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Athaivida Ragasiyam album cover
Lyrics & meaning

Hare Gopala Srihari Madhava

From Athaivida Ragasiyam · 1978

Lyricist
Kannadasan
Singer
P. Susheela
Music director
Shankar Ganesh
Movie name
Athaivida Ragasiyam
Movie release year
1978
Lyrics added on
17 Dec 2021

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Harae gobala srihari maadhavaa
Harae gobala srihari maadhavaa
Andru paanjaali maanam kaaththavan neeyae
Bharatham poi solluma kannaa
Harae gobala srihari maadhavaa
Andru paanjaali maanam kaaththavan neeyae
Bharatham poi solluma kannaa
Harae gobala srihari maadhavaa
Gobiyar selaiyai thirudiya kalvan
Gogula kannan allavaa…aa…
Komaala meniyai paavanai seithavan
Yaathava kannan allavaa….aa….
Gowravar sabaiyilae aadaiyai thanthavan
Bhagavaan kannan allavaa
Kadavul manithanaa manithan kadavulaa
Kannaa unakku sollavaa
Kannaa unakku sollavaa
Harae gobala srihari maadhavaa
Enna un aasaiyo enna un thevaiyo
Ennidam nee ketkalaam
Ennaiyum rathaiyum ennum maadhavaa
Ennaiyum rathaiyum ennum maadhavaa
Edhanaiyum nee paarkkalaam
Pon ezhil meniyai pugazhperum deviyai
Bhoomiyil nee kaakkalaam
Bodhaiyil solvathum geedhaiyil sonnathum
Ondrena nee kaattalaam
Ondrena nee kaattalaam
Harae gobala srihari maadhavaa
Iravil veenai shuruthiyai meettu
Ilamaiyin isai ketkalaam
Uravin sugaththil ulagaththai kaattu
Urasava porul kaanalaam
Paruva nilaavai un megaththil moodu
Bharatha kadhai paadalaam
Bharatha kadhai paadalaam
Paavam oruththiyin vaazhvin kaakka
Paavam thavam aagalaam…aa
Paavam thavam aagalaam…..
Hare Gopala, Sri Hari, Madhava!
Hare Gopala, Sri Hari, Madhava!
Back then, you were the one who saved Panchali's honor.
Would the Mahabharata lie, O Krishna?
Hare Gopala, Sri Hari, Madhava!
Back then, you were the one who saved Panchali's honor.
Would the Mahabharata lie, O Krishna?
Hare Gopala, Sri Hari, Madhava!
The thief who stole the robes of the cowherd girls,
Isn't that Krishna of Gokulam?
The one who caressed their tender beauty,
Isn't that Krishna of the Yadavas?
The one who provided robes in the court of the Kauravas,
Isn't that Lord Krishna?
Is God a man, or is man a God?
O Krishna, shall I tell you?
O Krishna, shall I tell you?
Hare Gopala, Sri Hari, Madhava!
Whatever your desire, whatever your need,
You can ask it of me.
O Madhava, who sees Radha in me,
O Madhava, who sees Radha in me,
You can gaze upon whatever you please.
This golden, graceful body, this cherished woman,
You can protect upon this earth.
What is spoken in intoxication and what was taught in the Gita,
You can show that both are the same.
You can show that both are the same.
Hare Gopala, Sri Hari, Madhava!
Tune the strings of the veena at night,
And listen to the melody of youth.
Show me the world in the pleasure of closeness,
And find the true meaning of celebration.
Cover the youthful moon with your cloud,
And let us sing the story of the Mahabharata.
And let us sing the story of the Mahabharata.
To save the life of a helpless woman,
Even a sin can become a sacred prayer...
Even a sin can become a sacred prayer...
Female
Female
Female
Female
Female
Female
Female
Female
Female
Female
Female

Beyond the translation

Overall song meaning

This song presents a poetic and philosophical discourse addressed to Lord Krishna, invoking his famous mythological deeds from the Mahabharata—such as stealing the Gopis' clothes and saving Draupadi's dignity in the Kaurava court. The lyrics blend sacred devotion with human intimacy, questioning the boundary between godliness and humanity, and comparing the truths spoken in moments of earthly ecstasy to the eternal spiritual wisdom of the Bhagavad Gita. Narratively, the singer offers herself to the beloved while seeking protection and understanding. Kannadasan masterfully concludes the song with a moral nuance: if an act considered a 'sin' (paavam) is committed to protect a woman's dignity or life, it transcends its earthly guilt and rises to the status of a holy penance (thavam).

Writing craft

Poetic devices

Iyaipu (End Rhyme)

Gogula kannan allavaa... / Yaathava kannan allavaa... / Bhagavaan kannan allavaa

The repetitive line endings with 'allavaa' create a rhythmic, rhetorical cadence across the stanza.

Ethugai (Second Letter Rhyme)

Bodhaiyil solvathum geedhaiyil sonnathum

The second consonant 'dha' (த்) matches in 'Bodhaiyil' and 'Geedhaiyil', establishing musicality within the line.

Muran (Antithesis / Contrast)

Kadavul manithanaa manithan kadavulaa

Contrasts God becoming human versus human becoming God, challenging spiritual perception.

Wordplay / Paradox (Ani)

Paavam oruththiyin vaazhvin kaakka / Paavam thavam aagalaam

Kannadasan plays on 'Paavam' (sin/pity) transforming into 'Thavam' (penance) when done for a noble cause.

Did you know?

Trivia

Written by the legendary poet Kaviarasu Kannadasan for the 1978 movie 'Athaivida Ragasiyam', this song reflects his signature style of fusing classical Hindu mythology (Mahabharata and Bhagavad Gita) with deep human emotional dilemmas and sensual romanticism.

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