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Isaimozhi
Lyrics & meaning

Ethanai Avatharam Adada

From Naan Nanethan · 1980

Lyricist
Kannadasan
Singer
P. Jayachandran
Music director
K. V. Mahadevan
Movie name
Naan Nanethan
Movie release year
1980
Lyrics added on
14 Jun 2022

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Eththanai avathaaran adadaa eththanai avathaaram
Eththanai avathaaran adadaa eththanai avathaaram
Iththanai siriya manithan dhinamum
Eduppathu dhasaavadhaaram
Iththanai siriya manithan dhinamum
Eduppathu dhasaavadhaaram
Saththiyam pesum gunaththinilae
Avan krishnan avathaaram
Dharmaththai kaakkum nadippinilae
Avan sriraman avadhaaram
Thaliyai maraiththu oorai yaeippathil
Koorma avadhaaram
Santharppam kidaiththaal ovvoru manithanum
Narasimma avadhaaram
Eththanai avathaaran adadaa eththanai avathaaram
Idam theriyaamal vizhuvathilae
Avan varaaha avadhaaram
Inam theriyaamal edhirpathilae
Avan vaaman avadhaaram
Pidipadum pothu nazhuvuvathil
Avan machcha avadhaaram
Pirarai keduppathil eduppathuthaanae
Micha avadhaaram…..micha avadhaaram
Eththanai avathaaran adadaa eththanai avathaaram
Kannondru kaanum vaayondru pesum
Irattai vedamadaa
Kaattrulla pothae thoottrikkol enbathu
Manithanin paadamadaa
Penn veri kondavan evanaalum
Thaayae thaaramadaa
Intha pedhaigalai naam ninaippathu kooda
Nenjukku paaramadaa
Eththanai avathaaran adadaa eththanai avathaaram
Iththanai siriya manithan dhinamum
Eduppathu dhasaavadhaaram
Eththanai avathaaran adadaa eththanai avathaaram
How many avatars! Oh, how many avatars!
How many avatars! Oh, how many avatars!
Such a tiny human being, every single day,
Puts on all the ten avatars!
Such a tiny human being, every single day,
Puts on all the ten avatars!
In the way he preaches the truth,
He takes on the avatar of Krishna!
In his act of defending righteousness,
He takes on the avatar of Sri Rama!
Hiding his head and cheating the town,
He is the Kurma avatar (the tortoise)...
Given the chance, every man becomes
The ferocious Narasimha avatar (the man-lion)...
How many avatars! Oh, how many avatars!
Falling recklessly into any dirty place,
He is the Varaha avatar (the boar)...
Opposing blindly without knowing friend from foe,
He is the cunning Vamana avatar...
Slipping away the moment he is caught,
He is the Matsya avatar (the fish)...
And what he takes on just to ruin others
Are all the remaining avatars... the remaining avatars!
How many avatars! Oh, how many avatars!
The eyes see one thing, the mouth speaks another—
It is all just a double role!
"Winnow while the wind blows"
Is the only lesson man follows!
To a man consumed by lust,
Even a mother seems like a wife!
Even thinking about such wretched fools
Is a heavy burden on the heart...
How many avatars! Oh, how many avatars!
Such a tiny human being, every single day,
Puts on all the ten avatars!
How many avatars! Oh, how many avatars!
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Beyond the translation

Overall song meaning

This song is a satirical philosophical commentary on the hypocrisy, greed, and duplicity inherent in human nature. Legendary lyricist Kannadasan cleverly uses the revered concept of 'Dasavatharam' (the ten divine incarnations of Lord Vishnu) as a extended metaphor to critique the deceitful roles and masks that ordinary humans wear every day for selfish ends.

Writing craft

Poetic devices

Allegory / Extended Metaphor

Iththanai siriya manithan dhinamum eduppathu dhasaavadhaaram

The entire song frames human moral flaws and hypocrisies through the lens of Lord Vishnu's ten divine avatars (Krishna, Rama, Kurma, Narasimha, Varaha, Vamana, Matsya).

Ethugai (Second Letter Rhyming)

Eththanai / Iththanai

The second consonant 'th' (த்) rhymes across consecutive lines 'Eththanai' and 'Iththanai'.

Iyaipu (End Rhyming)

Manithanin paadamadaa / Thaayae thaaramadaa / Nenjukku paaramadaa

The rhyming suffix '-adaa' is used consistently across line endings to create a rhythmic, conversational tone.

Muran (Oxymoron / Contrast)

Kannondru kaanum vaayondru pesum

Contrasts what the eyes observe versus what the mouth speaks, highlighting human deceit and double standards.

Did you know?

Trivia

Written by the master lyricist Kannadasan and set to tune by 'Mellisai Mannar' K. V. Mahadevan, this song stands out for using sacred mythological iconography to deliver a sharp socio-philosophical critique. P. Jayachandran's vocal delivery gives the moralizing lyric a reflective yet mocking quality that was characteristic of situational songs in 1980s Tamil cinema.

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