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Isaimozhi
Lyrics & meaning

Mazhai Kooda Oru Naalil

From Maalaiyitta Mangai · 1958

Lyricist
Kannadasan
Singer
M. S. Rajeswari
Music director
Vishwanathan-Ramamoorthy
Details
Maalaiyitta Mangai1958

Lyrics & meaning

Tanglish lyrics English translation
Female
Mazhai kooda oru naalil thaenaagalaamEven rain might become honey one day,
Manal kooda sila naalil ponnaagalaamEven sand might turn into gold on some days,
Mazhai kooda oru naalil thaenaagalaamEven rain might become honey one day,
Manal kooda sila naalil ponnaagalaamEven sand might turn into gold on some days,
Female
Aanaalum avai yaavum neeyaagumaaEven so, can any of those become equal to you?
Ammaa endrazhaikkindra seiyaagumaaCan they become the child who calls out 'Mother'?
Aanaalum avai yaavum neeyaagumaaEven so, can any of those become equal to you?
Ammaa endrazhaikkindra seiyaagumaaCan they become the child who calls out 'Mother'?
Female
Aaraaroo aararoo aareerarooLullaby, hushaby, lullaby...
Aaraaroo aararoo aareerarooLullaby, hushaby, lullaby...
Female
Vinmeenum kannae un kannaagumaaMy dear, can even stars in the sky equal your eyes?
Vilaiyaadum kili undhan mozhi pesumaaCan a playful parrot speak in your sweet language?
Vinmeenum kannae un kannaagumaaMy dear, can even stars in the sky equal your eyes?
Vilaiyaadum kili undhan mozhi pesumaaCan a playful parrot speak in your sweet language?
Female
Kannaadi unai pola kadhai koorumaaCan a mirror tell stories the way you do?
Kannaadi unai pola kadhai koorumaaCan a mirror tell stories the way you do?
Iru kai veesi ulagaalum maganaagumaaWill you grow into a son who sways his arms and rules the world?
Aanaalum avai yaavum neeyaagumaaEven so, can any of those become equal to you?
Ammaa endrazhaikkindra seiyaagumaaCan they become the child who calls out 'Mother'?
Female
Manamaalai thanai soodi uravaaduvaarPeople wear wedding garlands and share affectionate bonds,
Manam maaraamal pala kaalam vilaiyaaduvaarThey play and enjoy life for a long time without changing their hearts,
Manamaalai thanai soodi uravaaduvaarPeople wear wedding garlands and share affectionate bonds,
Manam maaraamal pala kaalam vilaiyaaduvaarThey play and enjoy life for a long time without changing their hearts,
Female
Oru kaala thamizhnaadu idhu thaanadaaThis was the glory of Tamil Nadu in a bygone era, my dear,
Oru kaala thamizhnaadu idhu thaanadaaThis was the glory of Tamil Nadu in a bygone era, my dear,
Idhai un kaala thamizhnaadu ariyaadhadaaThe Tamil Nadu of your modern era will not understand this,
Female
Mazhai kooda oru naalil thaenaagalaamEven rain might become honey one day,
Manal kooda sila naalil ponnaagalaamEven sand might turn into gold on some days,
Aanaalum avai yaavum neeyaagumaaEven so, can any of those become equal to you?
Ammaa endrazhaikkindra seiyaagumaaCan they become the child who calls out 'Mother'?
Female
Aaraaroo aararoo aareerarooLullaby, hushaby, lullaby...
Aaraaroo aararoo aareerarooLullaby, hushaby, lullaby...

Beyond the translation

Song interpretation

This classic lullaby from the 1958 Tamil film 'Maalaiyitta Mangai', written by the legendary poet Kannadasan, expresses a mother's immense, incomparable love for her infant child. The mother reflects on how improbable nature miracles—like rain turning into sweet honey or sand turning into precious gold—might still theoretically happen, but nothing in the universe can ever replace the joy of a child calling her 'Amma'. She admires her child's pure beauty, comparing his eyes to stars and his innocent babble to a parrot's voice, while expressing hope that he will grow up to achieve great things. The song also touches on cultural nostalgia, contrasting the deep-rooted values and enduring relationships of ancient Tamil society with the changing sensibilities of modern times.

Writing craft

Poetic devices

Iyaibu (End Rhyme)

Mazhai kooda oru naalil thaenaagalaam / Manal kooda sila naalil ponnaagalaam

The lines end with matching rhyming suffixes like 'thaenaagalaam' / 'ponnaagalaam' and 'neeyaagumaa' / 'seiyaagumaa', creating a sweet, rhythmic lullaby cadence.

Moonaal / Monai (Initial Alliteration)

Vinmeenum kannae un kannaagumaa / Vilaiyaadum kili undhan mozhi pesumaa

Matching initial consonant sounds in 'Mazhai' and 'Manal', as well as 'Vinmeenum' and 'Vilaiyaadum', establishing melodic consistency across lines.

Hyperbole & Metaphor (Uvamaani)

Vinmeenum kannae un kannaagumaa

The poet uses extreme poetic exaggeration—rain turning to honey, sand turning to gold, stars as eyes—to highlight the unique, nonpareil preciousness of a child.

Rhetorical Question

Aanaalum avai yaavum neeyaagumaa

The lyricist repeatedly uses rhetorical questions ending in '-umaa' to emphasize that no earthly treasure can compare to a child's love.

Did you know?

Trivia

Maalaiyitta Mangai (1958) was the debut film produced by the legendary lyricist Kannadasan under his banner Kannadasan Films. The iconic music was composed by the duo Viswanathan-Ramamoorthy, and this immortal lullaby was rendered by the legendary playback singer P. Susheela.

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