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Isaimozhi
Lyrics & meaning

Hare Gopala Srihari Madhava

From Athaivida Ragasiyam · 1978

Lyricist
Kannadasan
Singer
P. Susheela
Music director
Shankar Ganesh
Details
Athaivida Ragasiyam1978

Lyrics & meaning

Tanglish lyrics English translation
Female
Harae gobala srihari maadhavaaHare Gopala, Sri Hari Madhava,
Harae gobala srihari maadhavaaHare Gopala, Sri Hari Madhava,
Andru paanjaali maanam kaaththavan neeyaeYou are the one who protected Draupadi's honor back then,
Bharatham poi solluma kannaaWill the epic Mahabharata ever speak a lie, Krishna?
Female
Harae gobala srihari maadhavaaHare Gopala, Sri Hari Madhava,
Andru paanjaali maanam kaaththavan neeyaeYou are the one who protected Draupadi's honor back then,
Bharatham poi solluma kannaaWill the epic Mahabharata ever speak a lie, Krishna?
Female
Harae gobala srihari maadhavaaHare Gopala, Sri Hari Madhava,
Female
Gobiyar selaiyai thirudiya kalvanThe thief who stole the garments of the Gopis,
Gogula kannan allavaa…aa…Is it not Gokula's Krishna?
Komaala meniyai paavanai seithavanThe one who admired and adorned tender form,
Yaathava kannan allavaa….aa….Is it not Yadhava Krishna?
Female
Gowravar sabaiyilae aadaiyai thanthavanThe one who bestowed endless robes in the court of the Kauravas,
Bhagavaan kannan allavaaIs it not Lord Krishna?
Kadavul manithanaa manithan kadavulaaIs God a human, or is human a God?
Kannaa unakku sollavaaOh Krishna, shall I tell you?
Kannaa unakku sollavaaOh Krishna, shall I tell you?
Female
Harae gobala srihari maadhavaaHare Gopala, Sri Hari Madhava,
Female
Enna un aasaiyo enna un thevaiyoWhatever your desire is, whatever your need is,
Ennidam nee ketkalaamYou can ask of me.
Ennaiyum rathaiyum ennum maadhavaaOh Madhava, who values me as life's own blood,
Ennaiyum rathaiyum ennum maadhavaaOh Madhava, who values me as life's own blood,
Edhanaiyum nee paarkkalaamYou may behold anything you wish.
Female
Pon ezhil meniyai pugazhperum deviyaiA goddess famed for a body of golden beauty,
Bhoomiyil nee kaakkalaamYou can protect her on this earth.
Bodhaiyil solvathum geedhaiyil sonnathumThat which is spoken in ecstasy and that which was taught in the Bhagavad Gita,
Ondrena nee kaattalaamYou can prove that they are one and the same.
Ondrena nee kaattalaamYou can prove that they are one and the same.
Female
Harae gobala srihari maadhavaaHare Gopala, Sri Hari Madhava,
Female
Iravil veenai shuruthiyai meettuPluck the pitch of the veena at night,
Ilamaiyin isai ketkalaamAnd let us listen to the music of youth.
Uravin sugaththil ulagaththai kaattuShow the vast world in the bliss of our intimacy,
Urasava porul kaanalaamLet us discover the true meaning as we embrace.
Female
Paruva nilaavai un megaththil mooduVeil the youthful moon behind your dark clouds,
Bharatha kadhai paadalaamLet us sing the saga of the Mahabharata.
Bharatha kadhai paadalaamLet us sing the saga of the Mahabharata.
Paavam oruththiyin vaazhvin kaakkaTo save the life of a helpless woman,
Paavam thavam aagalaam…aaEven a sin can turn into a holy penance...
Paavam thavam aagalaam…..Even a sin can turn into a holy penance...

Beyond the translation

Song interpretation

This song presents a poetic and philosophical discourse addressed to Lord Krishna, invoking his famous mythological deeds from the Mahabharata—such as stealing the Gopis' clothes and saving Draupadi's dignity in the Kaurava court. The lyrics blend sacred devotion with human intimacy, questioning the boundary between godliness and humanity, and comparing the truths spoken in moments of earthly ecstasy to the eternal spiritual wisdom of the Bhagavad Gita. Narratively, the singer offers herself to the beloved while seeking protection and understanding. Kannadasan masterfully concludes the song with a moral nuance: if an act considered a 'sin' (paavam) is committed to protect a woman's dignity or life, it transcends its earthly guilt and rises to the status of a holy penance (thavam).

Writing craft

Poetic devices

Iyaipu (End Rhyme)

Gogula kannan allavaa... / Yaathava kannan allavaa... / Bhagavaan kannan allavaa

The repetitive line endings with 'allavaa' create a rhythmic, rhetorical cadence across the stanza.

Ethugai (Second Letter Rhyme)

Bodhaiyil solvathum geedhaiyil sonnathum

The second consonant 'dha' (த்) matches in 'Bodhaiyil' and 'Geedhaiyil', establishing musicality within the line.

Muran (Antithesis / Contrast)

Kadavul manithanaa manithan kadavulaa

Contrasts God becoming human versus human becoming God, challenging spiritual perception.

Wordplay / Paradox (Ani)

Paavam oruththiyin vaazhvin kaakka / Paavam thavam aagalaam

Kannadasan plays on 'Paavam' (sin/pity) transforming into 'Thavam' (penance) when done for a noble cause.

Did you know?

Trivia

Written by the legendary poet Kaviarasu Kannadasan for the 1978 movie 'Athaivida Ragasiyam', this song reflects his signature style of fusing classical Hindu mythology (Mahabharata and Bhagavad Gita) with deep human emotional dilemmas and sensual romanticism.

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