Skip to content
Isaimozhi
Lyrics & meaning

Varattum Vandhaal Vazhi Solven

From Rathna Kumar · 1949

Lyricist
Papanasam Sivan
Singer
P. Bhanumathi
Music directors
G. Ramanathan, C. R. Subbaraman
Details
Rathna Kumar1949

Lyrics & meaning

Tanglish lyrics English translation
Female
Varattum vandhaalLet him come; once he comes,
Vazhi solluvaenI will show him the way.
Varattum vandhaalLet him come; once he comes,
Vazhi solluvaenI will show him the way.
Dhushta manadhai adakkumHe who lacks the supreme capability
Uyar vallamai attra avarTo subdue and control a wicked mind,
Varattum vandhaalLet him come; once he comes,
Vazhi solluvaenI will show him the way.
Dhushta manadhai adakkumHe who lacks the supreme capability
Uyar vallamai attra avarTo subdue and control a wicked mind,
Varattum ingae varattumLet him come here, let him come,
Vandhaal vazhi solluvaenIf he comes, I will show him the way.
Female
KuruttuthanathaalOut of sheer blind foolishness,
Avamaana pattu thirumbiSuffering humiliation and turning back,
KuruttuthanathaalOut of sheer blind foolishness,
Avamaana pattu thirumbiSuffering humiliation and turning back,
Konji kenji ennidam vandhuCoaxing and begging, coming to me,
Kuzhaindhoru mutham ketka varattumLet him come, softly pleading for a kiss.
Konji kenji ennidam vandhuCoaxing and begging, coming to me,
Kuzhaindhoru mutham ketka varattumLet him come, softly pleading for a kiss.
Vandhaal vazhi solluvaenIf he comes, I will show him the way.
Female
Naadaalum raani aval engaeWhere is the queen who rules the realm?
Naadodi yaana ivar engaeWhere is he, a mere wandering nomad?
Naadaalum raani aval engaeWhere is the queen who rules the realm?
Sutha naadodi yaana ivar engaeWhere is he, an absolute vagabond?
Ettaap pazhthukkaagaLonging for a fruit beyond reach,
Aasaippattu yaemaandhuDesiring it and ending up deceived,
Ettaa pazhthukkaagaLonging for a fruit beyond reach,
Aasaippattu yaemaandhuDesiring it and ending up deceived,
Thattu kettu kuttu pattuStumbling, erring, and taking blows,
Mudivilae avaren edhirilaeIn the end, right in front of me,
VarattumLet him come.
Thattu kettu kuttu pattuStumbling, erring, and taking blows,
Mudivilae avaren edhirilaeIn the end, right in front of me,
VarattumLet him come.
Vandhaal vazhi solluvaenIf he comes, I will show him the way.
Dhushta manadhai adakkumTo subdue and control a wicked mind,
Uyar vallamai attraLacking the supreme capability,
Avar varattum ingae varattumLet him come here, let him come,
Avar ingae varattumLet him come right here.

Beyond the translation

Song interpretation

This classic song expresses a woman's witty, confident, and mock-scolding attitude toward her lover who strayed after an unattainable beauty ('the fruit beyond reach'). Recognizing his inability to master his own impulsive desires, she foretells that his foolish pursuits will only end in humiliation and failure. Ultimately, she anticipates his humbled return to her feet, begging for her affection and warmth, at which point she promises to forgive him and guide him back onto the right path.

Writing craft

Poetic devices

Metaphor (Uruvagam)

Ettaap pazhthukkaaga

The phrase 'Ettaap pazham' (unreachable fruit) is used as a metaphor for a person or status that is far beyond one's reach.

Internal Rhyme / Assonance (Iyaibu & Monai)

Thattu kettu kuttu pattu

The repetitive rhythmic sounds in 'Thattu kettu kuttu pattu' create a sharp, musical cadence imitating physical stumbling and failure.

Contrast / Antithesis (Muran)

Naadaalum raani aval engae ... Sutha naadodi yaana ivar engae

Juxtaposes 'Naadaalum raani' (ruling queen) with 'Sutha naadodi' (pure nomad) to highlight the social and moral mismatch in the lover's foolish pursuit.

Refrain / Anaphora (Adukkuthodar)

Varattum vandhaal / Vazhi solluvaen

Repetition of 'Varattum vandhaal / Vazhi solluvaen' emphasizes the speaker's authoritative patience and certainty of her lover's return.

Did you know?

Trivia

Rathna Kumar (1949) was an adaptation of a famous Tamil play starring P. U. Chinnappa and Bhanumathi Ramakrishna. The film's music was jointly composed by G. Ramanathan and C. R. Subbaraman, with lyrics written by the celebrated Carnatic composer and lyricist Papanasam Sivan.

Keep listening

More from Rathna Kumar