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Lyrics & meaning

Munnariyum Deivamada

From Nalla Theerppu · 1959

Lyricist
Udumalai Narayanakavi
Singer
T. M. Soundararajan
Music director
S. M. Subbaiah Naidu
Movie name
Nalla Theerppu
Movie release year
1959
Lyrics added on
27 Sept 2024

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Munnariyum deivamadaa
Annai pithaa avar mozhinthathellaam
Namakku vedhamadaa
Munnariyum deivamadaa
Annai pithaa
Munnariyum deivamadaa
Annai pithaa avar mozhinthathellaam
Namakku vedhamadaa vedhamadaa
Manithaa munnariyum deivamadaa
Annai pithaa
Than porulum than sugamum
Thanathu pillai
Than porulum than sugamum
Thanathu pillai endrea
Anbu konda avarkeedu yaedhumillai
Munnariyum deivamadaa
Annai pithaa
Sellariththa aalamaram
Adippuram kaainthaalum
Sellariththa aalamaram
Adippuram kaainthaalum
Jeevanattru pogaamalae
Adhan pillaiyena ver vizhuthu
Pinbu vanthu kilai thaangi
Penugindra seyal polae
Nallakudi vazhi vantha
Makkal gunam adhuvendre
Solluthadaa thellutamil noolae
Solluthadaa thellutamil noolae
Adhai ullamathu unaraatha
Pillaikalukke keeri
Pillai anil pillaigalum melae
Munnariyum deivamadaa
Annai pithaa
Annai pithaa avar mozhinthathellaam
Namakku vedhamadaa vedhamadaa
Manitha….
The first gods we ever know, my friend,
are mother and father; all that they say
is sacred scripture to us!
The first gods we ever know, my friend,
are mother and father!
The first gods we ever know, my friend,
are mother and father; all that they say
is sacred scripture to us, sacred scripture!
O man, the first gods we ever know
are mother and father!
Believing that their wealth and comfort
is their child,
believing that their wealth and comfort
is their child alone,
nothing can match the love they give!
The first gods we ever know, my friend,
are mother and father!
When a termite-eaten banyan tree
dries up at its base,
when a termite-eaten banyan tree
dries up at its base,
to keep it from losing its life,
its aerial roots, just like children,
grow down to hold up its branches
and protect it—in that very way,
such is the nature of children
born into a noble family,
so say the clear, wise Tamil verses!
so say the clear, wise Tamil verses!
Compared to children whose hearts do not feel this,
even the young ones of a mongoose
and little baby squirrels are far better!
The first gods we ever know, my friend,
are mother and father!
All that they say
is sacred scripture to us, sacred scripture!
O man...
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Beyond the translation

Overall song meaning

This classic song emphasizes the philosophical and moral principle that one's mother and father are the first recognizable gods in a person's life, and their words should be treated with the sanctity of holy scriptures. It highlights the selfless devotion of parents who consider their children to be their true wealth and happiness. Using a powerful metaphor from nature, the song compares good children to the prop roots (vizhuthu) of an old banyan tree. Even when the main trunk decays, these roots descend to give new life and support to the tree's branches. Children from good families similarly support their aging parents. Conversely, children who fail to cherish and support their parents are criticized as being inferior even to tiny animals like squirrels or mongooses that care for their own.

Writing craft

Poetic devices

Uvamaani / Metaphor (உவமை)

Adhan pillaiyena ver vizhuthu pinbu vanthu kilai thaangi

Compares good children who support their aging parents to the aerial roots (vizhuthu) of a banyan tree supporting its old branches.

Moonaai / Rhyme (எதுகை)

Sellariththa aalamaram / Adippuram kaainthaalum

Second-letter rhyming (Edhugai) present across adjacent lines like 'Sellariththa' and 'Adippuram'.

Ethirpaadumaanam / Contrast

Adhai ullamathu unaraatha pillaikalukke keeri pillai anil pillaigalum melae

Contrasts virtuous children from good families with ungrateful children who are deemed inferior to young squirrels and mongooses.

Did you know?

Trivia

Written by the famed rationalist poet Udumalai Narayanakavi, this song highlights classical Tamil ethical principles inspired by texts like Tirukkural and Athichudi. Sung with characteristic grandeur by T. M. Soundararajan, it remains one of the iconic filial devotion songs in early Tamil cinema history.

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