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Isaimozhi
Lyrics & meaning

Pattathu Rani

From Sivandha Mann · 1969

Lyricist
Kannadasan
Singer
L. R. Eswari
Music director
M. S. Vishwanathan
Details
Sivandha Mann1969

Lyrics & meaning

Tanglish lyrics English translation
Female
………………………….
Female
{ Pattathu raniThe crowned queen,
Paarkum paarvaiThe glance she casts,
Vetrikuthaan yenaIs strictly for victory,
Enna vendum } (2)What do you desire?
Female
{ NillungalHalt!
Nimirndhu nillungalStand tall and erect!
Sollungal thunindhuSpeak up, speak
Sollungal } (2)Boldly!
Female
Pattathu raniThe crowned queen,
Paarkum paarvaiThe glance she casts,
Vetrikuthaan yenaIs strictly for victory,
Enna vendumWhat do you desire?
Female
……………………..
Female
Oh…{ mullillaadumOh... thornless hearts,
Nenjam kallil oorum kangalEyes flowing out of stone,
Thanga thattil pongum inbaWomen who are like sweet honey
Thaen pol pengal } (2)Overflowing on a golden plate.
Female
Saatai konduUnder the threat of a whip,
Paada chonnaal engaeWhere is the song
Paadum paadalThat can truly be sung?
Female
Thathi thathiStumbling and swaying,
Aada chonnaal engaeWhere are the feet
Aadum kaalgalThat will dance?
Female
………………..
Female
ThudithuThrobbing,
Ezhundhadhae kodhithuRising and boiling with rage,
Sivandhadhae kadhaiTurning red, intending to end
Mudika ninaithadhaeThis entire story!
Female
NillungalHalt!
Nimirndhu nillungalStand tall and erect!
Sollungal thunindhuSpeak up, speak
SollungalBoldly!
Female
Pattathu raniThe crowned queen,
Paarkum paarvaiThe glance she casts,
Vetrikuthaan yenaIs strictly for victory,
Enna vendumWhat do you desire?
Female
………………………..
Female
Ho muthamHo, a kiss,
Sindhum muthu mullaiShedding pearl-like jasmine blossoms,
Vanna chittu medai kanduSeeing the stage, a colorful little bird,
Aadum penmai roja mottuWomanhood dancing, a rosebud,
Female
Vettai aadumWhy should the hunted deer
Maanukenna vetkamFeel any shame?
Indha pakkamOn this side,
Female
Velli poovinOnly within the heart of the silver flower
Nenjil matum thittamDoes a plan exist,
Undu thittamYes, a grand plan exists!
Female
…………………..
Female
ThudithuThrobbing,
Ezhundhadhae kodhithuRising and boiling with rage,
Sivandhadhae kadhaiTurning red, intending to end
Mudika ninaithadhaeThis entire story!
Female
NillungalHalt!
Nimirndhu nillungalStand tall and erect!
Sollungal thunindhuSpeak up, speak
SollungalBoldly!
Female
{ Naadu kandaThe delicate creeper known across the land,
Poonkodi kaadu vandhaConsider once why she came to this forest;
Kaaranam oru murai ennipaarPonder that reason for a moment.
Female
Thedi vandhaWhen the drama
Naadagam koodi varumThat you sought comes to pass,
Velaiyil marubadi ennaipaar } (2)Look at me once again during that time.
Female
Valai potuEven if you throw a net
Pidithaalum kidaikathadhuTo catch it, it cannot be captured.
Female
…………………..
Female
ThudithuThrobbing,
Ezhundhadhae kodhithuRising and boiling with rage,
Sivandhadhae kadhaiTurning red, intending to end
Mudika ninaithadhaeThis entire story!
Female
Pattathu raniPattathu rani,
Paarkum paarvaiThe glance she casts,
Vetrikuthaan yenaIs strictly for victory,
Enna vendumWhat do you desire?

Beyond the translation

Song interpretation

'Pattathu Rani' from Sivandha Mann (1969) is a bold, high-energy cabaret track written by Kannadasan and sung by L.R. Eswari. On the surface, the performance appears to entertain captors and tyrants, but underneath, it carries a sharp tone of defiance and hidden vengeance. The protagonist mocks the idea of forcing someone to sing or dance under coercion, declaring that true spirit cannot be chained or netted.

Writing craft

Poetic devices

Monaai (Alliteration)

Nillungal / Nimirndhu nillungal

Repetition of initial consonant sounds ('N') in 'Nillungal' and 'Nimirndhu' to impart a commanding, rhythmic cadence.

Ethirai (Second-letter Rhyming)

Sollungal thunindhu / Sollungal

Matching second consonants across lines ('l' in Sollungal / Sollungal) for metrical cohesion.

Metaphor (Uvamaani / Urvagatu)

Thanga thattil pongum inba / Thaen pol pengal

Compares women to sweet honey overflowing on a golden plate ('Thanga thattil pongum inba / Thaen pol pengal').

Personification

Thudithu / Ezhundhadhae kodhithu / Sivandhadhae kadhai / Mudika ninaithadhae

Personifies the narrative ('kadhai') as boiling with rage and turning red with a desire to conclude the plot.

Did you know?

Trivia

Directed by A.C. Tirulokchandar, Sivandha Mann (1969) was one of the earliest Tamil films to be extensively shot in overseas European locations. The song 'Pattathu Rani', composed by M.S. Viswanathan and voiced by L.R. Eswari, remains a cult classic cabaret anthem in Tamil cinema history.

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