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Isaimozhi
Lyrics & meaning

Thangam Pongum Meni

From Tenali Raman · 1956

Lyricist
Kannadasan
Singer
R. Balasaraswathy
Music director
Vishwanathan-Ramamoorthy
Movie name
Tenali Raman
Movie release year
1956
Lyrics added on
14 May 2025

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Hoo o o o o hoo o o
Thangam pongum maeni
Undhan sondham ini
Thaarani kaanadha thaenaaru kaanbom
Thangam
Kaaviyakalai pesum maadhu varum bodhu
Varum bodhu varum bodhu
Inbaloga ennang koori ezhil migum
Singaara sangeetha suvai tharum valamighu
Kaaviyakalai pesum maadhu varum bodhu
Maruppavar kedaiyaadhu
Maamalar mullai malarndhadhu polae
Maamalar mullai malarndhadhu polae
Magizhndhu unnai naadum annam
Koorum vannam kaelaai
Tharani kaanaadha thaenaaru kaanbom
Thaenaaru kaanbom..thaenaaru akanboo
Thangam
Maandhalir manam veesum solai
Haa…aa….aaa…haa…aa..
Maandhalir manam veesum solai
Andhi maalai…andhi maalai
Namakkoru sugavelai inithidum thirunaalae
Namakkoru sugavelai inithidum thirunaalae
Aasaiyin ellai arindhavar illai
Aasaiyin ellai arindhavar illai
Arivom naanum neeyum
Thaenum paalum saerum vannam
Tharani kaanaadha thaenaaru kaanbom
Thangam ..haaa…aaa..
Thangam ..haaa…aaa..
Thangam ..haaa…aaa..haa…aa….aa..
Thangam pongum maeni
Undhan sondham ini
Thaarani kaanadha thaenaaru kaanbom
Thangam…..
Hoo oh oh oh oh hoo oh oh
This body glowing like gold
Is all yours from now on
We shall see a river of honey the world has never seen
Golden one
When the woman who embodies the art of poetry arrives
When she arrives, when she arrives
Sharing thoughts of a world of joy, full of beauty
Offering the rich sweetness of enchanting music
When the woman who embodies the art of poetry arrives
There is no one who could turn her away
Like a great jasmine blossom blooming sweet
Like a great jasmine blossom blooming sweet
The graceful swan who comes seeking you with joy
Listen to what she has to say
We shall see a river of honey the world has never seen
We shall see a river of honey... a river of honey...
Golden one
In the grove fragrant with fresh mango leaves
Ha... aa... aaaa... ha... aa...
In the grove fragrant with fresh mango leaves
In the twilight evening... twilight evening
A moment of bliss for us, a sweet celebration
A moment of bliss for us, a sweet celebration
No one has ever known the limits of desire
No one has ever known the limits of desire
You and I shall find it out
Blending together like honey and milk
We shall see a river of honey the world has never seen
Golden one... ha... aaa...
Golden one... ha... aaa...
Golden one... ha... aaa... ha... aa... aa...
This body glowing like gold
Is all yours from now on
We shall see a river of honey the world has never seen
Golden one...
Female
Female
Female
Female
Female
Female

Beyond the translation

Overall song meaning

The song is an intoxicating declaration of love and devotion. The heroine compares her golden complexion and beauty to overflowing pure gold, dedicating herself entirely to her beloved. She invites him to experience an unprecedented heavenly bliss, metaphorically described as a river of honey unseen by the world. Rich with classical literary imagery—blooming jasmines, swan-like grace, sweet mango groves at twilight, and the seamless blending of milk and honey—the song poetically portrays the boundless depth of romantic desire and absolute union of two souls.

Writing craft

Poetic devices

Simile (Upama)

Maamalar mullai malarndhadhu polae

Compares the joyful emergence and blooming grace of the heroine to a jasmine flower opening its petals.

Metaphor (Roopaka)

Thaarani kaanadha thaenaaru kaanbom

Compares absolute romantic bliss to a river of honey that the world has never witnessed before.

Analogy (Upamana)

Thaenum paalum saerum vannam

Uses the seamless blending of milk and honey to represent the intimate physical and emotional union of lovers.

Emonai / Alliteration

Aasaiyin ellai arindhavar illai

Repetition of initial consonants or patterns across lyrical phrases (e.g., Aasaiyin / Arivom).

Did you know?

Trivia

Featured in the 1956 historical drama Tenali Raman (starring Sivaji Ganesan and N. T. Rama Rao), this classic composed by the iconic duo Viswanathan–Ramamoorthy highlights Kannadasan's mastery of Sangam-style imagery. Vocalist R. Balasaraswathy Devi delivered a timeless performance infused with classical Carnatic nuances.

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