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Lyrics & meaning

Paadupattu Panathai

From Pudhu Vazhvu · 1957

Lyricist
Saravanabavanandha
Singer
M. K. Thiyagaraja Bagavathar
Music director
G. Ramanathan
Details
Pudhu Vazhvu1957

Lyrics & meaning

Tanglish lyrics English translation
Male
Paadu pattu panathai ezhai kannmidaamalWorking hard without even blinking an eye, O poor soul,
Thedi veithu povadhenoo gnyaana thangamaeWhy do you hoard wealth only to leave it behind when you die, my golden wise one?
Thedi veithu povadhenoo gnyaana thangamaeWhy do you hoard wealth only to leave it behind when you die, my golden wise one?
Male
Paadu pattu panathai ezhai kannmidaamalWorking hard without even blinking an eye, O poor soul,
Thedi veithu povadhenoo gnyaana thangamaeWhy do you hoard wealth only to leave it behind when you die, my golden wise one?
Thedi veithu povadhenoo gnyaana thangamaeWhy do you hoard wealth only to leave it behind when you die, my golden wise one?
Male
Dhegam sadhamillaiyae gnyaana thangamaeThis physical body is not permanent, my golden wise one.
Dhegam sadhamillaiyaeThis physical body is not permanent.
Male
Aaduvadhum paaduvadhum aaladimai seigirathumDancing, singing, and serving others like a slave,
Ooduvadhum theduvadhum gyaana thangamaeRunning around and searching ceaselessly, my golden wise one,
Aaduvadhum paaduvadhum aaladimai seigirathumDancing, singing, and serving others like a slave,
Ooduvadhum theduvadhum gyaana thangamaeRunning around and searching ceaselessly, my golden wise one,
Male
Oru jaan vayittrukadi gyaana thangamaeIs all ultimately just for a one-span stomach, my golden wise one!
Male
Meigyaana thangamidhu melaama thangamidhuTrue spiritual wisdom is real gold, this is the supreme gold,
Aggyaana thangamellaam anithiya thangamadiAll ignorant worldly treasure is impermanent, my dear,
Meigyaana thangam idhu melaana thangam idhuTrue wisdom is real gold, this is the supreme gold,
Aggyaana thangamellaam gyaana thangamaeAll ignorant worldly treasures are merely trivial, my golden wise one,
Anithiya thangamadi meigyaana thangamaeWorldly treasure is transient, true spiritual wisdom is the real gold,
Anithiya thangamadi meigyaana thangamaeWorldly treasure is transient, true spiritual wisdom is the real gold.

Beyond the translation

Song interpretation

Paadu Pattu Panathai is a philosophical, Siddhar-style song sung by the legendary Carnatic singer and actor M. K. Thyagaraja Bhagavathar in the film Pudhu Vazhvu (1957). Addressing a metaphorical golden wise soul (Gnyaana Thangam), the song questions the futile human drive to tirelessly accumulate material wealth, reminding the listener that the mortal body itself is impermanent and wealth cannot be taken past death. The song vividly portrays how human beings spend their lives singing, dancing, working as slaves, and running endlessly, all merely to satisfy the hunger of a small one-span stomach. It contrasts worldly treasures born of ignorance with the true, eternal wealth of spiritual enlightenment (Meignyaanam).

Writing craft

Poetic devices

Metaphor and Refrain (Adukyi / Refrain)

Thedi veithu povadhenoo gnyaana thangamae

The phrase 'Gnyaana Thangamae' (Golden Wise Soul) is repeated throughout as a term of endearment and spiritual address, serving as a guiding refrain typical of Tamil mystic poetry.

Iyaiybu (Internal Rhyming / Rhythm)

Aaduvadhum paaduvadhum aaladimai seigirathum / Ooduvadhum theduvadhum gyaana thangamae

The repetition of 'vadhum' suffixes (Aaduvadhum, paaduvadhum, Ooduvadhum, theduvadhum) creates a rhythmic flow reflecting the constant, mechanical bustle of human life.

Antithesis (Meignyaanam vs. Aggyaanam)

Meigyaana thangamidhu melaama thangamidhu / Aggyaana thangamellaam anithiya thangamadi

Contrasts true spiritual wisdom (Meignyaanam) with worldly ignorance (Aggyaanam) to emphasize that material possessions are transient while spiritual realization is supreme.

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Trivia

This song is composed in the tradition of Tamil Siddhar Padalgal (philosophical folk songs of Tamil mystics), which frequently use intimate refrains like 'Gnyaana Thangame' or 'Kudambai' to deliver sharp Advaitic critiques of materialism. It marks one of the notable late-career performances of M. K. Thyagaraja Bhagavathar (MKT), Tamil cinema's first grand superstar.

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