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Isaimozhi
Lyrics & meaning

Nalla Vakku Sonnal

From Vanakkathukkuriya Kathaliye · 1978

Lyricist
Vaali
Singer
Seerkazhi Govindarajan
Music director
M. S. Vishwanathan
Details
Vanakkathukkuriya Kathaliye1978

Lyrics & meaning

Tanglish lyrics English translation
Male
Nalla vaaku sonnaal palithu vidum naakudaiyaalaeO Goddess with the tongue whose good words always come true,
Arul nokkudaiyaalaeO Goddess with grace in your eyes,
Nagai pookum mugam kaakum karam nangudaiyaalaeO Goddess with a smiling face and fine hands that protect us,
Deiva naayagiyaalae selva naayagiyaalaeO Divine Goddess, O Goddess of Wealth!
Male
Aathiyillai andhamillaiShe has no beginning and no end,
Karuvil uruvil vandhathillaiShe was never born from a womb or formed as a physical body,
Aathiyillai andhamillaiShe has no beginning and no end,
Karuvil uruvil vandhathillaiShe was never born from a womb or formed as a physical body,
Adi edhuvoo mudi edhuvooWhere is her beginning, and where is her end?
Moovarum devarum kandathillaiEven the Trinity (Brahma, Vishnu, Shiva) and celestial beings could not perceive,
Male
Paampaniyum saambhasivanResiding as half of Lord Sambhasiva,
Paadhiyil maeviya bairaviyaeThe Bhairavi adorned with serpents!
Penn uruvil kannedhirilAppearing in female form right before our eyes,
Madimeesai maevidum pooraniyaeThe complete divine mother seated graciously,
Bhadrakaaliyamma neeliamma sooliyammaO Mother Bhadrakali, Mother Neeli, Mother Soolini!
Thiru vedhi ulaa thedi varum jothiyammaO divine light who comes seeking the sacred street procession!
Thiru vedhi ulaa thedi varum jothiyammaO divine light who comes seeking the sacred street procession!
Male
Aarathi neer karaitheduthuPreparing the sacred Aarathi water,
Thiru thaal malaradi sethirukkaTo worship her flower-like divine feet,
Maavilakku yettri vaithuLighting the sacred rice-flour lamps (Maavilakku),
Thiru mugamae parthirukkaTo gaze endlessly upon her divine face,
Male
Panneerum sandhanamumOffering rosewater and sandalwood paste,
Thalai mudhal laal varai saathirukkaAdorning her from head to toe,
Pambaiyudan udukkaigalumAccompanied by the rhythmic beats of Pambai and Udukkai drums,
Om sakhthi om ena vazhthirukkaWorshipping her with chants of 'Om Shakti Om',
Male
Nava konathil kudi irukkum kulamaariThe deity Mariamman who resides in the sacred nine-angled yantra,
Thiruverkaatil veetrirukkum mangala maayiThe auspicious Goddess seated gracefully at Thiruverkadu!
Thiruverkaatil veetrirukkum mangala maayiThe auspicious Goddess seated gracefully at Thiruverkadu!
Male
{Om sakhthi om sakhthi om sakhthi om.{Om Sakthi Om Sakthi Om Sakthi Om.
Chorus :Om sakhthi om sakhthi om sakhthi om.}..(3)Chorus :Om Sakthi Om Sakthi Om Sakthi Om.}..(3)
Male :Om sakhthi om sakhthi om sakhthi om.Male :Om Sakthi Om Sakthi Om Sakthi Om.
Om sakhthi om sakhthi om sakhthi om.Om Sakthi Om Sakthi Om Sakthi Om.
Om sakhthi om sakhthi om sakhthi om.Om Sakthi Om Sakthi Om Sakthi Om.

Beyond the translation

Song interpretation

This soul-stirring devotional hymn from the movie 'Vanakkathukkuriya Kathaliye' is dedicated to Goddess Parasakthi, particularly in her form as Karumariamman of Thiruverkadu. Lyricist Vaali glorifies the Goddess as the supreme cosmic power who transcends time, birth, and form, yet manifests in grace to protect her devotees. The lyrics describe her divineattributes, her forms as Bhadrakali, Soolini, and Bhairavi, and detail traditional rituals of worship including lighting flour lamps (maavilakku), offering aarathi, playing traditional percussion instruments (pambai and udukkai), and chanting holy mantras.

Writing craft

Poetic devices

Emonai (Second-letter Rhyme)

Aathiyillai andhamillai / Karuvil uruvil vandhathillai

The second consonant sound 'th' rhymes across consecutive lines (Aathiyillai / Karuvil).

Iyaibu (End Rhyme)

Nalla vaaku sonnaal palithu vidum naakudaiyaalae / Arul nokkudaiyaalae

Multiple lines end with the rhyming suffix '-aale' or '-amma' creating rhythmic harmony.

Metaphor (Uruvagaim)

Nagai pookum mugam kaakum karam nangudaiyaalae

Describing her smile as a blooming flower (Nagai pookum mugam) and her feet as lotus blossoms (Thiru thaal malaradi).

Did you know?

Trivia

Seerkazhi Govindarajan's thunderous devotional vocal performance in this M. S. Vishwanathan composition became an instant classic, often played at the famous Thiruverkadu Devi Karumariamman temple festivals across Tamil Nadu.

Keep listening

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