- Lyricist
- Ku. Ma. Balasubramaniam
- Singer
- P. Susheela
- Music director
- S. Vedhachalam
- Movie name
- Chitrangi
- Movie release year
- 1964
- Lyrics added on
- 14 Jun 2025
Lyrics & meaning
Beyond the translation
Overall song meaning
This emotional composition from the film Chitrangi (1964) is a heart-wrenching plea directed at Lord Muruga. The heroine laments her sorrowful state, drawing a contrast between Murugan's divine pastime of wielding his spear ('Vel') and his apparent decision to play with her life. She reminds the Lord of His divine mercy—how He embraced both Valli from the earthly tribal community and Devasena from the celestial realm—and questions why He has forsaken her. Overwhelmed by separation and grief, she asks why the deity torments the very heart in which He resides. She questions the justice of being separated from her beloved after two souls had united as one, desperately longing for a time when her life will blossom again into domestic happiness.
Writing craft
Poetic devices
Ethirai (Second-Letter Rhyme) / Metaphor
“Velodu vilaiyadum murugaiya / En vaazhvodum vilaiyada vanthanaiya”
The word 'Velodu' (with spear) is paired with 'vaazhvodum' (with life) in adjacent lines, creating a second-letter rhyming pattern while drawing a metaphorical parallel between playing with a weapon and playing with a person's fate.
Iyaibu (End Rhyme)
“Kuravalli manamaalaithanai soodinaai / Dhevakulathodu inainthe ne uravaadinaai”
The lines end with the matching suffix 'soodinaai' and 'uravaadinaai', establishing a rhythmic and melodic flow.
Vina (Rhetorical Question)
“Manam uruga seinthal sariya / ulagil vaazhthal muraiya”
The lyricist uses rhetorical questions like 'sariya' (is it right?) and 'muraiya' (is it fair?) to emphasize the heroine's intense helplessness and moral questioning of fate.
Did you know?
Trivia
Composed by S. Vedhachalam with lyrics by Ku. Ma. Balasubramaniam, 'Velodu Vilaiyadum Murugaiya' is one of singer P. Susheela's most expressive classical Tamil film songs. The song beautifully blends classical Carnatic musical phrasing with narrative emotion, expressing 'Nindastuthi'—a poetic style in South Indian devotion where the devotee lovingly reproaches the deity.
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