- Lyricist
- Vaali
- Singer
- P. Susheela
- Music director
- M. S. Vishwanathan
- Movie name
- Yamirukka Bayamen
- Movie release year
- 1983
- Lyrics added on
- 14 Jul 2020
Lyrics & meaning
Beyond the translation
Overall song meaning
minimal summary: 'Yamirukka Bayamen' is a devout classical Tamil composition centered on deep faith in Lord Murugan. The song revolves around a devotee—a dancer—appealing for divine healing and grace so her legs may dance once again solely in service of the Lord. The lyrics evoke legendary accounts such as Lord Murugan dancing for Saint Arunagirinathar and his cosmic dance in Tiruchendur, appealing to his compassion to heal his child. The song vividly describes the divine atmosphere of classical dance, where rhythms, celestial music (Tumburu), and sacred sound ('Om') converge. It celebrates Murugan not only as the ultimate savior whose famous assurance is 'Yamirukka Bayamen' (Why fear when I am here?), but also as the master performer whose divine dance bestows aesthetic joy and spiritual wisdom upon devotees.
Writing craft
Poetic devices
Alliteration / Monai
“Karchandhangai konja konja”
Repetition of the 'k' sound at the beginning of words in the line creates musical rhythm.
Metaphor
“Adhil gaana rasam vazhiya ngyaana mazhai pozhiyum”
Compares divine wisdom flowing through dance and music to a showering rain ('ngyaana mazhai').
Rhetorical Question
“Saei konda noi theerka manam illaiyoo”
The devotee asks if the deity lacks the heart to heal, highlighting an intimate, pleading bond rather than genuine doubt.
Alliteration / Monai
“Thundhubi naatiyam thaalam ezhupida”
Repetition of the 'th' sound across words creates rhythmic percussion mimicry.
Did you know?
Trivia
'Yamirukka Bayamen' translates to 'Why fear when I am here?', which according to Hindu lore is the reassuring message given by Lord Murugan to his ardent devotees. This song features classical Tamil lyrics penned by the legendary poet Vaali, drawing references to Thiruchendur and Saint Arunagirinathar's Tiruppugazh tradition.
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