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Isaimozhi
Chithi album cover
Lyrics & meaning

Ingey Deivam Pathi

From Chithi · 1966

Lyricist
Kannadasan
Singers
A. L. Raghavan, Mothi
Music director
M. S. Vishwanathan
Movie name
Chithi
Movie release year
1966
Lyrics added on
17 Aug 2019

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Ingae dheivam paadhi
Mirugam paadhi
Manidhan aanadhadaa
Aa… aa… aa… aa…haa…aa…aa…aa…aa..
Ingae dheivam paadhi
Mirugam paadhi
Manidhan aanadhadaa
Adhilae ullam paadhi kallam paadhi
Uruvam aanadhadaa
Adhilae ullam paadhi kallam paadhi
Uruvam aanadhadaa
Aahaa uruvam aanadhadaa
Oho ho uruvam aanadhadaa
Aa… aa… aaa…
Adhilae ullam paadhi kallam paadhi
Uruvam aanadhadaa
Aa… aa… aa… aa…aa..aaa
Ingae dheivam paadhi
Mirugam paadhi
Manidhan aanadhadaa
Aasaiyilae kaakkaiyadaa
Alaivadhilae kazhudhaiyadaa
Kaasillaadha velaiyilae
Kadavulukkae poosaiyadaa
Aa… aa… aa… aa…aa..aaa
Thandhirathil narigaladaa
Thannalathil puligaladaa
Andharathil nirkkaiyilae
Mandhirathil aasaiyadaa
Aa… aa… aa… aa…aa..aaa
Haa… aa… aa…aa..aaa
Ingae koottamaaga vaazha chonnaal
Ottai sollumadaa
Naattil vaattam vandhu serum podhu
Koottam koodumadaa
Aa… aa… aa… aa…aa..aaa
Haa… aa… aa…aa..aaa
Ingae dheivam paadhi
Mirugam paadhi
Manidhan aanadhadaa
Mugathil paadhi vaayirukkum
Muzha neelam naakkirukkum
Mudhugilae kannirukkum
Moolaiyilae mannirukkum
Aa… aa… aa… aa…aa..aaa
Haa… aa… aa…aa..aaa
Manathilae peyirukkum
Maraiyaadha noyirukkum
Vanathilae vittu vittaal
Mirugamellaam varaverkkum
Vanathilae viduvadharkku
Vaal mattum illaiyadaa
Ha ha ha sabaash…
Here, half divine,
half beast,
man was made, my friend!
Aa… aa… aa… aa… haa… aa… aa… aa… aa…
Here, half divine,
half beast,
man was made, my friend!
In him, half pure heart and half deceit
took this human shape!
In him, half pure heart and half deceit
took this human shape!
Aha, took this human shape!
Oho ho, took this human shape!
Aa… aa… aaa…
In him, half pure heart and half deceit
took this human shape!
Aa… aa… aa… aa… aa… aaa
Here, half divine,
half beast,
man was made, my friend!
In greed, he is like a crow,
in roaming aimlessly, like a donkey!
When left without a single coin,
he rushes to worship God!
Aa… aa… aa… aa… aa… aaa
In cunning tricks, they are foxes,
in pure selfishness, fierce tigers!
When left hanging in uncertainty,
they put their hopes in magic spells!
Aa… aa… aa… aa… aa… aaa
Haa… aa… aa… aa… aaa
If told to live together in harmony,
he only points out flaws!
When misery falls upon the land,
a crowd quickly gathers round!
Aa… aa… aa… aa… aa… aaa
Haa… aa… aa… aa… aaa
Here, half divine,
half beast,
man was made, my friend!
Half his face is taken up by mouth,
with a tongue that is a yard long!
He has eyes behind his back,
and nothing but dirt in his brain!
Aa… aa… aa… aa… aa… aaa
Haa… aa… aa… aa… aaa
A demon dwells inside his mind,
an illness that never goes away!
If you let him loose in the jungle,
all the wild beasts will welcome him!
Yet to abandon him in the jungle,
he is only missing a tail, my friend!
Ha ha ha, bravo!…
Male
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Beyond the translation

Overall song meaning

This classic philosophical song written by Kannadasan for the 1966 film 'Chithi' offers a biting satirical commentary on human nature. The lyricist explores the dual nature of man, viewing humanity as a volatile hybrid of godliness and animalistic savagery. Kannadasan highlights how human beings display animalistic traits through greed (crow), aimless wandering (donkey), cunningness (fox), and selfishness (tiger), turning to God only when impoverished or desperate. In the latter stanzas, the song delivers a fierce critique of hypocrisy, malicious speech, and moral corruption. With sharp wit, Kannadasan notes that humans possess a devilish mind and mud for brains, suggesting that if released into a jungle, wild beasts would readily accept them—the only thing preventing them from being total animals is the absence of a physical tail.

Writing craft

Poetic devices

Metaphor / Animal Imagery (உவமை / உருவகம்)

Aasaiyilae kaakkaiyadaa / Alaivadhilae kazhudhaiyadaa / Thandhirathil narigaladaa / Thannalathil puligaladaa

Compares human traits directly to various animals to emphasize moral flaws—crow for desire, donkey for restless wandering, fox for cunningness, and tiger for selfishness.

Edhugai (அடி எதுகை - Second letter rhyming)

Thandhirathil narigaladaa / Thannalathil puligaladaa

The second letter 'da' in 'Thandhirathil' and 'Thannalathil' creates a strong rhythmic Tamil poetic resonance across adjacent lines.

Monaai (அடி மோனை - Initial letter alliteration)

Mugathil paadhi vaayirukkum / Muzha neelam naakkirukkum / Mudhugilae kannirukkum / Moolaiyilae mannirukkum

Repetition of initial consonant sound 'M' across all four consecutive lines (Mugathil, Muzha, Mudhugilae, Moolaiyilae).

Antithesis / Irony (முரண்)

Ingae dheivam paadhi / Mirugam paadhi / Manidhan aanadhadaa

Contrasts divine qualities ('dheivam') against animalistic savagery ('mirugam'), and pure heart ('ullam') against deceit ('kallam') to illustrate internal human conflict.

Did you know?

Trivia

Composed by M.S. Viswanathan and rendered powerfully by T.M. Soundararajan, this track is renowned for its theatrical delivery and sarcastic laughter at the end ('Ha ha ha sabaash'). It remains one of Lyricist Kannadasan's most iconic philosophical songs exploring human psychology.

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