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Isaimozhi
Lyrics & meaning

Mullukku Roja Song

From Veguli Penn · 1971

Lyricist
Kannadasan
Singer
P. Susheela
Music director
V. Kumar
Details
Veguli Penn1971

Lyrics & meaning

Tanglish lyrics English translation
Female
Mullukku roja sonthamThe rose belongs to the thorn
Muththukku sippi sonthamThe pearl belongs to the shell
Mullukku roja sonthamThe rose belongs to the thorn
Muththukku sippi sonthamThe pearl belongs to the shell
Female
Pillaikku annai ennavoWhat is a mother to a child?
En kannaaOh my Krishna!
Penmaikku thaaimai ennavoWhat is motherhood to womanhood?
Female
Mullukku roja sonthamThe rose belongs to the thorn
Muththukku sippi sonthamThe pearl belongs to the shell
Female
Pillaikku annai ennavoWhat is a mother to a child?
En kannaaOh my Krishna!
Penmaikku thaaimai ennavoWhat is motherhood to womanhood?
Female
Kannanin annai yasothaithaanaeYashoda was Krishna's mother, was she not?
Kanneer yaenadi devagi maanaeWhy tears then, oh gentle doe Devaki?
Kannanin annai yasothaithaanaeYashoda was Krishna's mother, was she not?
Kanneer yaenadi devagi maanaeWhy tears then, oh gentle doe Devaki?
Female
Engirunthaalum manakkum mullaiWherever it is, jasmine spreads its fragrance
Ennuyir kannan unakkum pillaiMy precious Krishna is a child to you as well
Female
Mullukku roja sonthamThe rose belongs to the thorn
Muththukku sippi sonthamThe pearl belongs to the shell
Female
: Pillaikku annai ennavoWhat is a mother to a child?
En kannaaOh my Krishna!
Penmaikku thaaimai ennavoWhat is motherhood to womanhood?
Female
Pillaiyin meethu kannpada vendaamMay no evil eye fall upon the child
Pettraval ullam punpada vendaamMay the biological mother's heart not be hurt
Female
Ullangal veru ulagam veruHearts are different, the world is different
Ullangal veru ulagam veruHearts are different, the world is different
Unakkena vaazhven aandukal nooruFor your sake, I shall live a hundred years
Female
Mullukku roja sonthamThe rose belongs to the thorn
Muththukku sippi sonthamThe pearl belongs to the shell
Pillaikku annai ennavoWhat is a mother to a child?
En kannaaOh my Krishna!
Penmaikku thaaimai ennavo….What is motherhood to womanhood?
Female
Vanna tamizhai padippathu poleLike reading colorful, sweet Tamil literature
Vaanaththu nilavai paarppathu polaeLike gazing at the moon in the sky
Female
: Kanmani mugaththai paaradi kannaeLook at the face of the beloved child, my dear
Kanmani mugaththai paaradi kannaeLook at the face of the beloved child, my dear
Kadhaigal irunthaal pesadi pinnaeIf there are stories or grievances, talk about them later
Kadhaigal irunthaal pesadi pinnaeIf there are stories or grievances, talk about them later
Female
Mullukku roja sonthamThe rose belongs to the thorn
Muththukku sippi sonthamThe pearl belongs to the shell
Pillaikku annai ennavoWhat is a mother to a child?
En kannaaOh my Krishna!
Penmaikku thaaimai ennavo….What is motherhood to womanhood?

Beyond the translation

Song interpretation

This poignant lullaby from 'Veguli Penn' explores the deep emotions of maternal love, sacrifice, and the bond between a child, a foster mother, and a biological mother. Kannadasan draws a parallel to Hindu mythology where Krishna was born to Devaki but raised by Yashoda, emphasizing that maternal affection transcends biological bonds. Natural allegories like a rose protected by its thorn and a pearl nurtured inside a shell illustrate how motherhood protects and nurtures life.

Writing craft

Poetic devices

Uvamaani (Simile)

Mullukku roja sontham / Muththukku sippi sontham

Comparing maternal protection to thorns guarding a rose and a shell sheltering a pearl.

Mythological Allusion

Kannanin annai yasothaithaanae / Kanneer yaenadi devagi maanae

Referencing Devaki and Yashoda to validate the bond between adoptive/foster mothering and biological birth.

Edugai (Second-letter Rhyme)

Pillaiyin meethu kannpada vendaam / Pettraval ullam punpada vendaam

Rhyming of second letters in adjacent lines ('ll' in Mullukku / Muththukku, 'll' in Pillaiyin / Pettraval).

Did you know?

Trivia

'Veguli Penn' (1971) featured music composed by V. Kumar, who was known for his melodious compositions in the late 1960s and 70s. Lyricist Kannadasan's use of Devaki-Yashoda metaphors became a quintessential benchmark in Tamil cinema for songs exploring adoption and maternal sacrifice.

Keep listening

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