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Isaimozhi
Lyrics & meaning

Vaamma Vaamma

From Thayum Magalum · 1965

Lyricist
Kannadasan
Singers
T. M. Soundararajan, L. R. Eswari
Music director
P. S. Diwakar
Details
Thayum Magalum1965

Lyrics & meaning

Tanglish lyrics English translation
Male
{Vaamma vaamma mayakkam ennammaCome, my dear, come, why this hesitation?
Female :Maama maama vilakkam yen maamaMy dear, why is an explanation needed?
Male :Yemmaa yemmaa ennidam sollammaOh girl, tell me what is on your mind.
Male :VaaCome
Female :UhummUh-huh
Male :VaaCome
Female :UhummUh-huh
Male :Sammadham thaanamma} (2)It is indeed consent!
Male
{Aadai moodum malareO flower covered in garments,
Female :Kodai kaala nizhaleO shade in the scorching summer,
Male :Vaadai kaala kulireO cool breeze in the winter season,
Female :Kulirukkettra urave} (2)O bond perfectly suited for the chill!
Male
Maaanoru pakkam naanoru pakkamWith the deer on one side and me on the other,
YenghuvadhenammaWhy are you longing/pining away, my dear?
Maaanoru pakkam naanoru pakkamWith the deer on one side and me on the other,
YenghuvadhenammaWhy are you longing/pining away, my dear?
Female :VaaCome
Male :UhummUh-huh
Female :VaaCome
Male :UhummUh-huh
Female :Sammadham thaanaiyaaIt is indeed consent, my beloved sir!
Male
Vaamma vaamma mayakkam ennammaCome, my dear, come, why this hesitation?
Female :Maama maama vilakkam yen maamaMy dear, why is an explanation needed?
Male :Yemmaa yemmaa ennidam sollammaOh girl, tell me what is on your mind.
Male :VaaCome
Female :UhummUh-huh
Male :VaaCome
Female :UhummUh-huh
Male :Sammadham thaanammaIt is indeed consent!
Male
{ Vaanam paarthakodiyeO creeper looking up at the sky,
Female :Vandhu serndha mazhaiyaeO rain that arrived to meet it,
Male :Kodiyil aadum kaniyaeO fruit swaying on the vine,
Female :Kaniyil oorum suvaiye..} (2)O sweetness brimming inside the fruit..
Male :Sendoru pakkam vandoru pakkamWith the red flower on one side and the bee on the other,
VaduvadhennammaWhy wither away, my dear?
Sendoru pakkam vandoru pakkamWith the red flower on one side and the bee on the other,
VaduvadhennammaWhy wither away, my dear?
Maama thaane ouvadhennammaIsn't it your beloved himself who gives in?
Male
Vaamma vaamma mayakkam ennammaCome, my dear, come, why this hesitation?
Female :Maama maama vilakkam yen maamaMy dear, why is an explanation needed?
Male :Yemmaa yemmaa ennidam sollammaOh girl, tell me what is on your mind.
Male :VaaCome
Female :UhummUh-huh
Male :VaaCome
Female :UhummUh-huh
Male :Sammadham thaanammaIt is indeed consent!

Beyond the translation

Song interpretation

This playful romantic duet expresses the flirtatious banter and deep affection between two lovers. The male lead beckons his beloved, asking why she hesitates or feels shy when they are destined to be together. She playfully resists and questions the need for formal explanations when their mutual love is already understood. Through poetic metaphors of nature—comparing each other to flowers, summer shade, winter warmth, sky-bound vines, falling rain, and honeybees—they celebrate their harmonious bond and ultimate mutual consent.

Writing craft

Poetic devices

Edhugai (Second letter rhyming)

Kodai kaala nizhale / Vaadai kaala kulire

The second letters of 'Kodai' (கோடை) and 'Vaadai' (வாடை) rhyme, creating a harmonious cadence across contrasting seasonal imagery.

Metaphor (Uruvagamm)

Vaanam paarthakodiye / Vandhu serndha mazhaiyae

The lovers describe each other using complementary natural phenomena—creeper and rain, fruit and sweetness, flower and honeybee—symbolizing inseparable unity.

Anaphora / Repetition (Ettugai / Sol-Avruththi)

Vaamma vaamma mayakkam ennamma / Maama maama vilakkam yen maama

Repetition of words like 'Vaamma vaamma' and 'Maama maama' at the start of lines accentuates rhythmic playfulness and intimacy.

Did you know?

Trivia

The film 'Thayum Magalum' (1965), starring S. A. Ashokan and C. R. Vijayakumari, featured music composed by P. S. Diwakar. Lyricist Kannadasan crafted this track with a unique, conversational folk-pop structure featuring lively vocal cues and playful back-and-forth interjections from T. M. Soundarajan and L. R. Eswari.

Keep listening

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