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Isaimozhi
Maya Manithan album cover
Lyrics & meaning

Kanna Kanna Vaarai Radhai

From Maya Manithan · 1958

Lyricist
A. Maruthakasi
Singer
Jikki
Music director
G. Govindarajulu Naidu
Movie name
Maya Manithan
Movie release year
1958
Lyrics added on
1 Feb 2022

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
La la la la la la la la…
Hmm mm mm mm mm….
Kanna kanna vaaraai raadhai ennai paaraai
Jaalam pannadhae nee ippo engae poraai
Kanna kanna vaaraai raadhai ennai paaraai
Jaalam pannadhae nee ippo engae poraai
Kanna kanna vaaraai
Unnai kaanamalae ondrum thonaamalae
Annam unnaamalae ullam nondhenada
Unnai kaanamalae ondrum thonaamalae
Annam unnaamalae ullam nondhenada
Ennai paarkkaamalae sollai ketkaamalae
Neelavanna nee povadhum nyaayamdhaana
Kanna kanna vaaraai raadhai ennai paaraai
Jaalam pannadhae nee ippo engae poraai
Kanna kanna vaaraai
Kanna konjam nillu ennam enna sollu
Un kallathanam ellaam vittu thallu
Kanna konjam nillu ennam enna sollu
Un kallathanam ellaam vittu thallu
Endhan nenjai thottu adhai thoondivittu
Yenga seidhae nee povadhen ennai vittu
Kanna kanna vaaraai raadhai ennai paaraai
Jaalam pannadhae nee ippo engae poraai
Kanna kanna vaaraai
Aasai mun thalludhu aiyam pin thalludhu
Adhai azhagaagavae undhan kann solludhu
Veesum thendral vandhaal thottu inbam thandhaal
Adhai vendaam endrae sollum poovum undoo
Kanna kanna vaaraai raadhai ennai paaraai
Jaalam pannadhae nee ippo engae poraai
Kanna kanna vaaraai
La la la la la
Mmm mm mmmm mm
Kanna, come to me, look at your Radha!
Do not play your tricks, where are you going now?
Kanna, come to me, look at your Radha!
Do not play your tricks, where are you going now?
Kanna, come to me!
Without seeing you, unable to think straight,
without eating any food, my heart is aching, my dear!
Without seeing you, unable to think straight,
without eating any food, my heart is aching, my dear!
Without even looking at me or listening to my words,
O blue-hued one, is it fair for you to walk away?
Kanna, come to me, look at your Radha!
Do not play your tricks, where are you going now?
Kanna, come to me!
Kanna, wait a moment, tell me what you are thinking!
Put away all your mischievous tricks!
Kanna, wait a moment, tell me what you are thinking!
Put away all your mischievous tricks!
After touching my heart and stirring up love,
why do you walk away, leaving me to yearn?
Kanna, come to me, look at your Radha!
Do not play your tricks, where are you going now?
Kanna, come to me!
Desire pushes you forward, but hesitation holds you back,
and your eyes reveal it so beautifully!
When the gentle breeze comes and brings joy with its touch,
is there any flower that would ever refuse it?
Kanna, come to me, look at your Radha!
Do not play your tricks, where are you going now?
Kanna, come to me!
Female
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Female
Female
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Female

Beyond the translation

Overall song meaning

Kanna Kanna Vaaraai is a classic romantic Tamil film song from Maya Manithan (1958). In this song, Radha passionately calls out to Krishna (Kanna), pleading with him to stop teasing her and acknowledge her love. She conveys how his absence leaves her sleepless and unable to eat or focus on anything else.

Writing craft

Poetic devices

Iyaibu (Rhyme / Internal Assonance)

Unnai kaanamalae ondrum thonaamalae / Annam unnaamalae ullam nondhenada

Repeated use of the verbal participle ending '-amalae' (kaanamalae, thonaamalae, unnaamalae, paarkkaamalae, ketkaamalae) creates a rhythmic, musical flow reflecting anguish.

Muran (Antithesis)

Aasai mun thalludhu aiyam pin thalludhu

Contrasting 'mun thalludhu' (pushes forward) and 'pin thalludhu' (pulls backward) highlights Radha's inner struggle between affection and hesitation.

Uvamai (Metaphor / Analogy)

Veesum thendral vandhaal thottu inbam thandhaal / Adhai vendaam endrae sollum poovum undoo

Radha compares Krishna's affection to a gentle breeze and herself to a blossoming flower that naturally yearns for its touch.

Did you know?

Trivia

Maya Manithan (1958) was scored by G. Govindarajulu Naidu, a composer known for blending traditional Carnatic structures with light classical film orchestration. Singer Jikki's expressive vocal rendering made this song a prominent hit on radio broadcasts during the late 1950s.

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