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Lyrics & meaning

Munnam Avanudaya Naamam Kettaal

From Parthiban Kanavu (1960 film) · 1960

Lyricist
Appar Thevaram
Singer
P. Leela
Music director
Vedha
Movie name
Parthiban Kanavu (1960 film)
Movie release year
1960
Lyrics added on
8 Jul 2019

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Munnam avan udaiya naamam kett…aal
Munn…am avan…udaiya naamam kettaal
Munn…am avanudaiya naamam kett….aal
Moorthi…nee avan irukkum vannam…kettaal
Pinnai avanudaiya aaroor kettaal
Semmaan avanukkae keerthi aanaaal
Semmaan avanukkae keerthi aanaaal
Annaiyaiyum athanaiyum
Annaiyaiyum athanaiyum
Anbae neethaal
Agandraal agilida kalachaarathai
Thanai marandhaal
Than naamam kettaal
Thannai marandhaal
Than naamam kettaal
Thalaipattaal nangai thalaivan thaalae
Thannai marandhaal
Than naamam kettaal
Thalaipattaal nangai thalaivan thaalae
Thalaivan thaalae…………….
First, she heard his name.
First... she... heard his name.
First... she heard his name.
She heard of his divine form and the way he looks.
Next, she heard of his town, Arur.
And she fell deeply in love with him alone.
And she fell deeply in love with him alone.
Her mother and her father,
Her mother and her father,
she left them behind in deep devotion.
She walked away from the ways of this world,
she forgot all about them.
She lost her own name,
She forgot herself,
She lost her own name,
And the young woman surrendered at her Lord's feet.
She forgot herself,
She lost her own name,
And the young woman surrendered at her Lord's feet,
At her Lord's feet...
Female
Female
Female

Beyond the translation

Overall song meaning

This song is a divine hymn composed by Saint Thirunavukkarasar (Appar) from the sacred Thirumurai (Thevaram collection), adapted into the film Parthiban Kanavu. Written in the tradition of Nayaka-Nayaki Bhava (bridal mysticism), the poem allegorically depicts the journey of the human soul (the maiden) yearning for union with the Supreme Being, Lord Shiva.\n\nThe spiritual progression moves from hearing the divine name to seeking His form and holy abode. Deeply consumed by divine love, the soul surrenders all worldly ties—her family, social expectations, and ultimately her personal ego and identity—culminating in total self-surrender (Saranagathi) at the sacred feet of the Lord.

Writing craft

Poetic devices

Nayaka-Nayaki Bhava (Bridal Mysticism Allegory)

Munnam avan udaiya naamam kettaal

The poet uses the persona of a young woman falling madly in love with a beloved to express the soul's profound spiritual longing for Lord Shiva.

Gradation / Climax (Spiritual Evolution)

Moorthi nee avan irukkum vannam kettaal... Pinnai avanudaiya aaroor kettaal

The lyrics build progressively from hearing a name to learning about the form, seeking the abode, abandoning worldly ties, forgetting the self, and finally reaching the Lord's feet.

Repetition (Thiruppam / Emphasis)

Thanai marandhaal / Than naamam kettaal

The repetition of 'Thanai marandhaal' and 'Than naamam kettaal' underscores the total dissolution of personal ego and earthly identity in divine devotion.

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Trivia

This famous verse is a Thirukkurunthogai hymn from the 6th Thirumurai composed by Saint Thirunavukkarasar (Appar), one of the prominent 63 Nayanmars. In the 1960 historical film 'Parthiban Kanavu' (directed by D. Yoganand, starring Gemini Ganesan and Vyjayanthimala), this timeless devotional poem was set to classical music composed by S. V. Venkatraman and rendered beautifully to reflect Chola-era cultural grandeur.

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