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Isaimozhi
Lyrics & meaning

Kallellam Manikka

From Aalayamani · 1962

Lyricist
Kannadasan
Singers
T. M. Soundararajan, L. R. Eswari
Music director
Vishwanathan-Ramamoorthy
Details
Aalayamani1962

Lyrics & meaning

Tanglish lyrics English translation
Female
……………
Male
{ Kal ellamCan all stones
Maanika kalaagumabecome precious rubies?
Kalai ellam kangalCan all art forms match the art
Sollum kalaiyaguma } (2)spoken through the eyes?
Male
{ SolellamCan all spoken words
Thooya thamizhbecome pure Tamil
Solaaguma suvaiellamwords? Can all sweetness match
Idhazh sindhum suvaiyaguma } (2)the sweetness poured from lips?
Female
……………………..
Male
Kal ellamCan all stones
Maanika kalaagumabecome precious rubies?
Kalai ellam kangalCan all art forms match the art
Sollum kalaiyagumaspoken through the eyes?
Male
{ Kanni thamizhVirgin Tamil gave us
Thandhadhoru thiruvasagamthe sacred Thiruvasagam,
Kallai kani aakum undhanyet a single word from you
Oru vaasagam } (2)turns a stone into sweet fruit.
Male
{ UndendruIsn't it your eyes that say 'Yes, it exists',
Solvadhundhan kanallavayour colorful eyes?
Vanna kanallava } (2)Your beautiful colorful eyes?
Male
Illai endruIsn't it your waist that says 'No, it doesn't exist',
Solvadhundhan idaiyour waist?
Allava minnal idai allavaIsn't it a waist like lightning?
Female
……………………
Male
Kal ellamCan all stones
Maanika kalaagumabecome precious rubies?
Kalai ellam kangalCan all art forms match the art
Sollum kalaiyagumaspoken through the eyes?
Female
……………………..
Male
{ Kamban kandaIsn't Sita created by poet Kamban your mother?
Seethai undhan thaai allavaIsn't Shakuntala created by Kalidasa your daughter?
Kaalidasan sakunthalai un sei allava } (2)your daughter?
Male
{ AmbikavathiAfter Amaravathi,
Anaitha amaravathiembraced by Ambikapathy,
Mangai amaravathi } (2)the maiden Amaravathi passed away,
Sendra pinbu paavalarkuyou became the sole refuge for poets forever,
Neeyae kathi endrumyou alone are their refuge,
Neeyae kathiyou alone are their refuge.
Female
………………
Male
Kal ellamCan all stones
Maanika kalaagumabecome precious rubies?
Kalai ellam kangalCan all art forms match the art
Sollum kalaiyagumaspoken through the eyes?

Beyond the translation

Song interpretation

'Kallellam Maanikka Kallaaguma' is a iconic romantic song from the 1962 Tamil film Aalayamani, featuring lyrics by Kannadasan and music by Viswanathan–Ramamoorthy. In this song, the protagonist praises his lover by asserting that just as ordinary stones cannot equal rubies, no art form can match the emotional depth conveyed by her eyes, and no sweetness can compare to her lips. He weaves rich literary imagery to elevate her grace above standard comparisons. The lyrics cleverly employ classical Tamil poetic tropes, contrasting the presence declared by her large eyes with the near-nonexistence of her slender waist ('slender as lightning'). Furthermore, Kannadasan connects her sublime beauty to legendary figures of classical literature—such as Kamban's Sita, Kalidasa's Shakuntala, and Ambikapathy's Amaravathi—declaring her to be the ultimate inspiration and sanctuary for poets.

Writing craft

Poetic devices

Monai (Initial Rhyme / Alliteration)

Kal ellam / Maanika kalaaguma / Kalai ellam kangal

Repetition of the initial 'Ka' sound across consecutive words ('Kal ellam', 'Kalai ellam', 'Kangal') creating a rhythmic flow.

Rhetorical Question (Vinaa)

Kal ellam Maanika kalaaguma

Using questions that imply an obvious 'no' to emphasize the subject's peerless beauty compared to ordinary stones or words.

Metaphor (Uruvagam)

Allava minnal idai allava

Directly comparing the heroine's slender waist to lightning ('minnal idai').

Literary Allusion (Ilakkiya Kurippu)

Kanni thamizh Thandhadhoru thiruvasagam

References to sacred and classical literary works and figures (Thiruvasagam, Kamban's Sita, Kalidasa's Shakuntala, and Ambikapathy-Amaravathi).

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Trivia

Although the prompt lists music and singers as unknown, this legendary song was composed by the duo Viswanathan–Ramamoorthy, sung by P. B. Sreenivas and P. Susheela, and picturized on Sivaji Ganesan and B. Saroja Devi. Kannadasan's phrase describing the waist as 'illai' (non-existent) and eyes as 'undendru' (existent) directly borrows from classical Sangam literature tropes where a woman's waist is portrayed as so narrow it seems almost absent.

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