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Isaimozhi
Lyrics & meaning

Padam Edukkira Paampa Polae

From Palabishegam · 1977

Lyricist
A. Maruthakasi
Singers
S. C. Krishnan, Vani Jairam
Music director
Shankar Ganesh
Details
Palabishegam1977

Lyrics & meaning

Tanglish lyrics English translation
Female
Padamedukkira paamba polae palapalappavalaeO woman who glitters like a cobra raising its hood,
Naa kaatti salasalappavalaeWagging her tongue to create a rustling noise,
Thanni kudam edukkira kudumba pennungaThe one who ruins the households of family women carrying water pots,
Kudi keduppavalae vaayaalae idi idippavalaeRuining families and striking thunder with her mouth!
Chorus
Padamedukkira paamba polae palapalappavalaeO woman who glitters like a cobra raising its hood,
Naa kaatti salasalappavalaeWagging her tongue to create a rustling noise,
Thanni kudam edukkira kudumba pennungaThe one who ruins the households of family women carrying water pots,
Kudi keduppavalae vaayaalae idi idippavalaeRuining families and striking thunder with her mouth!
Female
Tholirukka sulai muzhungugira kalaiya kattravalaeO expert who mastered the art of swallowing the fruit flesh while leaving the skin,
Soodu soranai maanam vetkaththai kaasukku viththavalaeThe one who sold her sense of pride, self-respect, honor, and shame for money!
Tholirukka sulai muzhungugira kalaiya kattravalaeO expert who mastered the art of swallowing the fruit flesh while leaving the skin,
Soodu soranai maanam vetkaththai kaasukku viththavalaeThe one who sold her sense of pride, self-respect, honor, and shame for money!
Female
Kaalaiyaattam chinna pannaiyaiThe young landlord who strode like a bull,
Edukka vanthavalaeThe one who came to trap him,
Ippo vaal aruntha nariyai polaNow like a fox whose tail has been cut off,
Vaadi nippavalaeO woman standing withered and defeated!
Chorus
Padamedukkira paamba polae palapalappavalaeO woman who glitters like a cobra raising its hood,
Naa kaatti salasalappavalaeWagging her tongue to create a rustling noise,
Thanni kudam edukkira kudumba pennungaThe one who ruins the households of family women carrying water pots,
Kudi keduppavalae vaayaalae idi idippavalaeRuining families and striking thunder with her mouth!
Male
Adi adiyae nillungadi ammi mithikkaamaeHey woman, stop right there without stepping on the grinding stone,
Female :AamaaFemale: Yes!
Male :Arunthathiyai paarkkaamaeMale: Without looking at the Arundhati star,
Female :Alli arasaani vechi kalyaanam pannaamaeFemale: Without holding a wedding under the queenly Alli canopy,
Female :AppuramFemale: And then?
Male :Thaali kattaamaeMale: Without tying the sacred mangalsutra,
Female :AiyaeFemale: Oh my!
Male :Melam kottaamaeMale: Without beating the wedding drums,
Female :AiyyayyaeFemale: Oh dear!
Male
Thaali kattaamae melam kottaamaeWithout tying the mangalsutra, without beating the drums,
Thaali kattaamae melam kottaamaeWithout tying the mangalsutra, without beating the drums,
Thaana vanthavalaeO woman who came on her own accord,
Thalaikku paenaa vanthavalaeO woman who became a head louse troublesome to bear!
Male
Thaali kattaamae melam kottaamaeWithout tying the mangalsutra, without beating the drums,
Thaana vanthavalaeO woman who came on her own accord,
Thalaikku paenaa vanthavalaeO woman who became a head louse troublesome to bear!
Male
Enga paalaiyangottai pannaiyaOur Palayamkottai landlord,
Mooliyil padhunga vachchavalaeThe one who made him hide in a corner,
Ennaattam pazhakki vachchavalaeThe one who trained and tamed him like herself!
Enga paalaiyangottai pannaiyaOur Palayamkottai landlord,
Mooliyil padhunga vachchavalaeThe one who made him hide in a corner,
Ennaattam pazhakki vachchavalaeThe one who trained and tamed him like herself!
Male
Thaali kattaamae melam kottaamaeWithout tying the mangalsutra, without beating the drums,
Thaana vanthavalaeO woman who came on her own accord,
Thalaikku paenaa vanthavalaeO woman who became a head louse troublesome to bear!
Female
Pattanaththu theruvai ellaam suththi vanthavalaeO woman who roamed through all the streets of the city,
Paathai maari pavusu maari muththu vanthavalaeChanging paths and changing status to come like a pearl,
Pattanaththu theruvai ellaam suththi vanthavalaeO woman who roamed through all the streets of the city,
Paathai maari pavusu maari muththu vanthavalaeChanging paths and changing status to come like a pearl,
Pattikkaattu pannaiyaara eththa vanthavalaeThe one who came to dupe the village landlord,
Oru paththini thangam iruntha idaththai paththa vanthavalaeThe one who came to set fire to the place where a virtuous gold-like wife lived!
Chorus
Padamedukkira paamba polae palapalappavalaeO woman who glitters like a cobra raising its hood,
Naa kaatti salasalappavalaeWagging her tongue to create a rustling noise,
Thanni kudam edukkira kudumba pennungaThe one who ruins the households of family women carrying water pots,
Kudi keduppavalae vaayaalae idi idippavalaeRuining families and striking thunder with her mouth!
Male
Ettu thisaiyum pathinaaru konamumAcross eight directions and sixteen angles,
Yaezhu kadalum katti aala vantha kettikkaariA smart woman who came to rule over seven seas!
Naattukku naattu mattam naama rendum jodi mattamCountry-wise and match-wise, we two are an equal pair,
Female :HaanFemale: Yeah!
Male
Naattukku naattu mattamCountry-wise,
Naama rendum jodi mattamWe two are an equal pair,
Jodiyaaga ponomunnaaIf we go together as a pair,
Kodi sanam kaiya thattumCrores of people will applaud us,
Naama rendum jodi mattamWe two are an equal pair,
Naama jodiyaaga ponomunnaaIf we go together as a pair,
Kodi sanam kaiya thattumCrores of people will applaud us,
Chorus
Aamaa kaiya thattumYes, they will applaud!
Aamaa kaiya thattumYes, they will applaud!
Male
Ajakthaa jinakthaaAjakthaa jinakthaa!
Yae ajakthaa yae jinakthaaHey ajakthaa hey jinakthaa!
Yae ajak yae jinakHey ajak hey jinak!
Yae ajak yae jinakHey ajak hey jinak!
Yae inthaadiyammaaHey take this, woman!

