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Maalaiyitta Mangai album cover
Lyrics & meaning

Illarum Ondre Nallaram

From Maalaiyitta Mangai · 1958

Lyricist
Kannadasan
Singer
P. Susheela
Music director
Vishwanathan-Ramamoorthy
Movie name
Maalaiyitta Mangai
Movie release year
1958
Lyrics added on
7 Apr 2019

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Illaram ondrae nallaram endrivar
Vaazhavum vida maattaar
Pennai vaazhavum vida maattaar
Illaram ondrae nallaram endrivar
Vaazhavum vida maattaar
Pennai vaazhavum vida maattaar
Indha thollaiyillaamal maraivadhenraalum
Saagavum vida maattaar
Avarae saagavum vida maattaar
Indha thollaiyillaamal maraivadhenraalum
Saagavum vida maattaar
Avarae saagavum vida maattaar
Ammaa.. ammaa .. ammaa..
Kaadhal endrum paasam endrum
Kadhaiyae kooruvaar
Nooru vagaiyae pesuvaar
Kaadhal endrum paasam endrum
Kadhaiyae kooruvaar
Nooru vagaiyae pesuvaar
Angae mangaiyar ulagam
Bommaigal aagum
Maru naal maaruvaar
Pennai vaazhavum vida maattaar
Avarae saagavum vida maattaar
Ammaa.. ammaa .. ammaa..
Illaram ondrae nallaram endrivar
Vaazhavum vida maattaar
Pennai vaazhavum vida maattaar
Kangal moodi kidappadhanaalae
Pengal deivamaa
Veettil kallai pola iruppadhinaalae
Pengal deivamaa
Uyir jeevan illaamal vaazhvadhinaalae
Deivam penn endraar
Indha selvam penn endraar
Maanam enbadhu pengalukkendraal
Aangalukkaenillai
Oru aasaiyinaalae kalangam pirappadhu
Maadhargal padum thollai
Indha naattilum needhiyillai
Thamizh yettilum needhiyillai
Aaaaaaaaaaaaa
Illaram ondrae nallaram endrivar
Vaazhavum vida maattaar
Pennai vaazhavum vida maattaar
Indha thollaiyillaamal maraivadhenraalum
Saagavum vida maattaar
Avarae saagavum vida maattaar
Ammaa.. ammaa .. ammaa..
Saying married life is the only righteous way, they
will not let us live,
they will not let a woman live.
Saying married life is the only righteous way, they
will not let us live,
they will not let a woman live.
Even if she wants to vanish to escape this torment,
they will not let her die,
they themselves will not let her die!
Even if she wants to vanish to escape this torment,
they will not let her die,
they themselves will not let her die!
Oh mother... mother... mother...
Speaking of love and affection,
they spin endless stories,
talking in a hundred sweet ways.
Speaking of love and affection,
they spin endless stories,
talking in a hundred sweet ways.
In that world, women
become mere dolls,
and the next day, men change.
They will not let a woman live,
they themselves will not let her die!
Oh mother... mother... mother...
Saying married life is the only righteous way, they
will not let us live,
they will not let a woman live.
Just because she lies with her eyes closed,
is a woman a goddess?
Just because she remains like a stone in the house,
is a woman a goddess?
Because she lives without any life of her own,
they called a woman a goddess,
they called this woman a treasure!
If honor is something only women must keep,
don't men have any?
When shame is born from a single desire,
it is the misery women alone must bear.
There is no justice in this land,
there is no justice even in our Tamil books!
Aah...
Saying married life is the only righteous way, they
will not let us live,
they will not let a woman live.
Even if she wants to vanish to escape this torment,
they will not let her die,
they themselves will not let her die!
Oh mother... mother... mother...
Female
Female
Female
Female
Female
Female
Female
Female

Beyond the translation

Overall song meaning

Written by lyricist Kannadasan for the 1958 film 'Maalaiyitta Mangai', this song is a sharp critique of patriarchal double standards and societal hypocrisy toward women. It dismantles the sanctimonious narrative that family life is the ultimate virtue, exposing how society restricts a woman's freedom, leaving her neither room to live with dignity nor freedom to escape her suffering.

Writing craft

Poetic devices

Monaia / Alliteration

Illaram ondrae nallaram endrivar

Matching initial consonant sounds in 'Illaram' and 'Nallaram' creates a rhythmic sonic foundation in the opening theme.

Simile (Uvamai)

Veettil kallai pola iruppadhinaalae

Compares a woman's passive, voiceless suffering in the household to an unfeeling stone statue ('kallai pola'), highlighting how society misinterprets her forced silence as divinity.

Rhetorical Question

Maanam enbadhu pengalukkendraal / Aangalukkaenillai

Challenges societal morality by asking why chastity and honor are demanded exclusively from women while exempting men.

Epanalepsis / Epistrophe

Pennai vaazhavum vida maattaar / Avarae saagavum vida maattaar

The repetitive refrain 'vida maattaar' emphasizes absolute confinement and helplessness, reiterating that society will neither allow her a meaningful life nor an escape through death.

Did you know?

Trivia

'Maalaiyitta Mangai' (1958) was produced by lyricist Kannadasan under his banner Kannadasan Films. The iconic music was composed by Viswanathan–Ramamoorthy and sung by M. S. Rajeswari. This track is celebrated as one of Tamil cinema's most potent feminist anthems from the golden era.

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