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Isaimozhi
Lyrics & meaning

Udal Uruga Ulam Uruga

From Meera (1945) Film · 1945

Lyricist
Parthi Bhaskar
Singer
M. S. Subbulakshmi
Music director
S. V. Venkatraman
Movie name
Meera (1945) Film
Movie release year
1945
Lyrics added on
3 Jul 2019

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Udal uruga ulam uruga
Oonellaam nekkuruga… aaa….aaa….aaa…..
Kuzhaloodhi isai paadi
Enaithaedi vandhu…
Kadal vanna thirumaeni
Ezhirkolam kaatti
Kanavinilae enai manandha kannaa…
Aa…aaa…aaa….aaa…aaa…
En giridharanae
Kanavinilae enai manandha kannaa
Kanavinilae enai manandha kannaa
Giridharanae
Padamudiyaa thuyaram indha
Paedhai padavilaiyo
Padamudiyaa thuyaram indha
Paedhai padavilaiyo
Paavi uyir un pirivaal
Thaeivadharindhilaiyo…ooo…hooo…
Idar kadalil meeraavai
Thavikkavittae…ae…hae…hae…
Idar kadalil meeraavai
Thavikkavittae…ae…ae…hae…
Meeraavai thavikkavittae…
Ae…ae…hae…hae…
Indru engu sendraai ennarasae
Engu sendraai ennarasae
Ennarasae ennarasae
Engu maraindhanaiyo…hoo ooo hoo
As my body melts and my heart melts,
As my very being dissolves... Ah...
Playing the flute and singing melodies,
Coming in search of me...
With your sacred, ocean-hued form,
Showing your enchanting beauty,
O Krishna, who wedded me in a dream...
Ah... ah...
My Lord Giridhara,
O Krishna, who wedded me in a dream,
O Krishna, who wedded me in a dream,
O Giridhara,
An unbearable sorrow—
Has this helpless girl not suffered it?
An unbearable sorrow—
Has this helpless girl not suffered it?
Do you not know that this poor life
Is wasting away in separation from you? Ah...
Leaving Meera in an ocean of sorrow,
To struggle and despair... ah...
Leaving Meera in an ocean of sorrow,
To struggle and despair... ah...
Leaving Meera to struggle...
Ah... ah...
Where have you gone today, my King?
Where have you gone, my King?
My King, my King,
Where have you hidden away? Ah...
Female
Female
Female

Beyond the translation

Overall song meaning

This classic devotional composition from the 1945 film 'Meera' expresses Saint Meera's agonizing longing and ecstatic devotion for Lord Krishna (Giridhara). She reminisces about the divine vision where Krishna arrived playing his flute, displayed his captivating ocean-complexioned form, and united with her in a dream. Transitioning from blissful recollection to painful reality, Meera laments the deep distress of her current separation from him. She describes herself as drowned in an ocean of sorrow and questions where her divine king has vanished, desperately pleading for his presence to rescue her fading spirit.

Writing craft

Poetic devices

Metaphor (Uvamai / Urvagam)

Idar kadalil meeraavai

'Idar kadal' (ocean of distress) compares the immense, boundless nature of her grief and suffering to a vast sea.

Imagery (Visual and Auditory)

Kuzhaloodhi isai paadi / Kadal vanna thirumaeni

Creates vivid visual sensory details ('Kadal vanna thirumaeni' - ocean-hued sacred body) alongside auditory imagery ('Kuzhaloodhi isai paadi' - playing music on the flute).

Monai (Initial Alliteration)

Udal uruga ulam uruga

The repetition of initial sounds/vowels across words in a line ('Udal', 'ulam') creating rhythmic internal harmony.

Anaphora / Repetition (Adukku Thodar)

Ennarasae ennarasae

Repetition of emotional epithets and questions ('Ennarasae ennarasae', 'Kanavinilae enai manandha kannaa') to emphasize intensity of emotion and devotional grief.

Did you know?

Trivia

This iconic song was performed by the legendary Carnatic music exponent M. S. Subbulakshmi, who also portrayed the title role of Saint Meera in the 1945 Tamil movie 'Meera' (directed by Ellis R. Dungan with music scored by S. V. Venkatraman). The movie's immense success led to a 1947 Hindi remake, which launched M. S. Subbulakshmi to national prominence.

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