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Lyrics & meaning

Illarum Ondre Nallaram

From Maalaiyitta Mangai · 1958

Lyricist
Kannadasan
Singer
P. Susheela
Music director
Vishwanathan-Ramamoorthy
Details
Maalaiyitta Mangai1958

Lyrics & meaning

Tanglish lyrics English translation
Female
Illaram ondrae nallaram endrivarSaying domestic life alone is the highest virtue,
Vaazhavum vida maattaarThey will not even let her live.
Pennai vaazhavum vida maattaarThey will not let a woman live her life.
Illaram ondrae nallaram endrivarSaying domestic life alone is the highest virtue,
Vaazhavum vida maattaarThey will not even let her live.
Pennai vaazhavum vida maattaarThey will not let a woman live her life.
Female
Indha thollaiyillaamal maraivadhenraalumEven to disappear to escape this torment,
Saagavum vida maattaarThey will not even let her die.
Avarae saagavum vida maattaarThey themselves will not even let her die.
Indha thollaiyillaamal maraivadhenraalumEven to disappear to escape this torment,
Saagavum vida maattaarThey will not even let her die.
Avarae saagavum vida maattaarThey themselves will not even let her die.
Ammaa.. ammaa .. ammaa..Oh Mother... Oh Mother... Oh Mother...
Female
Kaadhal endrum paasam endrumSpeaking of love and affection,
Kadhaiyae kooruvaarThey weave endless stories.
Nooru vagaiyae pesuvaarThey speak in a hundred different ways.
Kaadhal endrum paasam endrumSpeaking of love and affection,
Kadhaiyae kooruvaarThey weave endless stories.
Nooru vagaiyae pesuvaarThey speak in a hundred different ways.
Female
Angae mangaiyar ulagamThere, the world of women
Bommaigal aagumBecomes mere playthings and dolls.
Maru naal maaruvaarThe very next day, they change their tune.
Pennai vaazhavum vida maattaarThey will not let a woman live.
Avarae saagavum vida maattaarThey themselves will not even let her die.
Ammaa.. ammaa .. ammaa..Oh Mother... Oh Mother... Oh Mother...
Female
Illaram ondrae nallaram endrivarSaying domestic life alone is the highest virtue,
Vaazhavum vida maattaarThey will not even let her live.
Pennai vaazhavum vida maattaarThey will not let a woman live her life.
Female
Kangal moodi kidappadhanaalaeJust because they lie silently with eyes closed,
Pengal deivamaaAre women considered divine goddesses?
Veettil kallai pola iruppadhinaalaeJust because they endure like a stone in the house,
Pengal deivamaaAre women considered divine goddesses?
Female
Uyir jeevan illaamal vaazhvadhinaalaeBecause they live deprived of true vitality,
Deivam penn endraarThey called woman a goddess,
Indha selvam penn endraarThey called woman a treasure.
Maanam enbadhu pengalukkendraalIf honor is required only of women,
AangalukkaenillaiWhy is it not expected of men?
Oru aasaiyinaalae kalangam pirappadhuA single desire brings a lasting stain upon her;
Maadhargal padum thollaiSuch is the plight suffered by women.
Indha naattilum needhiyillaiThere is no justice in this land,
Thamizh yettilum needhiyillaiThere is no justice even in Tamil scriptures.
AaaaaaaaaaaaaAh...
Female
Illaram ondrae nallaram endrivarSaying domestic life alone is the highest virtue,
Vaazhavum vida maattaarThey will not even let her live.
Pennai vaazhavum vida maattaarThey will not let a woman live her life.
Indha thollaiyillaamal maraivadhenraalumEven to disappear to escape this torment,
Saagavum vida maattaarThey will not even let her die.
Avarae saagavum vida maattaarThey themselves will not even let her die.
Ammaa.. ammaa .. ammaa..Oh Mother... Oh Mother... Oh Mother...

Beyond the translation

Song interpretation

Written by lyricist Kannadasan for the 1958 film 'Maalaiyitta Mangai', this song is a sharp critique of patriarchal double standards and societal hypocrisy toward women. It dismantles the sanctimonious narrative that family life is the ultimate virtue, exposing how society restricts a woman's freedom, leaving her neither room to live with dignity nor freedom to escape her suffering.

Writing craft

Poetic devices

Monaia / Alliteration

Illaram ondrae nallaram endrivar

Matching initial consonant sounds in 'Illaram' and 'Nallaram' creates a rhythmic sonic foundation in the opening theme.

Simile (Uvamai)

Veettil kallai pola iruppadhinaalae

Compares a woman's passive, voiceless suffering in the household to an unfeeling stone statue ('kallai pola'), highlighting how society misinterprets her forced silence as divinity.

Rhetorical Question

Maanam enbadhu pengalukkendraal / Aangalukkaenillai

Challenges societal morality by asking why chastity and honor are demanded exclusively from women while exempting men.

Epanalepsis / Epistrophe

Pennai vaazhavum vida maattaar / Avarae saagavum vida maattaar

The repetitive refrain 'vida maattaar' emphasizes absolute confinement and helplessness, reiterating that society will neither allow her a meaningful life nor an escape through death.

Did you know?

Trivia

'Maalaiyitta Mangai' (1958) was produced by lyricist Kannadasan under his banner Kannadasan Films. The iconic music was composed by Viswanathan–Ramamoorthy and sung by M. S. Rajeswari. This track is celebrated as one of Tamil cinema's most potent feminist anthems from the golden era.

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