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Isaimozhi
Lyrics & meaning

Natarajan Kudikonda

From Salangaiyil Oru Sangeetham · 1986

Lyricist
Vairamuthu
Singer
S. P. Balasubrahmanyam
Music director
Ilayaraja
Details
Salangaiyil Oru Sangeetham1986

Lyrics & meaning

Tanglish lyrics English translation
Male
Salangaiyil oru sangeetham…A music resides within the anklets...
Ulagelaam adhan omkaaram…Its primordial sound echoes throughout the world...
Kalai raajan ingae padham paada…As the king of dance sings rhythms here...
Kalaivaani igae nadamaada…As Kalaivaani (Goddess Saraswati) dances here...
Vinnum mannumae ondru koodumaeHeaven and earth shall unite.
Eesaa paramaesaa pen poovai nee vaazhtha vaa…Oh Lord Parameshwara, come to bless this flower-like woman...
Male
…………………………....................
Male
Aa.a….aaa…..aa…..aa….aa…..Aa... aaa... aa...
Male
Nadaraajan kudi konda kalai allavaaIs this not the sacred art where Lord Nataraja resides?
Aa…nadaraajan kudi konda kalai allavaaAh... is this not the sacred art where Lord Nataraja resides?
Uyirodu karuvaagi udalodu uruvaagiConceived with life as an embryo, taking form along with the body
Uyirodu karuvaagi udalodu uruvaagiConceived with life as an embryo, taking form along with the body
Vaazhum orae kalai thaanallavaaIs it not the only living art form?
Male
Nadaraajan kudi konda kalai allavaaIs this not the sacred art where Lord Nataraja resides?
Aa… nadaraajan kudi konda kalai allavaaAh... is this not the sacred art where Lord Nataraja resides?
Male
Thakka dhimi thaam…Thakka dhimi thaam...
Kitt thakka thaam…Kitt thakka thaam...
Thakkathajam… dhimithajam… januthajam…Thakkathajam... dhimithajam... januthajam...
Tharikita thakka thaamTharikita thakka thaam
Male
Puli tholil udai kondu poligindra dhegamThe radiant body clad in tiger skin
Adhu engal umaiyaalin baagamThat is the half belonging to our mother Uma
Puli tholil udai kondu poligindra dhegamThe radiant body clad in tiger skin
Adhu engal umaiyaalin baagamThat is the half belonging to our mother Uma
Paambodu vaazhgindra paramaeshwaraa..aa..Oh Parameshwara who dwells with serpents...
Badhil enna gangaadharaa aa… aa…aaWhat is your answer, Oh Gangadhara...
Paambodu vaazhgindra paramaeshwaraa..aa..Oh Parameshwara who dwells with serpents...
Badhil enna gangaadharaa aa… aa…aaWhat is your answer, Oh Gangadhara...
Male
Malaigal idiya mazhaiyum pozhiyaAs mountains crumble and rain pours down
Kadalum vazhiya dhisaigal kizhiyaAs oceans overflow and directions tear apart
Valamum nee varum dhinam dhinam thozhudhidaTo worship you day after day as prosperity arrives
Thadheengina thom thadheengina thomThadheengina thom thadheengina thom
Thadheengina thom thadheengina thomThadheengina thom thadheengina thom
Male
Nadaraajan kudi konda kalai allavaaIs this not the sacred art where Lord Nataraja resides?
Aa…nadaraajan kudi konda kalai allavaaAh... is this not the sacred art where Lord Nataraja resides?
Uyirodu karuvaagi udalodu uruvaagiConceived with life as an embryo, taking form along with the body
Uyirodu karuvaagi udalodu uruvaagiConceived with life as an embryo, taking form along with the body
Vaazhum orae kalai thaanallavaaIs it not the only living art form?
Male
Nadaraajan kudi konda kalai allavaaIs this not the sacred art where Lord Nataraja resides?
Aa…nadaraajan kudi konda kalai allavaaAh... is this not the sacred art where Lord Nataraja resides?
Male
Thakka dhimi thakka januThakka dhimi thakka janu
Thakida dham dhamThakida dham dham
Pagaivarai ozhithidum valimai vendumWe need the strength to eliminate enemies
Janu thaka dhimi thaka kitatha dheem dheemJanu thaka dhimi thaka kitatha dheem dheem
Ulaginil kodumaigal ozhiya vendumThe atrocities in this world must come to an end
Male
Thakida dham dhamThakida dham dham
Unadhu vadivamYour form
Janutha dham dhamJanutha dham dham
Neruppin vadivamIs the form of fire
Thakida dheem iru karamThakida dheem, two hands
Thakida dheem bhayankaramThakida dheem, terrifying
Thakida dheem iru karamThakida dheem, two hands
Thakida dheem bhayankaramThakida dheem, terrifying
Thakida dheem iru karam bhayankaramThakida dheem, two hands are terrifying
Anda saraasaram aagiya engumAcross the entire cosmic universe
Nindru nilaippadhu sakthiyin sangamWhat stands supreme is the divine union of Shakti
Male
Kanakana kanakana kanakana kanakanaKanakana kanakana kanakana kanakana
Yagana dhamYagana dham
Dhanadhana dhanadhana dhanadhanaDhanadhana dhanadhana dhanadhana
Dhanadhana thakana jamDhanadhana thakana jam
Thanakana thanakana pagana jamThanakana thanakana pagana jam
Thanakana panakana ragana jamThanakana panakana ragana jam
Jagana maganam jagana gaganamJagana maganam jagana gaganam
Jagana paganam ragana jaganamJagana paganam ragana jaganam
Jagamaga jagagana thagapaga ragajanaJagamaga jagagana thagapaga ragajana
Yagana magana jagana gagana pagana jamYagana magana jagana gagana pagana jam
Male
Nadaraaja nandhini paramaesan pathiniDaughter of Nataraja, consort of Parameshwara
Nadaraaja nandhini paramaesan pathiniDaughter of Nataraja, consort of Parameshwara
Kulam kaakkum sithini kuraiyaadha sakthi neeWise protector of the lineage, you are eternal strength
Kulam kaakkum sithini kuraiyaadha sakthi neeWise protector of the lineage, you are eternal strength
Akilaanda dhevi nee anaiyaadha jothi neeGoddess of the universe, you are an unextinguishable flame
Akilaanda dhevi nee anaiyaadha jothi neeGoddess of the universe, you are an unextinguishable flame
Ariyaadha pengalai kaakkattum un sakthiMay your divine strength protect innocent women
Magisha raachasa marthini eriyattumae agginiSlayer of the demon Mahisha, let the fire consume
Magisha raachasa marthiniSlayer of the demon Mahisha

