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Isaimozhi
Lyrics & meaning

Paarvai Yuvarani Kannoviyam

From Sivandha Mann · 1969

Lyricist
Kannadasan
Singer
T. M. Soundararajan
Music director
M. S. Vishwanathan
Details
Sivandha Mann1969

Lyrics & meaning

Tanglish lyrics English translation
Male
Paarvai yuvaraani kannoviyamThe queen of gazes, a painting crafted for the eyes
Naanam thavaraadha pennoviyamA portrait of a woman whose modesty never falters
Paavai panpaadum solloviyamA portrait of words where the maiden sings with grace
Idhudhaan naan ketta ponnoviyamThis is indeed the golden portrait I longed for
Male
Paarvai yuvaraani kannoviyamThe queen of gazes, a painting crafted for the eyes
Naanam thavaraadha pennoviyamA portrait of a woman whose modesty never falters
Male
{Paalendru sonnaalum{Even if described as sweet as milk
Pazhamendru sonnaalumOr praised as rich as fruit
Yenendru thaen vaadumae} (2)Honey itself would wither away asking why}
Male
Noolendra idaiyinnumEven if her thread-slender waist
Nooraandu sendraalumEndures for a hundred years
Thaerkonda oorgolamaeIt resembles a grand festive chariot procession
Male
Indru naanum kaviyaagaFor me turning into a poet today
Yaar kaaranamWho is the reason?
Andha naalum vilaiyaadumPlaying since those old days
Vizhi kaaranamHer expressive eyes are the reason
Male
Paarvai yuvaraani kannoviyamThe queen of gazes, a painting crafted for the eyes
Naanam thavaraadha pennoviyamA portrait of a woman whose modesty never falters
Male
{Kaalvannam sadhiraada{As the beauty of her feet dances
Kaivannam vilaiyaadumThe grace of her hands plays along
Thennaattu ponvannamae} (2)O golden beauty of the southern land!}
Male
Maanvannam endraalumEven if praised as deer-like in beauty
Malarvannam endraalumOr compared to the elegance of a flower
Kuraivendru thamizh sollumaeTamil language would declare it falls short
Male
Vannam paada pudhu vaarthaiTo sing of your radiant beauty, new words
Naan thedinenI searched for
Engum thedi mugam paarthuSearching everywhere, looking at your face
Padham paadinenI sang poetic verses
Male
Oru pakkam naan paarthuLooking from one side
Maru pakkam naan paarkkaAnd looking from the other side
Oru naalum pothathammaA single day is never enough, my dear
Male
Mani muthu vaai sinthaAs pearl-like smiles spill from your mouth
Siru vekkam mugam sollumA subtle shyness speaks on your face
Athu mattum pothathammaEven that alone is not enough, my dear
Male
En kelvi sugam endruAsking if my query brings sweet pleasure
Unai ketpadhuIs what I ask of you
Naan solvenI shall express it
Sonnaalum puriyadhadhuYet it remains beyond understanding even when told
Male
Paarvai yuvaraani kannoviyamThe queen of gazes, a painting crafted for the eyes
Naanam thavaraadha pennoviyamA portrait of a woman whose modesty never falters
Paavai panpaadum solloviyamA portrait of words where the maiden sings with grace
Idhudhaan naan ketta ponnoviyamThis is indeed the golden portrait I longed for
Paarvai yuvaraani kannoviyamThe queen of gazes, a painting crafted for the eyes

Beyond the translation

Song interpretation

Paarvai Yuvaraani from the 1969 Tamil film Sivandha Mann is a classic romantic ode composed by M. S. Viswanathan with lyrics penned by Kannadasan. The song captures a lover praising his beloved as a living masterpiece of art. He marvels at her expressive eyes, her innate modesty, and her dancing elegance, declaring her beauty to be beyond comparison.

Writing craft

Poetic devices

End Rhyme (Iyaibu Thodai)

Paarvai yuvaraani kannoviyam / Naanam thavaraadha pennoviyam

The repetitive use of '-oviyam' suffixes across consecutive opening lines creates a euphonic musical rhythm.

Initial Consonant Rhyme (Ethirhai Thodai)

Paalendru sonnaalum / Pazhamendru sonnaalum

The second consonant sound 'l' matches across consecutive lines, providing structural elegance.

Hyperbole (Uyarvu Navortchi)

Kuraivendru thamizh sollumae

The poet uses hyperbole, claiming that even the vast Tamil language lacks the vocabulary to fully describe her beauty.

Did you know?

Trivia

Sivandha Mann (1969), directed by C. V. Sridhar and starring Sivaji Ganesan, holds a historical distinction as the first Tamil feature film to be extensively shot in foreign European locations, including Paris, Rome, and Switzerland. The music was composed by M. S. Viswanathan and this track was performed by T. M. Soundararajan.

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