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Kalaikoil album cover
Lyrics & meaning

Thanga Radham

From Kalaikoil · 1964

Lyricist
Kannadasan
Singers
P. Susheela, Dr. Balamuralikrishna
Music director
Vishwanathan-Ramamoorthy
Movie name
Kalaikoil
Movie release year
1964
Lyrics added on
18 Jan 2025

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Haa..aa..aa..aa…..aa..aa..aa..aa…..
Female :Haa..aa..aa..aa…..aa..aa..aa..aa…..
Male :Haa..aa..aa..aa…..aa..aa..aa..aa…..
Female :Haa..aa..aa..aa…..aa..aa..aa..aa….
Both :Haa..aa..aa..aa…..aa..aa..aa..aa…..
Thangha radham vandhadhu veedhiyile
Oru thalir maeni vandhadhu therinilae
Maragadha thoranam asaindhaada
Nalla maanikka maalaigal kavipaada
Maragadha thoranam asaindhaada
Nalla maanikka maalaigal kavipaada
Both :Kavi paada
Thangha radham vandhadhu veedhiyile
Oru thalir maeni vandhadhu therinilae
Thangha radham vandhadhu veedhiyile..ye
Male :Haa..aa..aa…aa..aa..aa..aa…
Sevvelaneerin kann thirandhu
Semmaadhulaiyin mani vaai pilandhu
Mulaividum sennel kolamittu
Moovarulaa vandha kaalangal polae
Thangha radham vandhadhu veedhiyile
Oru thalir maeni vandhadhu therinilae
Thangha radham vandhadhu veedhiyile
Female :Haa..aa..aa…aa..aa..aa..aa…
Maangani kannathil thaenoora
Siru maivizhi kinnathil meen aada
Maangani kannathil thaenoora
Siru maivizhi kinnathil meen aada
Thaen tharum vaazhaigal poraada
Deviyin pon maeni thallaada
Thaen tharum vaazhaigal poraada
Deviyin pon maeni thallaada
Both :Thangha radham vandhadhu veedhiyile
Oru thalir maeni vandhadhu therinilae
Maragadha thoranam asaindhaada
Nalla maanikka maalaigal kavipaada
Thangha radham vandhadhu veedhiyile..ye
Male :Haa..aa..aa…aa. haa..
Ah... aa... aa... aa...
Ah... aa... aa... aa...
Ah... aa... aa... aa...
Ah... aa... aa... aa...
Ah... aa... aa... aa...
A golden chariot came down the street,
A delicate beauty arrived upon that chariot.
As emerald arches gently sway,
As precious ruby garlands sing poetry,
As emerald arches gently sway,
As precious ruby garlands sing poetry,
Sing poetry...
A golden chariot came down the street,
A delicate beauty arrived upon that chariot.
A golden chariot came down the street...
Ah... aa... aa... aa...
Like the opening eye of a tender red coconut,
Like a ripe red pomegranate parting to show its ruby seeds,
Like sprouting red paddy drawing patterns on the ground,
Like the royal processions of the three kings in ancient days,
A golden chariot came down the street,
A delicate beauty arrived upon that chariot.
A golden chariot came down the street.
Ah... aa... aa... aa...
With honeyed sweetness welling in her mango-soft cheeks,
With fish dancing in the cups of her kohl-lined eyes,
With honeyed sweetness welling in her mango-soft cheeks,
With fish dancing in the cups of her kohl-lined eyes,
As sweet banana trees sway and brush against each other,
As this goddess's golden form sways gently,
As sweet banana trees sway and brush against each other,
As this goddess's golden form sways gently,
A golden chariot came down the street,
A delicate beauty arrived upon that chariot.
As emerald arches gently sway,
As precious ruby garlands sing poetry,
A golden chariot came down the street...
Ah... aa... aa... ah...
Male
Male
Female
Female
Female
Male
Male

Beyond the translation

Overall song meaning

This classic song vividly portrays the majestic arrival of a beautiful woman, comparing her grace to a divine golden chariot moving through the streets during a festive procession. Kannadasan uses traditional Sangam-style imagery—comparing her lips to pomegranate seeds, her cheeks to sweet mangoes, her eyes to fish in a bowl, and her surroundings to emerald arches and ruby garlands. The lyrics invoke a sense of classical Tamil glory, drawing a direct link to the medieval literary tradition of 'Moovar Ula', where royal and divine processions were celebrated in grand poetic verse. Set to intricate Carnatic classical musical phrasing, the song celebrates both human grace and divine art.

Writing craft

Poetic devices

Metaphor (Uvamaani)

Maangani kannathil thaenoora

'Thangha radham' (golden chariot) and 'Maangani kannathil' (mango cheek) use vivid metaphors to compare physical features directly to precious objects and sweet fruits.

Literary Allusion (Moovar Ula)

Moovarulaa vandha kaalangal polae

Direct reference to 'Moovar Ula', a famous Chola-era genre of Tamil literature written by poet Ottakoothar celebrating three Chola kings.

Anaphora and Rhyme (Monai and Ethirai)

Maragadha thoranam asaindhaada / Nalla maanikka maalaigal kavipaada

Use of initial and secondary consonant rhyming (Maragadha / Maanikka, Sevvelaneerin / Semmaadhulaiyin) to create melodic lyrical harmony.

Did you know?

Trivia

This iconic song from 'Kalaikoil' (1964) was set to music by Viswanathan–Ramamoorthy in the ragam Abhogi. It showcases a rare duet pairing of Carnatic classical legend Dr. M. Balamuralikrishna with playback queen P. Susheela. Poet Kannadasan intentionally used highly literary Sangam and Chola-era vocabulary to match the classical theme of the film.

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