- Lyricist
- Thanjai N. Ramaiah Dass
- Singer
- Jikki
- Music director
- Ghantasala
- Movie name
- Vazhkkai Oppandam
- Movie release year
- 1959
- Lyrics added on
- 6 Apr 2025
Lyrics & meaning
Beyond the translation
Overall song meaning
This playful street-vendor style song, 'Vaa Vaa Raajaa Vaa' from the 1959 film 'Vazhkkai Oppandam', features a lively seller singing about her irresistible goods and charm. She entices passersby by claiming that her woven flower garlands and imported luxury items are one-of-a-kind. Using humor and exaggeration, she sings how her products can revitalize the elderly, impress grand playboys, and bring fragrance and delight to anyone who purchases them before time slips away. Composed by legendary music director Ghantasala with lyrics by Thanjai N. Ramaiah Dass and vocals by Jikki, the song captures the energetic spirit of folk street-cries with clever rhyme schemes, urban street slang, and geographic puns, creating a catchy dance sequence full of theatrical flair.
Writing craft
Poetic devices
Monorhyme / Ethukai (Second Letter Rhyme)
“Ponaa varadhu idhu / Poludhu ponaa kedaikkaadhu”
The second letter 'naa' in 'Ponaa' matches 'Poludhu' (alliteration/rhyme pattern) creating a rhythmic cadence standard in Tamil lyricism.
Alliteration / Mōnai (First Letter Harmony)
“Paati kizhavi thalaiyil vechaa / Palaiya vayasu thirumbidungha”
Repetition of the initial sound 'P' ('Paati', 'Palaiya', 'Pazhuthu') creates lyrical harmony across the stanza lines.
Assonance & Geographical Wordplay
“Kuthaalathula vechukittaa idhu / Kumbakonathilae kumaaikkum”
Rhyming town names using matching phonetics ('Kuthaalathula' with 'Kumbakonathilae', 'Pethaapurathil' with 'Peralathula').
Metaphor
“Poomaalai ennai pol / Thodukka yaarum mudiyaathu”
Comparing oneself to an exquisite flower garland that no one else can string together.
Did you know?
Trivia
'Vazhkkai Oppandam' (1959) was a bilingual film project made simultaneously in Tamil and Telugu (as 'Pelli Sandadi'). Singer Jikki's energetic rendition of this song made it one of the popular folk-style dance numbers of late 1950s Tamil cinema, heavily highlighting Thanjai N. Ramaiah Dass's knack for incorporating contemporary urban colloquialisms and imported slang into mainstream lyrics.
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