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Maalaiyitta Mangai album cover
Lyrics & meaning

Maalayittu Mana Mudichu

From Maalaiyitta Mangai · 1958

Lyricist
Kannadasan
Singers
K. Jamunarani, Chorus
Music director
Vishwanathan-Ramamoorthy
Movie name
Maalaiyitta Mangai
Movie release year
1958
Lyrics added on
9 Apr 2019

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Maalaiyittu manam mudichu
Pottu vachu poo mudichu
Mangai ival vaazha vandhaal
Engal veettilae
Maalaiyittu manam mudichu
Pottu vachu poo mudichu
Mangai ival vaazha vandhaal
Engal veettilae
Maalai veyyil polae
Manjal poosum pennai
Vaazha vaikka magan varuvaan
Konja naalilae
Vaazha vaikka magan varuvaan
Konja naalilae
Maalaiyittu manam mudichu
Pottu vachu poo mudichu
Mangai ival vaazha vandhaal
Engal veettilae
………………………….
Palliyaraiyil padicha paadam
Palanalichaachu
Purushan pakkamirundhu pesum pechu
Uruvam kondaachu
Amaamaa… uruvam kondaachu…
Kannae engal ponnae undhan
Kadamai rendaachu
Kannae engal ponnae undhan
Kadamai rendaachu
Andha kalai kaanum thirunaalum
Arugil vandhaachu
Chorus :Amaamaa… arugil vandhaachu…
Maalai veiyil polae
Manjal poosum pennai
Vaazha vaikka magan varuvaan
Konja naalilae
Maalaiyittu manam mudichu
Pottu vachu poo mudichu
Mangai ival vaazha vandhaal
Engal veettilae
Kondavalin manasu endrum
Kanavanin sondham
Innum konja naalil paadhi manasu
Kuzhandhaiyin sondham
Amaamaa… kuzhandhaiyin sondham…
Ingae paadhi angae paadhi
Parandhidumpodhu
Ingae paadhi angae paadhi
Parandhidumpodhu
Vaazhvil iravaedhu pagal yedhu
Thookkamum yedhu
Amaamaa… thookkamum yedhu
Vaazhvil iravaedhu pagal yedhu
Thookkamum yedhu
Maalai veiyil polae
Manjal poosum pennai
Vaazha vaikka magan varuvaan
Konja naalilae
Maalaiyittu manam mudichu
Pottu vachu poo mudichu
Mangai ival vaazha vandhaal
Engal veettilae
Exchanging garlands and uniting in marriage,
Adorned with a bindi and wearing flowers in her hair,
This young woman came to live happily
In our home.
Exchanging garlands and uniting in marriage,
Adorned with a bindi and wearing flowers in her hair,
This young woman came to live happily
In our home.
Like the golden evening sunlight,
The young woman who applies turmeric,
My son will come to cherish her and make her life blossom
In a few days.
My son will come to cherish her and make her life blossom
In a few days.
Exchanging garlands and uniting in marriage,
Adorned with a bindi and wearing flowers in her hair,
This young woman came to live happily
In our home.
.......................
The lesson learned in the bridal chamber
Has now borne fruit.
The sweet talk spoken beside her husband
Has taken form.
Yes, yes... it has taken form...
O dear one, our precious daughter, your
Duty has now become twofold.
O dear one, our precious daughter, your
Duty has now become twofold.
And the auspicious day to see that art
Has drawn near.
Chorus: Yes, yes... it has drawn near...
Like the golden evening sunlight,
The young woman who applies turmeric,
My son will come to cherish her and make her life blossom
In a few days.
Exchanging garlands and uniting in marriage,
Adorned with a bindi and wearing flowers in her hair,
This young woman came to live happily
In our home.
The heart of a wedded wife always
Belongs to her husband.
In a few more days, half of her heart
Will belong to her child.
Yes, yes... belong to her child...
Half here and half there,
As it flies around,
Half here and half there,
As it flies around,
What is night and what is day in life?
Where is sleep at all?
Yes, yes... where is sleep at all?
What is night and what is day in life?
Where is sleep at all?
Like the golden evening sunlight,
The young woman who applies turmeric,
My son will come to cherish her and make her life blossom
In a few days.
Exchanging garlands and uniting in marriage,
Adorned with a bindi and wearing flowers in her hair,
This young woman came to live happily
In our home.
Female
Chorus
Female
Chorus
Chorus
Chorus
Female
Chorus
Female
Chorus
Chorus
Female
Chorus
Female
Chorus
Female
Chorus
Chorus

Beyond the translation

Overall song meaning

This celebratory Tamil song captures the joyous transition of a newly married bride as she prepares to become a mother. It lovingly details her arrival into the household adorned with traditional symbols of auspiciousness—garlands, turmeric, bindi, and flowers—and describes how her marital bond culminates in the blessing of an impending child. The lyrics beautifully reflect on maternal love, depicting how a mother's affection splits between her husband and her child, leaving her happily sleepless as she devotes herself day and night to her growing family.

Writing craft

Poetic devices

Simile (Upamai)

Maalai veyyil polae / Manjal poosum pennai

Compares the glowing complexion of the woman wearing turmeric to the warm, golden light of the evening sun.

Metaphor (Uruvagam)

Palliyaraiyil padicha paadam / Palanalichaachu

Metaphorically refers to marital intimacy and love as a 'lesson in the bedchamber' that bears fruit in the form of a child.

Alliteration / Second-letter Rhyme (Etai / Monai)

Maalaiyittu manam mudichu / Pottu vachu poo mudichu

Demonstrates internal rhyming and rhythmic repetition characteristic of Kannadasan's lyricism.

Did you know?

Trivia

Maalaiyitta Mangai (1958) was the debut film produced by the legendary lyricist Kannadasan under his banner Kannadasan Films. The music was composed by the iconic duo Viswanathan-Ramamoorthy, and the film famously introduced actor Manorama to Tamil cinema.

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