Beyond the translation

Song interpretation

This song is a grand, rhythmic devotion to Lord Shiva (Nataraja) and Goddess Shakti. It praises Bharatanatyam as a divine, living art form in which Lord Nataraja himself dwells. Through rich imagery, it invokes the cosmic form of Shiva—clad in tiger skin and adorned with serpents—while celebrating the Ardhanarishvara form where Shiva and Uma exist as one.

Writing craft

Poetic devices

Edhukai (Second letter rhyming)

Vinnum mannumae ondru koodumae

The second consonant 'n' rhymes across 'Vinnum' and 'mannumae'.

Monaai (Alliteration)

Malaigal idiya mazhaiyum pozhiya

Repetition of the initial 'M' sound in 'Malaigal' and 'mazhaiyum'.

Metaphor (Uruvagamm)

Eesaa paramaesaa pen poovai nee vaazhtha vaa…

Comparing the female protagonist to a delicate flower ('pen poovai').

Sol Aniyiyal (Rhythmic Onomatopoeia / Jathi)

Thadheengina thom thadheengina thom

Use of classical Bharatanatyam rhythm syllables (Sollukattu) to build tempo and dramatic tension.

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Trivia

This composition blends classical Carnatic solkattu (dance syllables) with lyrical devotion to Mahishasuramardini (Goddess Durga/Shakti), creating a powerful climax typical of dance-based Tamil film songs of the 1980s.

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