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Isaimozhi
Lyrics & meaning

Thannai Arindhu

From Ratha Kanneer · 1954

Lyricist
Mahakavi Subramanya Bharathiyaar
Singer
C. S. Jayaraman
Music director
C. S. Jayaraman
Movie name
Ratha Kanneer
Movie release year
1954
Lyrics added on
20 Feb 2025

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Thannai yarinthozhuguvaar thannai maraippaar
Thannai yariyaathavarae thannai kaattuvaar
Thannai yarinthozhuguvaar thannai maraippaar
Thannai yariyaathavarae thannai kaattuvaar
Pinnaiyoru kadavulai pena ninaiyaar
Pinnaiyoru kadavulai pena ninaiyaar
Peroliyai penuvaayendrodu paambe
Peroliyai penuvaayendrodu paambe
Aadu paambe aadu paambe
Aadu paambe aadu paambe
Peroliyai penuvaayendrodu paambe
Uliyitta karsilaiyil undo unarchi
Eee…..ee….ee….ee….ee…ee…
Uliyitta karsilaiyil undo unarchi
Ulagaththin moodarukundo unarchi
Puliyitta sembinilae kuttrampomo
Puliyitta sembinilae kuttrampomo
Annyaanam pogaathu moodarkondraadu paambe
Poosai seithathaal suththa pothaam varumo
Oo…oo…oo…oo…oo…oo…oo…
Poosai seithathaal pothaam varumo
Bhoomi valanj seithathanaar punniyamundo
Aasaiyattra kaalaththilaeyae aadhi vashthuvai
Aasaiyattra kaalaththilaeyae aadhi vashthuvai
Adaiyaalaamendru thuninthaadu paambe
Aadu paambe aadu paambe
Aadu paambe aadu paambe
Aasaiyattra adaiyaalam endru aadu paambe
Sathurvetha maaruvagai saasthiram pala
Sathurvetha maaruvagai saasthiram pala
Thanthiram puraanangalai saattru maagamam
Vidha vidhamaana veru noolgalum
Vidha vidhamaana veru noolgalum
Veenaana noolgalendraadu paambe
Aadu paambe aadu paambe
Aadu paambe aadu paambe
Those who truly know themselves keep themselves humble.
Only those who do not know themselves show off.
Those who truly know themselves keep themselves humble.
Only those who do not know themselves show off.
They never think of seeking any other god;
They never think of seeking any other god;
Dance, O snake, saying, "Cherish the Supreme Light!"
Dance, O snake, saying, "Cherish the Supreme Light!"
Dance, O snake! Dance, O snake!
Dance, O snake! Dance, O snake!
Dance, O snake, saying, "Cherish the Supreme Light!"
Does a stone idol carved with a chisel have any feeling?
Ee... ee... ee... ee... ee... ee...
Does a stone idol carved with a chisel have any feeling?
Do the fools of this world have any true understanding?
Can scrubbing a copper pot with tamarind remove its inner flaws?
Can scrubbing a copper pot with tamarind remove its inner flaws?
Dance, O snake, saying that ignorance will never leave fools!
Will true awareness come from merely performing rituals?
Oh... oh... oh... oh... oh... oh...
Will true awareness come from merely performing rituals?
Is there any merit in simply circling the earth on pilgrimage?
Only in a state free of desire can the Primal Truth
Only in a state free of desire can the Primal Truth
Be attained—dance with confidence, O snake!
Dance, O snake! Dance, O snake!
Dance, O snake! Dance, O snake!
Dance, O snake, knowing that the Divine can be reached!
The four Vedas, the six Shastras (philosophical systems),
The four Vedas, the six Shastras (philosophical systems),
The Tantras, the Puranas, and the recited Agamas,
And all the countless other kinds of texts—
And all the countless other kinds of texts—
Dance, O snake, declaring they are all useless books!
Dance, O snake! Dance, O snake!
Dance, O snake! Dance, O snake!
Male
Male
Male
Male
Male
Male
Male
Male
Male
Male
Male

Beyond the translation

Overall song meaning

This song presents a sharp philosophical critique of superficial religious rituals, idolatry, and dogma, drawing from the traditional Siddhar poetic style of Pambatti Siddhar. It addresses the snake—a metaphor for the Kundalini energy or human mind—urging it to dance in praise of true inner realization (the Supreme Light) rather than empty ritualistic practices. The lyrics argue that true divinity is found through self-knowledge, desirelessness, and inner awakening, rendering formal scriptures and physical idols meaningless without genuine spiritual understanding.

Writing craft

Poetic devices

Refrain (Madakku / Epistrophe)

Aadu paambe aadu paambe

The phrase 'Aadu paambe' (Dance, O Snake) is repeated at the end of verses as a rhythmic refrain, echoing the mystical traditions of Siddhar poetry.

Rhetorical Question (Vinawani)

Uliyitta karsilaiyil undo unarchi

The lyricist uses rhetorical questions to challenge dogmatic practices, asking if a chiseled stone statue or ritual worship can ever grant true consciousness or wisdom.

Analogy / Metaphor (Uwamai)

Puliyitta sembinilae kuttrampomo

The image of scrubbing copper with tamarind is used as an analogy to show that external cleansing or ritual cannot remove deep-seated ignorance from fools.

Initial Rhyme (Monaai)

Thannai yarinthozhuguvaar thannai maraippaar

Alliteration of the initial consonants ('Th') creates poetic harmony across consecutive lines.

Did you know?

Trivia

In the landmark film Ratha Kanneer (1954), starring M. R. Radha, this Siddhar-style composition sung by C. S. Jayaraman was used to echo the anti-superstition and rationalist themes popularized by the Dravidian movement of the era. Although rooted in ancient Siddhar literature, its inclusion in the film highlighted modern social critique.

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