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Isaimozhi
Lyrics & meaning

Maanattam

From Aalayamani · 1962

Lyricist
Kannadasan
Singer
P. Susheela
Music director
Vishwanathan-Ramamoorthy
Details
Aalayamani1962

Lyrics & meaning

Tanglish lyrics English translation
Female
Maanaattam thanga mayilaattamLike a deer's dance, like a golden peacock's dance
Poovaattam vanna thaeraattamLike a flower's motion, like a colorful chariot's movement
Thaanaadum mangai sadhuraattamThe classical dance performed gracefully by the maiden
Kandu thaenodum engum nadhiyaattamBeholding it, sweet honey flows everywhere like a river
Female
Maanaattam thanga mayilaattamLike a deer's dance, like a golden peacock's dance
Poovaattam vanna thaeraattamLike a flower's motion, like a colorful chariot's movement
Thaanaadum mangai sadhuraattamThe classical dance performed gracefully by the maiden
Kandu thaenodum engum nadhiyaattamBeholding it, sweet honey flows everywhere like a river
Female
Ooo… ooo… ooi…Ooo… ooo… ooi…
Ooo… ooo… ooi… oo… oo… ooOoo… ooo… ooi… oo… oo… oo
Female
Chendirukkum adhilThere is a cluster of flowers
Vandirukkum adhaiThere is a honeybee upon it
Kandirukkum kangal vandhirukkumThe eyes that behold it have arrived
Female
Chendirukkum adhilThere is a cluster of flowers
Vandirukkum adhaiThere is a honeybee upon it
Kandirukkum kangal vandhirukkumThe eyes that behold it have arrived
Sollirukkum adhilThere are words spoken
Suvaiyirukkum inbaThere is a sweet joyful
Thunaiyirukkum nenjil uravirukkumCompanionship present, and a bond in the heart
Female
Maanaattam thanga mayilaattamLike a deer's dance, like a golden peacock's dance
Poovaattam vanna thaeraattamLike a flower's motion, like a colorful chariot's movement
Thaanaadum mangai sadhuraattamThe classical dance performed gracefully by the maiden
Kandu thaenodum engum nadhiyaattamBeholding it, sweet honey flows everywhere like a river
Female
Ooo… ooo… ooi…Ooo… ooo… ooi…
Ooo… ooo… ooi… oo… oo… ooOoo… ooo… ooi… oo… oo… oo
Female
Paaindhu varum kangalEyes that leap with glance
Maeindhu varum thalaiHead that gently bows down
Saaindhu varum vetkam serndhu varumShyness arrives leaning in close
Female
Paaindhu varum kangalEyes that leap with glance
Maeindhu varum thalaiHead that gently bows down
Saaindhu varum vetkam serndhu varumShyness arrives leaning in close
Aadi varum vellamThe surging flood that dances
Paadi varum pennaiSeeking the maiden who comes singing
Thaedi varum inbam kodi perumThe joy that seeks her will yield a ten-million fold
Female
Maanaattam thanga mayilaattamLike a deer's dance, like a golden peacock's dance
Poovaattam vanna thaeraattamLike a flower's motion, like a colorful chariot's movement
Thaanaadum mangai sadhuraattamThe classical dance performed gracefully by the maiden
Kandu thaenodum engum nadhiyaattamBeholding it, sweet honey flows everywhere like a river
Female
Ooo… ooo… oooo… oooOoo… ooo… oooo… ooo
Ooo… ooo… oooo… oooo…Ooo… ooo… oooo… oooo…

Beyond the translation

Song interpretation

This song is a joyful celebration of a maiden's beauty, grace, and expressive dance. Lyricist Kannadasan uses vivid imagery from nature—comparing the woman's movements to a dancing deer, a golden peacock, a swaying flower, and a temple chariot. The lyrics paint a romantic picture of blossoming affection, where subtle glances, modesty, and musical rhythm evoke sweetness as vast as a flowing river of honey.

Writing craft

Poetic devices

Upamai (Simile)

Maanaattam thanga mayilaattam / Poovaattam vanna thaeraattam

Comparing the maiden's dance to a deer, peacock, flower, and temple chariot using the suffix '-aattam' (like the dance/movement of).

Iyaibu (Rhyming end-words)

Chendirukkum adhil / Vandirukkum adhai / Kandirukkum kangal vandhirukkum

Extensive use of identical verbal endings like 'irukkum' to create rhythmic melodic harmony.

Anaphora / Repetitive Phrasing

Paaindhu varum kangal / Maeindhu varum thalai / Saaindhu varum vetkam serndhu varum

Repeating structured suffixes ('-ndhu varum') across consecutive lines to build momentum and movement.

Did you know?

Trivia

'Aalayamani' (1962) was a major blockbuster starring Sivaji Ganesan, Gemini Ganesan, and B. Saroja Devi. The music was composed by the legendary duo Viswanathan–Ramamoorthy, and the song highlights Kannadasan's unique mastery of rhythmic end-rhymes (Iyaibu) tailored for classical-dance visually depicted on screen.

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