- Lyricist
- Thanjai N. Ramaiah Dass
- Singers
- S. C. Krishnan, A. G. Rathnamala
- Music director
- S. Rajeswara Rao
- Movie name
- Kadan Vangi Kalyanam
- Movie release year
- 1958
- Lyrics added on
- 12 Sept 2025
Lyrics & meaning
Beyond the translation
Overall song meaning
This comedic duet from Kadan Vangi Kalyanam (1958) features a playful dialogue between a fraud ascetic claiming high spiritual powers and a sharp woman who persistently punctures his pretensions. The male singer boasts about visiting holy sites like Kashi, Vadalur, and Kailash, living purely on air, and witnessing Lord Shiva directly. However, the female singer humorously debunks each claim, revealing his Ganges water to be Chennai tap water, his holy ash to be cremation dust, and pointing out his secret fondness for milk khoa and almond halwa. Through clever call-and-response refrain patterns, the song satirizes fake ascetics while entertaining the audience with folk-inspired rhythm and banter. Ultimately, she calls out his endless desires and demands that he stop putting on airs and get going.
Writing craft
Poetic devices
Refrain / Call-and-Response
“Kaasikku ponene raamahare / Kaasikku pogalae maamahare”
The alternating refrains 'raamahare' (used by the male ascetic) and 'maamahare' (used by the female debunker) create a folk singing dialogue structure.
Irony and Satire
“Chennai corporation thanni maamahare”
The poem uses sharp irony by contrasting elevated spiritual boasts with mundane or fraudulent truths, such as Ganges water vs. Chennai tap water.
End Rhyme / Rhyming Couplet
“Paalgovaavum vilungurae maamahare / Badam halwaavum mulungurae maamahare”
Matching end sounds in adjacent lines ('vilungurae' and 'mulungurae') enhance the comic rhythm of the duet.
Did you know?
Trivia
Kadan Vangi Kalyanam (1958) was produced by Vijaya Vauhini Studios and directed by L. V. Prasad as the Tamil counterpart to the acclaimed Telugu comedy Appu Chesi Pappu Koodu. Composed by S. Rajeswara Rao with lyrics by Thanjai N. Ramaiah Dass, this song highlights the rich tradition of Tamil film comedy duets that satirize social hypocrisies and bogus spiritualists.
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