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Isaimozhi
Lyrics & meaning

Aalaiyin Sange Nee

From Ratha Kanneer · 1954

Lyricist
Udumalai Narayanakavi
Singer
M. L. Vasanthakumari
Music director
C. S. Jayaraman
Movie name
Ratha Kanneer
Movie release year
1954
Lyrics added on
3 Feb 2025

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Aalaiyin sangae nee oodhaayo
Panjaalaiyin sangae nee oodhaayo
Mani ainthaana pinnum
Panjaalaiyin sangae nee oodhaayo
Kaalai Mudhal avar nenjam kothikkavae
Kaalai Mudhal avar nenjam kothikkavae
Aaa….aa….aa….aa….aa…aa…
Kaalai Mudhal avar nenjam kothikkavae
Kaalai Mudhal avar nenjam kothikkavae
Aalaiyin sangae nee oodhaayo
Melai thisaithanil veyyilum saainthathae
Yae…yae..yae…yae….yae….yae…
Melai thisaithanil veyyilum saainthathae
Veedhi paarththiruntha en kannum ointhathae
Veedhi paarththiruntha en kannum ointhathae
Melum avar sol ovvondrum
Inbam vaainthathae
Melum avar sol ovvondrum
Inbam vaainthathae
Vinnai pilakkum
Un thondai yaen kaainthathae
Aalaiyin sangae nee oodhaayo
Kulikka oru naazhigai yaagilum kazhiyum
Aaa…aa….aa…aa…
Kulikka oru naazhigai yaagilum kazhiyum
Kunthi pesa oru naazhigai ozhiyum
Vilaiththa unavir konja neramum azhiyim
Vilaiththa unavir konja neramum azhiyim
Velli mulaikku mattum kadhal thaen pozhiyum
Velli mulaikku mattum kadhal thaen pozhiyum
Aalaiyin sangae nee oodhaayo…
O mill whistle, won't you blow?
O cotton mill whistle, won't you blow?
Even though it is past five o'clock,
O cotton mill whistle, won't you blow?
Since morning his heart has been burning under the strain,
Since morning his heart has been burning under the strain,
Aa... aa... aa... aa... aa... aa...
Since morning his heart has been burning under the strain,
Since morning his heart has been burning under the strain,
O mill whistle, won't you blow?
The sun has already dipped in the western sky,
Ae... ae... ae... ae... ae... ae...
The sun has already dipped in the western sky,
My eyes have grown weary watching the street,
My eyes have grown weary watching the street,
And every word he speaks
is filled with sweet delight,
And every word he speaks
is filled with sweet delight,
You whose call pierces the sky,
why has your throat gone dry?
O mill whistle, won't you blow?
It will take at least a while for him to bathe,
Aa... aa... aa... aa...
It will take at least a while for him to bathe,
Sitting down to talk will take some more time,
A little time will pass while eating our meal,
A little time will pass while eating our meal,
Love will shower its sweetness only till the morning star rises,
Love will shower its sweetness only till the morning star rises,
O mill whistle, won't you blow?
Female
Female
Female
Female
Female
Female
Female
Female

Beyond the translation

Overall song meaning

This song is sung from the perspective of a loving wife waiting anxiously for her husband to return home after a long, exhausting shift at the cotton mill. She pleads directly to the factory siren, urging it to sound and signal the end of the work shift, noting that the clock has already struck five and the evening sun has set in the west. Her eyes have grown tired of gazing down the street in anticipation.

Writing craft

Poetic devices

Apostrophe (Personification)

Aalaiyin sangae nee oodhaayo

The singer addresses the inanimate factory siren directly as 'nee' (you) as if it were a living entity capable of hearing her plea.

Hyperbole (Urvai)

Vinnai pilakkum

The siren's sound is poetically described as loud enough to split or pierce the sky ('Vinnai pilakkum').

Metaphor (Uruvakam)

Velli mulaikku mattum kadhal thaen pozhiyum

The joy of intimate marital love is metaphorically depicted as pouring honey ('kadhal thaen pozhiyum').

Anaphora / Repetition

Kaalai Mudhal avar nenjam kothikkavae

Repetition of key lines throughout the stanza reinforces the heroine's deep yearning and sense of time passing.

Did you know?

Trivia

Featured in the seminal 1954 Tamil film 'Ratha Kanneer' starring M. R. Radha, this song was composed by C. S. Jayaraman and penned by the reformist poet Udumalai Narayanakavi. Sung by Carnatic virtuoso M. L. Vasanthakumari, the song subtly highlights the grueling hours and physical toll faced by industrial textile workers of that era, contrasting harsh mill work with domestic warmth.

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