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Isaimozhi
Lyrics & meaning

Thamarai Ilaiye

From Thanga Kalasam · 1988

Lyricist
London Gopal
Singers
K. S. Chitra, Rajkumar Bharathi
Music director
M. S. Vishwanathan
Details
Thanga Kalasam1988

Lyrics & meaning

Tanglish lyrics English translation
Female
Aa….aa….aah..aa…..aa….Aa....aa....aah..aa.....aa....
Aa….aa….aah..aa…..aa….Aa....aa....aah..aa.....aa....
Female
Thaamarai ilaiyae thoodhu sellaayoOh lotus leaf, will you not go as a messenger?
Thalaivanidam en thuyar sollaayo…oo….Will you not tell my sorrow to my beloved lord?
Thaamarai ilaiyae thoodhu sellaayoOh lotus leaf, will you not go as a messenger?
Thalaivanidam en thuyar sollaayo…..Will you not tell my sorrow to my beloved lord?
Female
Maamannan dhushyanthan mun sellaayoWill you not go before the great king Dushyanta?
Maamannan dhushyanthan mun sellaayoWill you not go before the great king Dushyanta?
Maadhival sagunthalai manam sollaayoWill you not express the heart of moon-like Shakuntala?
Maadhival sagunthalai manam sollaayoWill you not express the heart of moon-like Shakuntala?
Female
Thaamarai ilaiyae thoodhu sellaayoOh lotus leaf, will you not go as a messenger?
Thalaivanidam en thuyar sollaayo…oo….Will you not tell my sorrow to my beloved lord?
Female
Kadhalan varavai paarththirunthaenI was waiting for my lover's arrival,
Kadhalan varavai paarththirunthaenI was waiting for my lover's arrival,
Avan kadhalukeyengi kaaththirunthaenLonging deeply for his love, I waited,
Kadhalukeyengi kaaththirunthaenLonging deeply for his love, I waited,
Female
Penn pedhai ennullam thottri vanthaenAs an innocent woman, I lost my heart,
Perum vedhanaiyodu naan veettrirunthaen endruSaying that I remained seated in immense agony.
Female
Thaamarai ilaiyae thoodhu sellaayoOh lotus leaf, will you not go as a messenger?
Thalaivanidam en thuyar sollaayo…Will you not tell my sorrow to my beloved lord?
Female
Maarbinil poonganai thoduththaanaeHe shot a floral arrow into my chest,
Kaaman maarbinil poonganai thoduththaanaeLord Kamadeva shot a floral arrow into my chest,
Kaaman mangaiyin angam sutteriththaanaeKamadeva scorched the body of this maiden,
Mangaiyin angam sutteriththaanaeHe scorched the body of this maiden.
Male
Thaamarai ilaiyin thoodhu arinthaennaeI have realized the message on the lotus leaf,
Thaamarai ilaiyin thoodhu arinthaennaeI have realized the message on the lotus leaf,
Thaen malar sagunthalai thuyar arinthaenaeI have understood the anguish of sweet Shakuntala,
Thaen malar sagunthalai thuyar arinthaenaeI have understood the anguish of sweet Shakuntala.
Male
Thaamarai ilaiyae thoodhu sellaayoOh lotus leaf, will you not go as a messenger?
Maamannan dhushyanthan thuyar sollaayoWill you not convey the sorrow of the great king Dushyanta?
Female
Sinthanaiyai kollaiStealing away all my thoughts,
Konduthaan sendraanHe departed,
Sinthanalai thanthae chandhiran pol vanthaanHe came like the bright moon, giving waves of deep thoughts,
Male
Vaanmadhithaan vattukindraan senthanalaagaThe sky's moon now tortures like glowing red embers,
Thaen mozhiyum meen vizhiyaal sudugindralaeThe sweet-voiced maiden with fish-shaped eyes burns in separation.
Male
Thaamarai ilaiyae thoodhu sellaayoOh lotus leaf, will you not go as a messenger?
Maamannan dhushyanthan thuyar sollaayo…..Will you not convey the sorrow of the great king Dushyanta?

Beyond the translation

Song interpretation

This song draws deeply from the classical Indian epic story of Shakuntala and King Dushyanta, evoking the traditional literary motif of sending a message through nature—specifically a lotus leaf, a classic metaphor from Kalidasa's 'Abhijnanashakuntalam'. The lyrics depict the agony of love in separation (Viraha Bhava), where the heroine pleads with a lotus leaf to act as her envoy to deliver her pain and devotion to her beloved king. As the song progresses, the narrative flips perspective to acknowledge Dushyanta's own grief and longing, highlighting how the pangs of Kamadeva's arrows and the cool moonlight feel like burning embers to lovers separated by fate.

Writing craft

Poetic devices

Thoodhu (Messenger Motif / Personification)

Thaamarai ilaiyae thoodhu sellaayo

Addressing the lotus leaf ('Thaamarai ilaiyae') as a messenger to carry feelings of love and sorrow is a classic classical Tamil and Sanskrit literary device (Thoodhu literature).

Simile (Upamai)

Sinthanalai thanthae chandhiran pol vanthaan

Comparing the arrival of the beloved to the soothing moon ('chandhiran pol vanthaan') and comparing the lover's eyes to fish ('meen vizhiyaal').

Oxymoron / Paradox

Vaanmadhithaan vattukindraan senthanalaaga

The soothing cool moon in the sky ('Vaanmadhi') is described as burning like hot embers ('senthanalaaga'), expressing the pain of separation.

Alliteration (Edhugai / Monnai)

Maamannan dhushyanthan mun sellaayo

Repetition of consonant sounds like 'Maamannan' and 'Maadhival', creating a rhythmic musical flow.

Did you know?

Trivia

The lyricist London Gopal references the famous episode from Kalidasa's classical Sanskrit play 'Abhijnanashakuntalam', where Shakuntala writes a love letter to King Dushyanta on a lotus leaf using her fingernails while suffering from the torment of love in the forest hermitage.

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