Azhaichchu kaatturaa paakka poraenAnd shows it to us; I am going to watch her!
Female
Angae poethaan paarpelaaWill you see it only if you go there?
Naan athai vida aatraen paakkaraelaaLook, I can perform even better than that!
Female :Mudiyumaadi unnaalaeCan you really do it, girl?
Nee mudinjaa aadu en munnaalae….mmmm….If you can, dance before me... mmm...
Female
Edhu varari avaludal aadumoWhatever limit her body sways and dances,
Adhai vida ivaludal aadumaeThis girl's body will dance even better!
Edhu varari avaludal aadumoWhatever limit her body sways and dances,
Adhai vida ivaludal aadumaeThis girl's body will dance even better!
Uduppu nalla eduppu nadippu rompa thudippuThe outfit is striking, her performance full of energy!
Uduppu nalla eduppu nadippu rompa thudippuThe outfit is striking, her performance full of energy!
Mudi thottu kaal varai udaigalai kuraippathilIn skimping clothes from head to toe,
Udalaiyum azhagaiyum ulagukku uraippathilIn revealing her body and beauty to the world,
Female
Edhu varari avaludal aadumoWhatever limit her body sways and dances,
Adhai vida ivaludal aadumaeThis girl's body will dance even better!
Female
Nooru naatgal paarththa pinnum innum innumEven after watching for a hundred days, wanting more and more,
Veru veru aattam poda ullam ennumThe heart yearns to perform varied dances!
Aadai moodi vaiththa thegamA body kept modest in clothing,
Nee mattum rasippathil santhosamThere is joy in you alone admiring it!
Female
Aadum maeni aadi aadiAs the dancing frame sways continuously,
Kaanattum adhisaya sangeethamLet it witness wondrous musical rhythms!
Ennenna ennengalWhat kind of thoughts and desires?
Ennidam sollugalaen haPlease share them with me, ah!
Female
Edhu varari avaludal aadumoWhatever limit her body sways and dances,
Adhai vida ivaludal aadumaeThis girl's body will dance even better!
Female
Aasai konda mannan ullam thulla thullaAs the desired king's heart leaps with joy,
Aaval kondu aada vanthaen mella mellaI came slowly with eagerness to dance.
Oonjal pola tholin meethuLike a swing upon your shoulder,
Saaivathil rasanaiyum undaagumLeaning gives a sense of bliss and relish!
Female
Moga raagam paadi paadiSinging the melody of passion again and again,
Vaazhvathai ilamaiyum kondaadumYouth celebrates the joy of living!
Aadinaen pothumo innumum venumoI danced now, is it enough or do you want more?
Female
Edhu varari avaludal aadumoWhatever limit her body sways and dances,
Adhai vida ivaludal aadumaeThis girl's body will dance even better!
Edhu varari avaludal aadumoWhatever limit her body sways and dances,
Adhai vida ivaludal aadumaeThis girl's body will dance even better!

Beyond the translation

Song interpretation

This playful dance track from 'Raman Thediya Seethai' (1972) begins as a lighthearted banter between lovers. The male character teasingly mentions that he is heading to famous high-end Chennai hotels like Savera and Connemara to watch Western cabaret dancers perform. Unwilling to be outdone, the female lead challenges his premise, declaring that she can dance far better and with greater charm than any nightclub dancer. She then performs a vibrant, seductive, and graceful dance in front of him. The lyrics playfully contrast public displays of dance with the private intimacy shared between lovers, highlighting that her captivating movements and beauty are dedicated exclusively to her partner's enjoyment. Through energetic rhythms and romantic expressions, the song celebrates youth, passion, and affectionate competition.

Writing craft

Poetic devices

Iyaipu (End Rhyme)

Uduppu nalla eduppu nadippu rompa thudippu

The words 'eduppu' and 'thudippu' rhyme at the structural mid-point and end of the line, creating an energetic rhythmic cadence.

Simile (Upamai)

Oonjal pola tholin meethu

The act of leaning gently on a lover's shoulder is poetically compared to a swing ('Oonjal pola').

Monai (Initial Alliteration)

Aasai konda mannan ullam thulla thulla / Aaval kondu aada vanthaen mella mella

The initial 'Aa' sound in 'Aasai' and 'Aaval' across consecutive lines creates harmonious initial alliteration.

Muran (Contrast)

Udalaiyum azhagaiyum ulagukku uraippathil vs. Nee mattum rasippathil santhosam

Contrasts displaying beauty publicly to the world ('ulagukku') with keeping beauty private for a lover's eyes only ('Nee mattum').

Did you know?

Trivia

The song references iconic 1970s luxury landmarks in Chennai, specifically the Savera Hotel and the historic Connemara Hotel ('kanni maaraa'), where Western cabaret performances were popular entertainment at the time. Vaali cleverly incorporated these contemporary Madras pop-culture references into the lyrics, which was rendered with signature flair by L. R. Eswari, the undisputed queen of Tamil cabaret and club songs during that era.

Keep listening

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