Skip to content
Isaimozhi
Lyrics & meaning

Haririha Mukthi

From Tenali Raman · 1956

Lyricist
Geetha Govindam
Singer
P. Susheela
Music director
Vishwanathan-Ramamoorthy
Movie name
Tenali Raman
Movie release year
1956
Lyrics added on
2 May 2025

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Haririga mukthi vathurigare…vilasini
Vidhusidha kelibare
Sandhana sarchida neelakalaebare
Peedhavasana vanamaali
Kaeli salan midhiri kundala manditah
Kandayugha samidhasaali
Kaabi vilasa vilola vilosana kelana
Janitha manojam
Thiyayadhi mukthavadhooradhigam madhu soodhana
Vadhana sarojam
Isviryadhi kamabi sumpadhi kamabi
Ramayadhi kamabi ramaam
Pachyadhi sasmidha saarudha raama abaraam
Anu sakthi vaamaam
Here, Hari delights among charming, playful women,
Engrossed in joyful romantic play.
His dark blue body is anointed with fragrant sandalwood paste,
Wearing yellow garments and a garland of forest flowers.
With jeweled earrings swaying playfully as he moves,
And a radiant smile gracing his cheeks.
With her playful, restless glances full of charm,
A woman awakens love and desire in him.
An innocent young woman deeply meditates on Madhusudana (Krishna),
Lost in contemplation of his lotus-like face.
He embraces one woman and kisses another,
Bringing delight to yet another lovely beauty.
He smiles and looks upon another even more radiant woman,
And fondly follows another graceful beloved.
Female
Female
Female

Beyond the translation

Overall song meaning

This classic verse, adapted from Jayadeva's celebrated 12th-century Sanskrit masterpiece 'Gita Govindam', vividly depicts the divine love-sports (Raas Leela) of Lord Krishna (Hari/Madhusudhana) with the Gopis in Vrindavan. Krishna is described as having a dark blue complexioned body smeared with fragrant sandalwood paste, wearing brilliant yellow silk attire, and decorated with a forest flower garland. As He sways playfully, His shimmering earrings dance against His cheeks, and His darting, expressive eyes ignite feelings of romantic adoration among the cowherd maidens. The verse highlights the omnipresent and captivating nature of Krishna's charm. He bestows delight upon various maidens in unique ways—gazing lovingly at one's lotus face, sharing a gentle smile with another, and bringing supreme joy to all around Him. In the context of the film 'Tenali Raman' (1956), this piece serves as a sophisticated classical performance piece reflecting refined aesthetic beauty and devotional fervor.

Writing craft

Poetic devices

Metaphor (Uruvam / Rupaka)

Vadhana sarojam

Compares the face ('Vadhana') directly to a lotus flower ('Sarojam') to emphasize natural purity, elegance, and beauty.

Alliteration / Anuprasa (Monai / Ethugai)

Kaabi vilasa vilola vilosana kelana

Repetition of the 'vi' and 'la' syllable sounds creates a melodious, rhythmic phonetic flow echoing Krishna's playful dancing.

Visual Imagery (Vannanam)

Sandhana sarchida neelakalaebare / Peedhavasana vanamaali

Paints a vivid picture of Krishna's divine form—combining the cool white sandalwood paste against His blue skin and bright yellow silk robes.

Did you know?

Trivia

This track from the 1956 historical film 'Tenali Raman' features music composed by the iconic duo Viswanathan–Ramamoorthy. Though credited under the film's soundtrack, the lyrics are sourced directly from Jayadeva's immortal 'Gita Govindam' (specifically Ashtapadi 3, 'Chandanacharchita'). Rendered gracefully by legendary playback singer P. Susheela during the early phase of her career, this song stands out as a test of classical diction and vocal agility in Tamil cinema.

Keep listening

Songs with a similar feeling

From the same album

More songs from Tenali Raman

View album

Spot an issue?

Help us improve the lyrics or English translation.