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Nadodi Mannan album cover
Lyrics & meaning

Summa Kedantha

From Nadodi Mannan · 1958

Lyricists
Not listed
Singers
P. Banumathi, T. M. Soundararajan
Music director
S. M. Subbaiah Naidu
Movie name
Nadodi Mannan
Movie release year
1958
Lyrics added on
8 Aug 2018

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Ohh….ohh..ohhh…ohhh….
Female :Ohh..ohhh…ohh…ohh….oh..
{Summa kedantha
Nelaththa koththi
Sombalillaamae yer nadaththi} (2)
Kammaa karaiya osaththi katti
Karumbu kollaiyil vaaikkaal vetti
Sambaa payirai
Parichchu nattu
Thagantha muraiyil thanneer vittu
{Nellu velainchirukku
Varappum ullae marainchirukku} (2)
Ada {kaadu velainjchenna
Machan namakku
Kaiyung kaalunthaanae mitcham
Kaiyung kaalunthaanae mitcham} (2)
Ippo kaadu velaiyattum
Ponnae namaku
Kaalamirukkuthu pinnae
Kaalamirukkuthu pinnae
Kaadu velaiyattum ponnae namaku
Kaalamirukkuthu pinnae
Kaalamirukkuthu pinnae
{Mannai polanthu
Sorangam vechu
Ponnai edukka kanigal vetti} (2)
{Madhilu vechu maaligai katti
Kadalil moozhgi muththai edukkum} (2)
Vazhi kaatti maramaana
Thozhilaalar vaazhkkaiyilae
Patta thuyarini maarum romba
Kitta nerunguthu neram
Kitta nerunguthu neram
Avar patta thuyarini maarum romba
Kitta nerunguthu neram
Kitta nerunguthu neram
Ada kaadu velainjchenna
Machan namakku
Kaiyung kaalunthaanae mitcham
Kaiyung kaalunthaanae mitcham
Kaadu velaiyattum
Ponnae namaku
Kaalamirukkuthu pinnae
Kaalamirukkuthu pinnae
Maada ozhaichchavan
Vaazhkkaiyilae
Pasi vanthida kaaranam enna machan
Male :Avan thediya selvangal
Vera idaththilae
Servathinaal varum thollaiyadi
Pancha paramparai
Vaazhvatharku
Ini panna vendiyathu enna machan
Male :Thinam kanji kanji endraal
Paanai niraiyaadhu
Sinthichchu munnera venumadi
Vaadikkaiyaai varum
Thunbangalai innum
Needikka seivadhu mosamandro
Male :Irul moodi kidantha
Manamum veluththu
Segarikkum inbam thirumbumadi
Ini segarikkum inbam thirumbumadi
Ada kaadu velainjchenna
Machan namakku
Kaiyung kaalunthaanae mitcham
Kaiyung kaalunthaanae mitcham
Naanae podapporen sattam
Podhuvil
Nanmai purinthidum thittam
Naadu nalam perum thittam
Oh... oh... oh... oh...
Female: Oh... oh... oh... oh... oh...
Digging up the land
that lay idle,
tirelessly driving the plow,
raising high the banks of the lake,
digging irrigation canals in the sugarcane fields,
uprooting the samba paddy seedlings
and planting them,
watering them properly,
the paddy has grown so lush,
that even the field ridges are hidden beneath!
Ah, what good is a rich harvest,
my dear,
when all we are left with are our tired hands and feet?
All we are left with are our tired hands and feet!
Let the fields flourish for now,
my precious girl,
our time is coming soon.
Our time is coming soon!
Let the fields flourish, my precious girl,
our time is coming soon.
Our time is coming soon!
Splitting the earth open,
carving out mines,
cutting through rock to extract gold,
building mansions with tall walls,
diving into the sea to bring up pearls—
like guideposts pointing the way,
in the lives of these working people,
the hardships they endured will change,
that time is drawing very near!
That time is drawing very near!
The hardships they endured will change,
that time is drawing very near!
That time is drawing very near!
Ah, what good is a rich harvest,
my dear,
when all we are left with are our tired hands and feet?
All we are left with are our tired hands and feet!
Let the fields flourish,
my precious girl,
our time is coming soon.
Our time is coming soon!
For the one who worked like an ox,
in his life,
why does hunger strike, my dear?
Male: The wealth he earned with hard labor
goes into someone else's hands,
and that is the cause of all our trouble, girl!
For generations trapped in poverty
to live well,
what must we do from now on, my dear?
Male: Just crying for food every day
won't fill our pot;
we must think and move forward, girl!
These regular hardships that burden us—
letting such suffering
drag on any longer, isn't that wrong?
Male: The minds once covered in darkness
will brighten with awareness,
and the joy we create will return to us!
From now on, the joy we create will return to us!
Ah, what good is a rich harvest,
my dear,
when all we are left with are our tired hands and feet?
All we are left with are our tired hands and feet!
I myself am going to make a law,
a fair plan for all,
a scheme that brings welfare to everyone,
a plan for the whole nation to prosper!
Male
Female
Female
Female
Male
Male
Male
Female
Male
Female
Female
Female
Female
Male

Beyond the translation

Overall song meaning

'Summa Kedantha' (from Nadodi Mannan, 1958) is an iconic socialist anthem in Tamil cinema. The song portrays the plight of agricultural laborers, miners, and builders who work tirelessly—plowing fields, mining gold, and constructing grand mansions—only to end up empty-handed while the wealth created accumulates in the hands of the wealthy elite. Through a dialogue between the female and male characters, the lyricist addresses systemic exploitation and calls for social consciousness, critical thinking, and collective action rather than passive endurance. The song culminates with MGR's character promising to enact progressive laws and welfare policies aimed at equal distribution of wealth and uplifting the common people, echoing MGR's own political ideology and future administrative goals.

Writing craft

Poetic devices

Metaphor (Uvameyam)

Vazhi kaatti maramaana Thozhilaalar vaazhkkaiyilae

Compares the working class to a guiding signpost ('Vazhi kaatti maram') which shows everyone else the way forward while standing still in its own hardship.

Ethukai (Second-letter Rhyming)

Mannai polanthu... / Ponnai edukka kanigal vetti

The second consonant 'n' is repeated in consecutive lines ('Mannai' and 'Ponnai'), creating rhythmic harmony.

Metaphor (Uvamai)

Maada ozhaichchavan Vaazhkkaiyilae

Compares a laborer working relentlessly to a draft bullock ('Maada ozhaichchavan').

Monnai (First-letter Alliteration)

Pancha paramparai Vaazhvatharku

Repetition of the 'Pa' sound at the beginning of adjacent words ('Pancha', 'Paramparai').

Did you know?

Trivia

'Nadodi Mannan' (1958) was directed by and starred M. G. Ramachandran (MGR). The iconic lyrics were penned by Pattukkottai Kalyanasundaram, celebrated for bringing socialist philosophy and working-class struggles into mainstream Tamil cinema lyrics. The song was set to music by S. M. Subbaiah Naidu and sung by T. M. Soundararajan and P. Leela. The closing lines ('Naanae podapporen sattam...') famously served as a political blueprint for MGR's future political career and governance.

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