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Maalaiyitta Mangai album cover
Lyrics & meaning

Mazhai Kooda Oru Naalil

From Maalaiyitta Mangai · 1958

Lyricist
Kannadasan
Singer
M. S. Rajeswari
Music director
Vishwanathan-Ramamoorthy
Movie name
Maalaiyitta Mangai
Movie release year
1958
Lyrics added on
3 Apr 2019

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Mazhai kooda oru naalil thaenaagalaam
Manal kooda sila naalil ponnaagalaam
Mazhai kooda oru naalil thaenaagalaam
Manal kooda sila naalil ponnaagalaam
Aanaalum avai yaavum neeyaagumaa
Ammaa endrazhaikkindra seiyaagumaa
Aanaalum avai yaavum neeyaagumaa
Ammaa endrazhaikkindra seiyaagumaa
Aaraaroo aararoo aareeraroo
Aaraaroo aararoo aareeraroo
Vinmeenum kannae un kannaagumaa
Vilaiyaadum kili undhan mozhi pesumaa
Vinmeenum kannae un kannaagumaa
Vilaiyaadum kili undhan mozhi pesumaa
Kannaadi unai pola kadhai koorumaa
Kannaadi unai pola kadhai koorumaa
Iru kai veesi ulagaalum maganaagumaa
Aanaalum avai yaavum neeyaagumaa
Ammaa endrazhaikkindra seiyaagumaa
Manamaalai thanai soodi uravaaduvaar
Manam maaraamal pala kaalam vilaiyaaduvaar
Manamaalai thanai soodi uravaaduvaar
Manam maaraamal pala kaalam vilaiyaaduvaar
Oru kaala thamizhnaadu idhu thaanadaa
Oru kaala thamizhnaadu idhu thaanadaa
Idhai un kaala thamizhnaadu ariyaadhadaa
Mazhai kooda oru naalil thaenaagalaam
Manal kooda sila naalil ponnaagalaam
Aanaalum avai yaavum neeyaagumaa
Ammaa endrazhaikkindra seiyaagumaa
Aaraaroo aararoo aareeraroo
Aaraaroo aararoo aareeraroo
Even rain might turn into honey one day,
Even sand might turn into gold some day,
Even rain might turn into honey one day,
Even sand might turn into gold some day,
Yet, could any of those ever become you?
Could they become the child who calls me mother?
Yet, could any of those ever become you?
Could they become the child who calls me mother?
Aararo, aararo, aariraaro...
Aararo, aararo, aariraaro...
Could even a star match your eyes, my darling?
Could a playful parrot ever speak the sweet words you speak?
Could even a star match your eyes, my darling?
Could a playful parrot ever speak the sweet words you speak?
Could a mirror tell stories the way you do?
Could a mirror tell stories the way you do?
Could it become a son who swings his arms and rules the world?
Yet, could any of those ever become you?
Could they become the child who calls me mother?
People once wore wedding garlands and lived in loving bonds,
Joyfully sharing life for ages with hearts that never changed;
People once wore wedding garlands and lived in loving bonds,
Joyfully sharing life for ages with hearts that never changed;
Such was the Tamil land in days gone by, my little one,
Such was the Tamil land in days gone by, my little one,
Yet the Tamil land of your times will not know this, my son.
Even rain might turn into honey one day,
Even sand might turn into gold some day,
Yet, could any of those ever become you?
Could they become the child who calls me mother?
Aararo, aararo, aariraaro...
Aararo, aararo, aariraaro...
Female
Female
Female
Female
Female
Female
Female
Female
Female

Beyond the translation

Overall song meaning

This classic lullaby from the 1958 Tamil film 'Maalaiyitta Mangai', written by the legendary poet Kannadasan, expresses a mother's immense, incomparable love for her infant child. The mother reflects on how improbable nature miracles—like rain turning into sweet honey or sand turning into precious gold—might still theoretically happen, but nothing in the universe can ever replace the joy of a child calling her 'Amma'. She admires her child's pure beauty, comparing his eyes to stars and his innocent babble to a parrot's voice, while expressing hope that he will grow up to achieve great things. The song also touches on cultural nostalgia, contrasting the deep-rooted values and enduring relationships of ancient Tamil society with the changing sensibilities of modern times.

Writing craft

Poetic devices

Iyaibu (End Rhyme)

Mazhai kooda oru naalil thaenaagalaam / Manal kooda sila naalil ponnaagalaam

The lines end with matching rhyming suffixes like 'thaenaagalaam' / 'ponnaagalaam' and 'neeyaagumaa' / 'seiyaagumaa', creating a sweet, rhythmic lullaby cadence.

Moonaal / Monai (Initial Alliteration)

Vinmeenum kannae un kannaagumaa / Vilaiyaadum kili undhan mozhi pesumaa

Matching initial consonant sounds in 'Mazhai' and 'Manal', as well as 'Vinmeenum' and 'Vilaiyaadum', establishing melodic consistency across lines.

Hyperbole & Metaphor (Uvamaani)

Vinmeenum kannae un kannaagumaa

The poet uses extreme poetic exaggeration—rain turning to honey, sand turning to gold, stars as eyes—to highlight the unique, nonpareil preciousness of a child.

Rhetorical Question

Aanaalum avai yaavum neeyaagumaa

The lyricist repeatedly uses rhetorical questions ending in '-umaa' to emphasize that no earthly treasure can compare to a child's love.

Did you know?

Trivia

Maalaiyitta Mangai (1958) was the debut film produced by the legendary lyricist Kannadasan under his banner Kannadasan Films. The iconic music was composed by the duo Viswanathan-Ramamoorthy, and this immortal lullaby was rendered by the legendary playback singer P. Susheela.

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