Beyond the translation

Song interpretation

This folk-style banter song from the 1977 film 'Palabishegam' depicts a playful yet caustic verbal duel and sharp critique directed at a manipulative female character. The male singer uses vivid rustic metaphors to describe her sly, manipulative nature—comparing her to a hooded cobra, a tail-less fox, and a troublesome head louse—while reprimanding her for intruding into a respectable household without traditional marital rites.

Writing craft

Poetic devices

Simile (Uwamai)

Padamedukkira paamba polae palapalappavalae

Compares the woman's glittering, dangerous aura to a cobra raising its hood ('Padamedukkira paamba polae') and her defeated state to a fox with its tail cut off ('vaal aruntha nariyai pola').

Metaphor (Uruvagham)

Thalaikku paenaa vanthavalae

Metaphorically calls her a troublesome head louse ('Thalaikku paenaa vanthavalae') that causes constant irritation.

Onomatopoeia (Oli-kkurippu)

Naa kaatti salasalappavalae

Uses 'salasalappavalae' (rustling noise) to describe her fast, continuous, chattering speech.

Rhyme / Alliteration (Monai & Ethirai)

Thaali kattaamae melam kottaamae

Employs repeating initial and second-letter consonant sounds like 'Padamedukkira / palapalappavalae' and 'Thaali kattaamae / Melam kottaamae'.

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Trivia

A. Maruthakasi's lyrics in this track showcase classic mid-20th-century Tamil cinema folk songwriting, featuring traditional wedding custom references such as 'Ammi mithithal' (stepping on the grinding stone) and 'Arunthathi paarthal' (viewing the star Arundhati) alongside rhythmic folk scatting ('Ajakthaa jinakthaa').

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