Skip to content
Isaimozhi
Lyrics & meaning

Thennavan Thaai Naattu

From Tenali Raman · 1956

Lyricist
Kannadasan
Singer
P. Susheela
Music director
Vishwanathan-Ramamoorthy
Details
Tenali Raman1956

Lyrics & meaning

Tanglish lyrics English translation
Female
Thennavan thaai nattu singaaramaeOh, the exquisite beauty of the motherland of the Southern King!
Thennavan thaai nattu singaaramaeOh, the exquisite beauty of the motherland of the Southern King!
Inghu sirppangal paadum sangeedhameHere is the divine music sung by the stone sculptures!
Thennavan thaai nattu singaaramaeOh, the exquisite beauty of the motherland of the Southern King!
Inghu sirppangal paadum sangeedhameHere is the divine music sung by the stone sculptures!
Thennavan thaai nattu singaaramaeOh, the exquisite beauty of the motherland of the Southern King!
Inghu sirppangal paadum sangeedhameHere is the divine music sung by the stone sculptures!
Thennavan thaai nattu singaaramaeOh, the exquisite beauty of the motherland of the Southern King!
Female
Annangal uravaadum anisolaiyumThe beautiful garden where swans mingle affectionately,
Annangal uravaadum anisolaiyumThe beautiful garden where swans mingle affectionately,
Aruginil vilaiyaadum ezhil yaavumaeAnd all the surrounding grace playing close by,
Thennavan thaai nattu singaaramaeOh, the exquisite beauty of the motherland of the Southern King!
Inghu sirppangal paadum sangeedhameHere is the divine music sung by the stone sculptures!
Thennavan thaai nattu singaaramaeOh, the exquisite beauty of the motherland of the Southern King!
Female
Kadal meedhu asaindhaadum alai nadagamThe rhythmic drama of waves dancing upon the sea,
Engal kalaimadhar kaar koondhal tharum yaasagamIs a humble plea seeking comparison with the dark tresses of our artistic women,
Kadal meedhu asaindhaadum alai nadagamThe rhythmic drama of waves dancing upon the sea,
Engal kalaimadhar kaar koondhal tharum yaasagamIs a humble plea seeking comparison with the dark tresses of our artistic women,
Kalam sendra manavaalan kadhai sollum maadhuThe devoted woman who recounts the tale of her husband gone to far lands,
Kalam sendra manavaalan kadhai sollum maadhuThe devoted woman who recounts the tale of her husband gone to far lands,
Indhiya naadandri ver engum yedhuWhere else can such virtue be seen except in the sacred land of India?
Indhiya naadandri ver engum yedhuWhere else can such virtue be seen except in the sacred land of India?
Thennavan thaai nattu singaaramaeOh, the exquisite beauty of the motherland of the Southern King!
Female
Kannada senthamizh thulu malaiyaalamKannada, classical Tamil, Tulu, Malayalam,
Haa…aaa….aaa…Haa...aaa...aaa...
Kannada senthamizh thulu malaiyaalamKannada, classical Tamil, Tulu, Malayalam,
Aandhiram ennum aivagai naaduAnd Andhra—making up the five-fold southern realm,
Aandhiram ennum aivagai naaduAnd Andhra—making up the five-fold southern realm,
Maandhargal yaavarum oorinamaagumWhere all people form a single unified heritage,
Maandhargal yaavarum oorinamaagumWhere all people form a single unified heritage,
Nadai udai pavai ondrena kaanumReflecting oneness in their stride, attire, and grace,
Nadai udai pavai ondrena kaanumReflecting oneness in their stride, attire, and grace,
Thennavan thaai nattu singaaramaeOh, the exquisite beauty of the motherland of the Southern King!
Inghu sirppangal paadum sangeedhameHere is the divine music sung by the stone sculptures!
Thennavan thaai nattu singaaramaeOh, the exquisite beauty of the motherland of the Southern King!

Beyond the translation

Song interpretation

Thennavan thaai nattu singaaramae is a majestic cultural and patriotic song from the 1956 Tamil film Tenali Raman. Sung with classical grace, the song celebrates the artistic splendor, scenic landscapes, and architectural heritage of South India under historical monarchs like King Krishnadevaraya. It depicts temple sculptures that seem to sing with life, picturesque gardens with swans, and ocean waves that pale in comparison to the elegance of local women. Furthermore, lyricist Kannadasan highlights cultural and regional unity by calling out the five prominent linguistic regions of the South—Kannada, Tamil, Tulu, Malayalam, and Andhra. The lyrics express that despite regional variations in language and customs, the people share an underlying oneness and shared identity within India.

Writing craft

Poetic devices

Personification (Tharkurippettram / Uruvagandhal)

Inghu sirppangal paadum sangeedhame

Stone sculptures are poetically described as singing music, attributing human artistic expression to temple architecture.

Hyperbole & Metaphor (Uvamaani)

Engal kalaimadhar kaar koondhal tharum yaasagam

The rolling ocean waves are metaphorically pictured as begging to borrow beauty from the flowing dark tresses of South Indian women.

Alliteration & Prosodic Enumeration (Monai / Edhugai)

Kannada senthamizh thulu malaiyaalam

Harmonious listing of the five southern linguistic regions (Kannada, Tamil, Tulu, Malayalam, Andhra) to create rhythmic flow and emphasize unity.

Did you know?

Trivia

Tenali Raman (1956) starred Sivaji Ganesan in the title role alongside N. T. Rama Rao as Emperor Krishnadevaraya. Composed by the legendary Viswanathan-Ramamoorthy duo and written by Kannadasan, this song stands out historically for explicitly mentioning the five linguistic entities of South India (Kannada, Tamil, Tulu, Malayalam, Andhra), celebrating the multicultural harmony of the historic Vijayanagara era.

Keep listening

More from Tenali Raman