- Lyricist
- Yugabharathi
- Singer
- Balram
- Music director
- D. Imman
- Movie name
- Kayal
- Movie release year
- 2014
- Lyrics added on
- 14 Nov 2017
Lyrics & meaning
Beyond the translation
Overall song meaning
Yenga Pulla Irukka from the movie Kayal (2014) is a deeply emotional Tamil song expressing a lover's intense grief, longing, and desperation upon losing his beloved. The protagonist frantically calls out to his partner, begging her to appear before his eyes even for a brief moment. He describes his inner agony as an unbearable solitary burn and compares his disoriented state of mind to a spinning giant wheel, overwhelmed by memories that pour out uncontrollably. He views her as a priceless blessing granted without penance, acknowledging her paramount importance in his life—reverencing her with the warmth and sanctity usually reserved for a mother. His devotion is so absolute that he declares his love will transcend mortality, promising to search for her even beyond death.
Writing craft
Poetic devices
Simile (Upamai)
“Suththi vitta raatinamaa / En manasu suthuthadi”
Compares the dizzying mental agony and spinning of the protagonist's mind to a giant wheel set into motion.
Hyperbole (Uyarvu Navitchi)
“Irandhaalum unai thedi alaivenadi”
Exaggerates the eternal nature of his love by stating that his spirit will wander searching for her even after death.
Metaphor (Uruvagaimai)
“Aridhaana porulaaga therindhaayadi / Enakkaana varam pola pirandhaayadi”
Refers to the beloved directly as a rare, precious object and a divine boon specifically created for him.
Rhyme & Assonance (Edhukai/Monai)
“Oththaiya veguren / Mothamaa noguren”
Uses rhythmic vocal assonance and end-rhyme pairing 'veguren' (burning) and 'noguren' (pained) to emphasize suffering.
Did you know?
Trivia
The song 'Yenga Pulla Irukka' from Kayal (2014) was composed by D. Imman, penned by lyricist Yugabharathi, and sung by Balram. It serves as a pivotal emotional centerpiece in the movie, which is set around the tragedy of the 2004 Indian Ocean Tsunami.
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