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Isaimozhi
Lyrics & meaning

Malarmaaran Vaazhiyaar

From Harichandra -1944 Film · 1944

Lyricist
C. A. Lakshmana Das
Singer
P. Kannamba
Music director
S. V. Venkatraman
Details
Harichandra -1944 Film1944

Lyrics & meaning

Tanglish lyrics English translation
Female
Malarmaaran vaazhiyaar vaadugindromLong live Cupid, god of love, yet we are wilting in longing
Malarmaaran vaazhiyaar vaadugindromLong live Cupid, god of love, yet we are wilting in longing
Malarmaaran vaazhiyaar vaadugindromLong live Cupid, god of love, yet we are wilting in longing
Vasandhamagaa rudhuvaana ivvaelaiDuring this pleasant season of spring
Vasandhamagaa rudhuvaana ivvaelaiDuring this pleasant season of spring
Malarmaaran vaazhiyaar vaadugindromLong live Cupid, god of love, yet we are wilting in longing
Female
Nalam tharum raadhai naadhan illaamalWithout my benevolent lord, just as Radha is without Krishna
Nalam tharum raadhai naadhan illaamalWithout my benevolent lord, just as Radha is without Krishna
Nalindhidavae muraidhaano yen swaamiIs it fair that I languish in distress, my Lord?
Nalindhidavae muraidhaano yen swaamiIs it fair that I languish in distress, my Lord?
Female
Kani idhazh oorudhu kayal vizhi suzhaludhuMy fruit-like lips quiver with desire and fish-like eyes swirl
Kani idhazh oorudhu kayal vizhi suzhaludhuMy fruit-like lips quiver with desire and fish-like eyes swirl
Kani idhazh oorudhu kayal vizhi suzhaludhuMy fruit-like lips quiver with desire and fish-like eyes swirl
Ganadhanam vimmudhu kaivalai thalarudhuMy heavy bosom swells and bangles slip off my wrists
Ganadhanam vimmudhu kaivalai thalarudhuMy heavy bosom swells and bangles slip off my wrists
Panimalar soodi palavidhamaaghaAdorned with dew-laden blossoms in various styles
Panjanaiyil kulavum naal yen naaloWhich day will be the day I rejoice with him on the soft bed?
Female
Malarmaaran vaazhiyaar vaadugindromLong live Cupid, god of love, yet we are wilting in longing

Beyond the translation

Song interpretation

This song portrays the intense romantic longing (Viraha Tapam) of a woman separated from her beloved during the spring season (Vasantha Ritu). She addresses Kama (Malarmaaran, the god of love adorned with flower arrows), noting the irony that while love flourishes everywhere in spring, she is suffering in sorrow without her lord.

Writing craft

Poetic devices

Metaphor (Uvamai)

Kani idhazh oorudhu kayal vizhi suzhaludhu

The term 'Kayal vizhi' compares eyes to fish, and 'Kani idhazh' compares lips to sweet fruit, traditional classical Tamil metaphors for feminine beauty.

Irony

Malarmaaran vaazhiyaar vaadugindrom

Blessing Manmatha with long life ('Malarmaaran vaazhiyaar') while simultaneously lamenting the pain ('vaadugindrom') caused by his arrows of desire.

Alliteration & Rhyme (Monai and Edhukai)

Ganadhanam vimmudhu kaivalai thalarudhu

Repetition of consonant sounds like 'Ganadhanam' and 'Panjanaiyil' adds a musical rhythm suited to classical Carnatic ragas.

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Trivia

Harichandra (1944) was a major success starring P. U. Chinnappa and T. R. Rajakumari. Lyricist C. A. Lakshmana Das crafted the songs adhering strictly to classical Carnatic literary traditions.

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