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Isaimozhi
Lyrics & meaning

Irukkaara Ingirukkaara

From Kalaivanan · 1959

Lyricist
Thanjai N. Ramaiah Dass
Singers
T. M. Soundararajan, P. Susheela, Chorus
Music director
Pendyala Nageswara Rao
Details
Kalaivanan1959

Lyrics & meaning

Tanglish lyrics English translation
Female
Ho..oo..oo..Ho..oo..oo..
Female : Irukkara inguirukkaaraFemale : Is there anyone here, is there anyone?
Enai vendridum jodi irukkaaraIs there a worthy match who can defeat me?
Chorus
……………....
Female
Irukkara inguirukkaaraIs there anyone here, is there anyone?
Enai vendridum jodi irukkaaraIs there a worthy match who can defeat me?
Aadalilae paadalilae alukki kulukkumIn dance and song, with graceful sways and moves
Endhan azhaginilaeIn my enthralling beauty
Irukkara inguirukkaaraIs there anyone here, is there anyone?
Enai vendridum jodi irukkaaraIs there a worthy match who can defeat me?
Female
Kajjai katti naan aadinaalWhen I dance wearing anklets
Lajjai vittu naan paadinaalWhen I sing casting away shyness
Hoo o o o o hoHoo o o o o ho
Hoo o o o o ho ooHoo o o o o ho oo
Kajjai katti naan aadinaalWhen I dance wearing anklets
Lajjai vittu naan paadinaalWhen I sing casting away shyness
Male
Aasaiyinaal naan vaadinaalWhen I pine out of longing
Aasaiyinaal naan vaadinaalWhen I pine out of longing
Female
Jigujigu nadaiyilum thagathaga udaiyilumWith a stylish swagger in walk and glittering attire
Jillendru ullamae thullida killiduvenI will pinch hearts to make them leap with cool delight
Sokkiya manmum panpaadumaeThe mesmerized heart will sing in rhythm
Sorgamum inge thenpadumaeEven heaven will become visible right here
Mei marandhidumaeOne will completely lose self-awareness
Male
Hoo o o o o ho ooHoo o o o o ho oo
Female :Irukkara inguirukkaaraFemale : Is there anyone here, is there anyone?
Enai vendridum jodi irukkaaraIs there a worthy match who can defeat me?
Aadalilae paadalilae alukki kulukkumIn dance and song, with graceful sways and moves
Endhan azhaginilaeIn my enthralling beauty
Irukkara inguirukkaaraIs there anyone here, is there anyone?
Enai vendridum jodi irukkaaraIs there a worthy match who can defeat me?
Female
Saririma ma papa nidha swara raghamudanWith the notes Sa-Ri-Ga-Ma, Pa-Pa, Ni-Dha and musical ragas
Saralamaghave paadiduvenI will sing effortlessly and smoothly
Thathdhimi thimikkida thalangu thimiyenaTo the rhythmic beats of Thathdhimi thimikkida thalangu thimi
Jathiyudan naatiyamaaduvenI will perform classical dance with rhythm patterns
Sari jodiyodu savaalu seivenI will challenge an equal match
Male :Naan savaalu seivenMale : I will accept and throw a challenge!
Savaalu seiven savaalu seivenI will challenge, I will challenge!
Both :Savaal savaal savaalBoth : Challenge, challenge, challenge!
Female :Jayam adainthorukku salamum seivenFemale : I will bow down in salute to whoever achieves victory
Female
Hoo o o o o ho ooHoo o o o o ho oo
Irukkara inguirukkaaraIs there anyone here, is there anyone?
Enai vendridum jodi irukkaaraIs there a worthy match who can defeat me?
Male
Savaal savaal endru sathiradum pen maaneOh female deer dancing around shouting 'Challenge, challenge!'
Female
Nenjil thanmaana thunivirundhaal thaandi vaaIf you have self-respect and courage in your heart, step up and cross over!
Paarthaal kili…pakkam vandhaal nenjil giliLooking like a parrot... but bringing fear in the heart when approaching close!
Ennai pottiyilae vendravargalThose who have defeated me in a competition
Indha puvi thanilae yaarumillaiThere is no one on this entire earth
Sariya therinja savaal viduIf you truly know your craft, throw a challenge
Sarakkillatta salaam poduIf you lack substance, bow down and step aside!

Beyond the translation

Song interpretation

This song from Kalaivanan (1959) is a vibrant musical dance duet centered on a duel of artistic talent and skill. The female dancer confidently challenges the audience and fellow artists, questioning if anyone possesses the mastery in song, dance, and beauty to defeat her. She describes her effortless skill in swara renditions, jathis (rhythmic beats), and performance art, declaring that she will salute anyone who manages to outperform her. The male protagonist steps into the ring, matching her pride with equal defiance. He cautions her that boasting requires genuine substance, warning her that no artist on earth has defeated him yet, and urging her to bow down if she lacks real musical depth.

Writing craft

Poetic devices

Edhogai (Second-letter Assonance)

Kajjai katti naan aadinaal / Lajjai vittu naan paadinaal

Matching second consonants across consecutive lines, creating rhythmic symmetry (Kajjai / Lajjai).

Iyaibu (End Rhyme)

Kajjai katti naan aadinaal / Lajjai vittu naan paadinaal / Aasaiyinaal naan vaadinaal

Consonant end-rhyming verbs expressing actions (aadinaal / paadinaal / vaadinaal).

Onomatopoeia & Jathi Rhythm

Thathdhimi thimikkida thalangu thimiyena

Use of vocalized rhythmic dance syllables (sollukattu) to mimic percussion beats.

Internal Rhyme (Kili / Gili)

Paarthaal kili…pakkam vandhaal nenjil gili

Playful internal rhyming pairing 'kili' (parrot/beauty) with 'gili' (fear).

Did you know?

Trivia

Kalaivanan (1959) starred A. Nageswara Rao and Bhanumathi Ramakrishna in lead roles, directed by P. Pullaiah with music by Pendyala Nageswara Rao. Bhanumathi, a renowned multi-talented artist, sang her own classical portions in this duel song, showcasing her incredible mastery over Carnatic music and expression.

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