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Isaimozhi
Lyrics & meaning

Mazhai Kodukkum

From Karnan · 1964

Lyricist
Kannadasan
Singers
Seerkazhi Govindarajan, Tiruchi Loganathan
Music director
Vishwanathan-Ramamoorthy
Details
Karnan1964

Lyrics & meaning

Tanglish lyrics English translation
Male
Aa… aa… aa… aa… aa…Aa… aa… aa… aa… aa…
Aa aa…aaAa aa…aa
Male
Mazhai kodukkum kodaiyumoruThe gift of rain given by clouds lasts for a mere
Irandu maadham…mm mm mmTwo months...
Vayal kodukkum kodaiyumoruThe harvest given by the fields lasts for
Moondru maadham…mmm mmThree months...
Pasu vazhangum kodaiyumoruThe milk provided by the cow lasts for
Naanghu maadham…mmmFour months...
Paarthibanaam karnanukkoBut for King Karna,
Naalum maadham…Every single day is a season of giving...
Paarthibanaam karnanukkoBut for King Karna,
Naalum maadham…Every single day is a season of giving...
Male
Aa… aa… aa… aa… aa… aa…Aa… aa… aa… aa… aa… aa…
Aa….aa…..aa….Aa….aa…..aa….
Male
Nani chivandhanaDeeply reddened
Maadharar kangalWere the eyes of women (with bashfulness);
Naadu thorum nadandhu sivandhanaReddened by walking through every land
Paavalar kaalgalWere the feet of visiting poets;
Narporulai thaedi chivandhanaReddened in pursuit of supreme truth
Nyaaniyar nenjam… mm…mmmWere the hearts of wise sages...
Male
Dhinam koduthuAnd from giving continuously every day,
Thaeindhu sivandhadhuWorn out and reddened
Karna maamannan thiru karamae…Was the sacred hand of the great king Karna...
Dhinam koduthuAnd from giving continuously every day,
Thaeindhu sivandhadhuWorn out and reddened
Karna maamannan thiru karamae…ae…ae..ae..Was the sacred hand of the great king Karna...
Male
Mannavar porulthanaiOther kings extend their hands with wealth,
Kai kondu neettuvaarReaching out from above,
Mattravar panindhu kolvaar…While others bow down to receive it...
Maamannan karnanoBut the great king Karna
Than karam neettuvaarExtends his hand from below,
Mattravar eduthu kolvaar…Allowing others to take it freely...
Valadhu kai koduppadhaiGiving with the right hand
Idadhu kai ariyaamalWithout the left hand ever knowing,
Vaithavan karna veeranSuch was the noble hero Karna,
Varumaikku varumaiyaiA great king who brought poverty itself
Vaithadhor maamannanTo utter poverty!
Vaazhgavae vaazhga vaazhgaLong live, long live, long live!
Male
Aa… aa… aa… aa… aa… aa…Aa… aa… aa… aa… aa… aa…
Aa….aa…..aa….aa…aa…Aa….aa…..aa….aa…aa…
Male
Enna koduppaan yevai koduppaanBefore people even think of what he will give
Endrivargal ennum munnae… ae… ae…Or which riches he might grant...
Ponnum koduppaan porul koduppaanHe gives gold, he gives riches;
Podhaadhu podhaadhu endraalAnd if they say it is not enough, not enough,
Innum koduppaanHe gives even more!
Ivaiyum kuraivendraal engal karnanIf even these fall short, our Karna
Thannai koduppaanGives himself,
Than uyirum thaan koduppaanHe will willingly give his very life!
Dhayaanidhiyae…Oh ocean of boundless mercy...
Aa… aa… aa… aa… aa… aa…Aa… aa… aa… aa… aa… aa…
Aa….aa…..aa….aa…aa…Aa….aa…..aa….aa…aa…

Beyond the translation

Song interpretation

This famous verse from the legendary Tamil film Karnan (1964) elevates the hero Karna as the ultimate symbol of philanthropy and righteousness. Lyricist Kannadasan compares nature's seasonal giving—such as rain lasting two months, crops three months, and milk four months—to Karna's charity, which knows no seasonal limits and flows endlessly every day of the year. The verse vividly illustrates Karna's humility and generosity. Unlike typical monarchs who demand deference when granting alms, Karna places his hands underneath the receiver's to maintain their dignity. His continuous giving causes his hands to turn red and worn out. He gives so discreetly that one hand knows not what the other gives, ultimately bringing 'poverty to poverty itself' and demonstrating a willingness to offer his own life for those in need.

Writing craft

Poetic devices

Metaphor & Imagery (Sivandhadhu / Reddening)

Dhinam koduthu thaeindhu sivandhadhu karna maamannan thiru karamae

The poet uses the visual motif of reddening across different subjects—women's eyes, poets' feet, sages' hearts, and finally Karna's worn-out hands from incessant charity.

Hyperbole (Uyarvu Navortchi Ani)

Varumaikku varumaiyai vaithadhor maamannan

Describing Karna as a king who brought 'poverty to poverty itself' through his endless giving is a poetic exaggeration highlighting his absolute generosity.

Antithesis / Contrast

Mannavar porulthanai kai kondu neettuvaar... Maamannan karnano than karam neettuvaar

Contrasts the arrogant manner in which typical kings distribute wealth (forcing supplicants to bow) with Karna's humble posture of holding his hands underneath the receiver.

Anaphora & Parallelism

Mazhai kodukkum kodaiyumoru... Vayal kodukkum kodaiyumoru

Repetition of sentence structure across successive lines ('kodukkum kodaiyumoru') establishes a rhythmic comparison between nature's limited giving and Karna's limitless charity.

Did you know?

Trivia

Written by the legendary lyricist Kannadasan for the landmark epic film Karnan (1964), these lines draw heavily upon classical Sangam literature style (such as Purananuru praise poetry). The music was composed by the duo Viswanathan–Ramamoorthy, and the rendition in the film stands as one of Tamil cinema's grandest tributes to the virtue of 'Eegai' (charity).

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