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Lyrics & meaning

Kanna Vaa Vaa Mani Vannaa

From Mamiyar Mechiya Marumagal · 1959

Lyricist
Kavi Rajagopal
Singer
M. L. Vasanthakumari
Music director
R. Sudharsanam
Details
Mamiyar Mechiya Marumagal1959

Lyrics & meaning

Tanglish lyrics English translation
Female
Kanna vaa vaa mani vanna vaa vaaOh Krishna, come, come, gem-hued Krishna, come, come!
Kanna vaa vaa mani vanna vaa vaaOh Krishna, come, come, gem-hued Krishna, come, come!
Mani vanna amudhai nee unnavaaOh gem-complexioned Krishna, won't you come to consume this nectar?
Mani vanna amudhai nee unnavaa vaaOh gem-complexioned Krishna, come to consume this nectar, come!
Kanna vaa vaa mani vanna vaa vaaOh Krishna, come, come, gem-hued Krishna, come, come!
Female
Oruthi maganaaga pirandhaayeYou were born as the son of one mother,
Mattroruthi maganaaga valarndhaayeAnd grew up as the son of another mother!
Female
Devaki maganaaga pirandhaayeYou were born as the son of Devaki,
Yeshodhai maganaaga valarndhaayeAnd grew up as the son of Yashoda!
Vedikkai kattugiraai maaya kannaYou put on playful tricks, oh magical Krishna!
Pala vedikkai kattugiraai maaya kannaYou display many playful tricks, oh magical Krishna!
Idhu vadikkaiyo unakku vaana vannaIs this trickery habitual for you, oh sky-hued one?
Female
Kanna vaa vaa mani vanna vaa vaaOh Krishna, come, come, gem-hued Krishna, come, come!
Mani vanna amudhai nee unnavaa vaaOh gem-complexioned Krishna, come to consume this nectar, come!
Kanna vaa vaa mani vanna vaa vaaOh Krishna, come, come, gem-hued Krishna, come, come!
Female
Thaalattum bhagiyathai thandha raajaOh king who bestowed upon me the blessing of singing lullabies,
En thangha raajaMy golden king!
Ennai thaaiyaakki vaalvitha thangha rojaaOh golden rose who enriched my life by making me a mother!
Haaa..aaa..aa..(Vocalizing melodic notes) Haaa..aaa..aa..
Thaalattum bhagiyathai thandha raajaOh king who bestowed upon me the blessing of singing lullabies,
Ennai thaaiyaakki vaalvitha thangha rojaaOh golden rose who enriched my life by making me a mother!
Pon vaira maanikka nagai pottiPutting on jewelry made of gold, diamonds, and rubies,
Unakku pon vaira maanikka nagai pottiTo adorn you with ornaments of gold, diamonds, and rubies,
Nenjam poorikka vandhaaga undhan paattiYour grandmother has arrived, her heart brimming with joy!
Female
Kanna vaa vaa mani vanna vaa vaaOh Krishna, come, come, gem-hued Krishna, come, come!
Mani vanna amudhai nee unnavaaOh gem-complexioned Krishna, won't you come to consume this nectar?
Mani vanna amudhai nee unnavaa vaaOh gem-complexioned Krishna, come to consume this nectar, come!
Kanna vaa vaa mani vanna vaa vaaOh Krishna, come, come, gem-hued Krishna, come, come!

Beyond the translation

Song interpretation

This classic lullaby from 'Mamiyar Mechiya Marumagal' is a deeply affectionate maternal invocation to Lord Krishna. The mother affectionately coaxes child Krishna to drink milk (referred to lovingly as 'amudhu' or divine nectar). She recalls his divine mythology—being born to Devaki and raised by Yashoda—and playfully comments on his mischievous, magical nature that is habitual to his divine form.

Writing craft

Poetic devices

Iyaibu (End Rhyme)

Oruthi maganaaga pirandhaaye / Mattroruthi maganaaga valarndhaaye

Matching end sounds in adjacent lines, creating a rhythmic cadence suitable for a lullaby.

Metaphor (Uruvagaim)

Ennai thaaiyaakki vaalvitha thangha rojaa

Comparing mother's milk to nectar (amudhu) and the child to a golden rose (thangha rojaa).

Etuukai (Second-letter rhyme)

Thaalattum bhagiyathai thandha raaja / Ennai thaaiyaakki vaalvitha thangha rojaa

The second consonant sound matches across consecutive lines ('tha' in thaalattum / ennai thaaiyaakki).

Anaphora / Repetition (Adukku Thodar)

Kanna vaa vaa mani vanna vaa vaa

Repetition of 'vaa vaa' (come, come) for rhythmic urgency and affection.

Did you know?

Trivia

Sung by the legendary Carnatic maestro M. L. Vasanthakumari, this composition by R. Sudarsanam remains one of the finest classical lullabies in Tamil film cinema. The song beautifully captures the 'Vatsalya Bhava' (maternal affection) characteristic of traditional Krishna devotion.

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