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Isaimozhi
Lyrics & meaning

Pallaviye Saranam

From Oruvar Vaazhum Aalayam · 1988

Lyricist
Ponnadiyan
Singers
S. P. Balasubrahmanyam, S. Janaki
Music director
Ilayaraja
Details
Oruvar Vaazhum Aalayam1988

Lyrics & meaning

Tanglish lyrics English translation
Female
Aaa…aaa….aaa…aaa….aaa….Aaa...aaa... vocalizing...
Pallaviyae saranam…..pallaviyae saranamOh opening refrain, you are my refuge... refuge...
Un geedham thanthathadi salanam…aa..aa…aa…Your song has brought an inner restlessness... aa..aa..aa...
Male :Pallaviyae saranamMale: Oh opening refrain, you are my refuge
Un geedham thanthathadi salanam…aa..aa…aa…Your song has brought an inner restlessness... aa..aa..aa...
Female :Pallaviyae saranam un geedhamFemale: Oh opening refrain, your song
Male :Thanthathadi salanam..Male: Has brought an inner restlessness...
Female
Mamara nizhalilUnder the shade of the mango tree
Aaa…aaa….aaa….aaa….Aaa...aaa... vocalizing...
Mamara nizhalil maargazhiyilUnder the shade of the mango tree in the month of Margazhi
Maan vizhi kalanthida thudiththaenaeI yearned for my deer-like eyes to meet yours
Male :Mamara nizhalil maargazhiyilMale: Under the shade of the mango tree in the month of Margazhi
Maan vizhi kalanthida thudiththaenaeI yearned for my deer-like eyes to meet yours
Female
Thaniyae kidanthu thaviththaenI suffered lying alone in solitude
Male :Thanisa thaanipa thaanisaMale: Swara solfege (Tha ni sa tha ni pa tha ni sa)
Female :Thalirudal thazhuvida silirththaenFemale: I shivered in delight as my tender body was embraced
Male :Thaa ni sa tha ni sa ma ga ri tha ni saMale: Swara solfege (Thaa ni sa tha ni sa ma ga ri tha ni sa)
Female
Thaniyae kidanthu thaviththaenI suffered lying alone in solitude
Thalirudal thazhuvida silirththaenI shivered in delight as my tender body was embraced
Iru uyir inainthapothu inbam vanthuWhen two souls united, happiness arrived
Manamathu magizhnthida kanavugal malarnthathuAs the heart rejoiced, dreams blossomed
Male :Iru uyir inainthapothu inbam vanthuMale: When two souls united, happiness arrived
Both :Paranthu paranthu paranthu magizhnthathuBoth: Soaring, soaring, soaring high in joy
Male
Pallaviyae saranam thanthathadi salanamOh refrain, refuge! It brought restlessness
Pallaviyae saranam…..Oh opening refrain, refuge...
Un geedham thanthathadi salanam…Your song has brought an inner restlessness...
Aaa….aaa….aaaa….. pallaviyae saranamAaa...aaa... oh opening refrain, refuge
Male
Thaamarai poigai oraththilaeAt the edge of the lotus pond
Poomazhai saaralin eeraththilaeIn the moisture of a gentle flower rain drizzle
Thaamarai poigai oraththilaeAt the edge of the lotus pond
Poomazhai saaralin eeraththilaeIn the moisture of a gentle flower rain drizzle
Male
Thedi unai naan kaanamalUnable to find you after searching
Vaadidum orruyir aanaenaeI became a single soul, slowly fading away
Thaedi unai naan kaanaamalUnable to find you after searching
Vaadidum orruyir aanaenaeI became a single soul, slowly fading away
Male
Kaniyae kaniyin amuthaeOh sweet fruit, nectar of the fruit
Female :Thagajam thagatha rigajamFemale: Rhythm syllables (Thagajam thagatha rigajam)
Male :Kaninthidum kaniyathan suvaiyaeMale: The very sweetness of a ripening fruit
Female :Thagida thagathimi kidathajamFemale: Rhythm syllables (Thagida thagathimi kidathajam)
Male
Kaniyae kaniyin amuthaeOh sweet fruit, nectar of the fruit
Kaninthidum kaniyathan suvaiyaeThe very sweetness of a ripening fruit
Isai unai pirinthapothu magizhvathaethuWhen separated from music, where is happiness?
Idhayamum thudikkithu iru vizhi kalanguthuThe heart throbs and both eyes fill with tears
Female
Thagaritha thanukkajamtha rinathajamthaaRhythm syllables (Thagaritha thanukkajamtha...)
Thagarithaa nagarithaa kudharithaa jagarithaaRhythm syllables (Thagarithaa nagarithaa...)
Male :Kavi porul vilagidaathu kalanthu pogaMale: Without letting the poetic meaning drift away, let us blend
Isaiyil nanainthu inainthu magizhavaaShall I rejoice, soaked and merged into music?
Male
Pallaviyae saranam…..Oh opening refrain, you are my refuge...
Un geedham thanthathadi salanam…Your song has brought an inner restlessness...
Aaa….aaa….aaaa….. pallaviyae saranamAaa...aaa... oh opening refrain, refuge

Beyond the translation

Song interpretation

The song 'Pallaviye Saranam' from the movie 'Oruvar Vaazhum Aalayam' is a soul-stirring classical melody that allegorizes love through musical terminology. The lovers address each other as the 'Pallavi' (the foundational refrain of a Carnatic composition) and 'Isai' (music), expressing how their souls are intertwined like lyrics and melody. They recall intimate memories shared in nature—under mango trees during the crisp Margazhi winter and near lotus ponds—where their longing turned into ecstasy upon uniting. The second half explores the pain of separation, comparing a life without the beloved to music deprived of rhythm and melody. Woven with Carnatic swara passages and rhythmically intricate konnakol/solkattu, the lyrics celebrate the harmony of two hearts coming together in poetic and musical synthesis.

Writing craft

Poetic devices

Rupaka Alankara (Metaphor)

Pallaviyae saranam.....pallaviyae saranam / Un geedham thanthathadi salanam

The beloved is metaphorically addressed as 'Pallavi' (refrain) and 'Geedham' (music), comparing love to a musical composition.

Upama (Simile / Imagery)

Maan vizhi kalanthida thudiththaenae

Uses 'Maan vizhi' (deer-like eyes) as a classical Tamil simile to represent beauty and innocence.

Monai (Initial Alliteration)

Thaniyae kidanthu thaviththaen / Thalirudal thazhuvida silirththaen

Repetition of initial consonant sounds ('Th' in 'Thaniyae' and 'Thalirudal').

Ethukai (Second-letter Rhyme)

Iru uyir inainthapothu inbam vanthu / Paranthu paranthu paranthu magizhnthathu

Matching second letter consonant sound ('ru' in 'Iru' and 'Paranthu').

Solkattu / Konnakol Integration

Thagida thagathimi kidathajam

Rhythmic percussion syllables integrated into lyrical composition to heighten musicality.

Did you know?

Trivia

Composed by Maestro Ilaiyaraaja, 'Pallaviye Saranam' is set in a Carnatic classical framework (predominantly based on Raga Keeravani / Kalyani nuances) featuring intricate swara duets and solkattu recited by S. Janaki alongside S. P. Balasubrahmanyam. It remains one of the finest musical-themed Tamil songs of the late 1980s.

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