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Lyrics & meaning

Oru Pathu Maadham Uyir Kondu

From Mamiyar Mechiya Marumagal · 1959

Lyricist
Udumalai Narayanakavi
Singer
S. C. Krishnan
Music director
R. Sudharsanam
Movie name
Mamiyar Mechiya Marumagal
Movie release year
1959
Lyrics added on
17 Oct 2024

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Oru pathu maadham
Uyir kondu naadham
Uruvathai kondallavoo
Gyaana thangamae
Sthoolam ondraachudhadi
Oru pathu maadham
Uyir kondu naadham
Uruvathai kondallavoo
Gyaana thangamae
Sthoolam ondraachudhadi
Gyaana thangamae
Sthoolam ondraachudhadi
Thavathukku oruvaradi
Thamizhukku iruvaradi
Thavathukku oruvaradi
Thamizhukku iruvaradi
Savathukku naalvaradi
Mani thangamae
Tharani valakamadi
Gyaana thangamae
Tharani valakamadi
Vaadhi pulugan
Vaithiyan maanthireegam
Jodhidan enbavano
Gyaana thangamae
Sutha puluganadi
Poosaari poiyan
Pulavanum poiyan
Poosaari poiyan
Pulavanum poiyan
Aasaari enbavano
Gyaana thangame
Adangatha poiyanadi
Gyaana thangame..ae
Gyaana thangame..ae..ae
Gyaana thangame
Gyaana thangame
Aasaari enbavano
Gyaana thangame
Adangatha poiyanadi
Gyaana thangame
Adangatha poiyanadi
Gyaana thangame..
Gyaana thangame
Gyaana thangame
For ten whole months,
the spark of life grew,
taking a form, did it not,
my wise golden one,
and became a mortal body!
For ten whole months,
the spark of life grew,
taking a form, did it not,
my wise golden one,
and became a mortal body!
My wise golden one,
it became a mortal body!
One is enough for penance,
two are needed for Tamil,
One is enough for penance,
two are needed for Tamil,
four are needed for a corpse—
my precious jewel,
this is the way of the world!
My wise golden one,
this is the way of the world!
The alchemist is a bluffer,
the doctor and the sorcerer too,
and as for the astrologer,
my wise golden one,
he is an outright liar!
The priest is a liar,
the poet is a liar too,
The priest is a liar,
the poet is a liar too,
and as for the goldsmith,
my wise golden one,
he is an incorrigible liar!
My wise golden one...
My wise golden one...
My wise golden one,
my wise golden one,
and as for the goldsmith,
my wise golden one,
he is an incorrigible liar!
My wise golden one,
he is an incorrigible liar!
My wise golden one...
My wise golden one,
my wise golden one.
Male
Male
Male
Male

Beyond the translation

Overall song meaning

This philosophical and satirical Tamil folk song, penned by the renowned Dravidian poet Udumalai Narayanakavi, offers a sharp commentary on human existence and social pretenses. Opening with reflections on human birth—how a soul takes physical form after ten months in the womb—it invokes traditional numerical aphorisms of Tamil culture (such as one person needed for penance, two for dialogue/debates, and four to carry a corpse). As the song progresses, it shifts into a humorous yet incisive critique of various trades and professions of the time. The singer critiques debaters, doctors, occultists, astrologers, priests, poets, and artisans, labeling them as deceivers or pretenders who exploit human credulity. Addressed to 'Gyaana Thangam' (a term of endearment meaning 'golden child of wisdom'), the song urges listeners to see through societal hypocrisies and seek true wisdom.

Writing craft

Poetic devices

Ethugai (Second Letter Rhyme)

Thavathukku oruvaradi / Savathukku naalvaradi

The second consonant 'va' (வ) rhymes between 'Thavathukku' (penance) and 'Savathukku' (corpse).

Iyaipu (End Rhyme)

Thavathukku oruvaradi / Thamizhukku iruvaradi / Savathukku naalvaradi

Lines end with matching rhythmic suffixes ('-adi'), creating a catchy folk cadence.

Monai (Initial Letter Alliteration)

Poosaari poiyan / Pulavanum poiyan

Initial consonant sound 'P' repeats at the start of 'Poosaari' and 'Pulavanum'.

Refrain / Addressing Form (Gnaana Thangam Song Genre)

Gyaana thangamae

The repeated address 'Gyaana Thangamae' follows the traditional Siddhar folk song style where spiritual advice is delivered to a persona named Gnaana Thangam.

Did you know?

Trivia

This song from 'Mamiyar Mechiya Marumagal' (1959) is written in the classic 'Gnaana Thangam Pattu' folk genre, traditionally used by Tamil Siddhars to impart philosophical truths. Udumalai Narayanakavi, known as 'Kavirayar', adapted this traditional form to infuse Dravidian rationalist ideology and expose social charlatans. Sang by S. C. Krishnan, whose voice was iconic for satirical and comedic folk numbers in 1950s Tamil cinema, the song remains a classic example of social reform lyrics in film music.

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