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Isaimozhi
Lyrics & meaning

Yaar Azhaithathu Kanavu Raniya

From Salangaiyil Oru Sangeetham · 1986

Lyricist
Vairamuthu
Singers
S. P. Balasubrahmanyam, S. Janaki
Music director
Ilayaraja
Details
Salangaiyil Oru Sangeetham1986

Lyrics & meaning

Tanglish lyrics English translation
Male
Haa….aaa….aaa….aaa…(Vocalization)
Ha…aa..aa…aa…aa….aaa..haa…(Vocalization)
Ha…aa..aa…aa…aa….aaa.(Vocalization)
Haa.aa…haa…aa…haa…aa….(Vocalization)
Male
Yaar azhaithadhu kanavu raaniyaaWho called, oh dream queen?
Naan rasippadhu kalaiyin vaaniyaaAm I admiring Saraswati, the goddess of art?
Endhan ullam pongi vittadhuMy heart overflowed
Undhan kannil thangi vittadhuAnd came to rest in your eyes
Endhan ullam pongi vittadhuMy heart overflowed
Undhan kannil thangi vittadhuAnd came to rest in your eyes
Male
Yaar azhaithadhu kanavu raaniyaaWho called, oh dream queen?
Naan rasippadhu kalaiyin vaaniyaaAm I admiring Saraswati, the goddess of art?
Female
Dhitthitthai kidathai dhimithai thakaDhitthitthai kidathai dhimithai thaka (Rhythmic dance syllables)
Dhitthitthai kidathai dhimithai thakaDhitthitthai kidathai dhimithai thaka (Rhythmic dance syllables)
Male
Aa… aa… aa… aa…(4)(Vocalization)
Haa….aaa…..aaa….aa….aaa….aaa…(Vocalization)
Female :Dhitthitthai kidathai dhimithai thakaFemale: Dhitthitthai kidathai dhimithai thaka (Rhythmic dance syllables)
Dhitthitthai kidathai dhimithai thakaDhitthitthai kidathai dhimithai thaka (Rhythmic dance syllables)
Thakadhimi thakajanu thakadhimi thakajanuThakadhimi thakajanu thakadhimi thakajanu (Dance rhythm mnemonics)
Thakadhimi thakajanu thakadhimi thakajanuThakadhimi thakajanu thakadhimi thakajanu (Dance rhythm mnemonics)
Thom tharikida thattharikida thattharikida thattharikidaThom tharikida thattharikida thattharikida thattharikida (Dance rhythm mnemonics)
Thakida thakida thakida thakida thakadhimi }Thakida thakida thakida thakida thakadhimi (Dance rhythm mnemonics)
Male
Aanandha mangaiOh maiden of joy
Female
Dhasanipa dhasanipa manimani maaDha Sa Ni Pa Dha Sa Ni Pa Ma Ni Ma Ni Ma (Musical swara notes)
Male
Aagaaya gangaiOh celestial Ganges
Female
Aa….aa….aa…aa…(Vocalization)
Male
Salangai ennidam jadhi paadudhuThe anklets sing rhythmic patterns to me
Female
Gaga sanisaaGa Ga Sa Ni Sa (Musical swara notes)
Male
Adhanaal en manam sudhi serudhuTherefore, my mind finds its perfect pitch
Female
SanidhaniSa Ni Dha Ni (Musical swara notes)
Male
Aagaayam varaikkum en ullam parakkumMy heart flies all the way to the sky
Aagaayam varaikkum en ullam parakkumMy heart flies all the way to the sky
Salangai adhu kulungiyadhaeAs those anklets jingled
Navarasangalum ival vasam ilavasamAll nine aesthetic emotions come to her effortlessly and free
Male
Ada yaar azhaitthadhu kanavu raaniyaaAh, who called, oh dream queen?
Naan rasippadhu kalaiyin vaaniyaaAm I admiring Saraswati, the goddess of art?
Endhan ullam pongi vittadhuMy heart overflowed
Undhan kannil thangi vittadhuAnd came to rest in your eyes
Endhan ullam pongi vittadhuMy heart overflowed
Undhan kannil thangi vittadhuAnd came to rest in your eyes
Male
Yaar azhaithadhu kanavu raaniyaaWho called, oh dream queen?
Naan rasippadhu kalaiyin vaaniyaaAm I admiring Saraswati, the goddess of art?
Female
MagasaaMa Ga Sa (Musical swara notes)
Male
Aa…aa…aa……(Vocalization)
Female
Sanidha maga magasaaSa Ni Dha Ma Ga Ma Ga Sa (Musical swara notes)
Male
Aa… aa… aa(Vocalization)
Female
Dhasani dhama dhanisaaDha Sa Ni Dha Ma Dha Ni Sa (Musical swara notes)
Male
Aa… aa… aa…(Vocalization)
Female
MadhaniMa Dha Ni (Musical swara notes)
Male
Aa… aa… aa…(Vocalization)
Female
{Saani dhanisaga maaga sagamagaSa Ni Dha Ni Sa Ga Ma Ga Sa Ga Ma Ga (Musical swara notes)
Nidha sanidhamaga dhamaga sagamadhani }Ni Dha Sa Ni Dha Ma Ga Dha Ma Ga Sa Ga Ma Dha Ni (Musical swara notes)
Male
{ Aa…aa… aa… aa…(Vocalization)
Thakka thakida thakka dhimitha thakka dhimitha}Thakka thakida thakka dhimitha thakka dhimitha (Rhythmic dance syllables)
(Overlap)(Overlapping vocals)
Male
Nee vandha pinnaeEver since you arrived
Female
Aa… aa…aa… aa… aa…aa..(Vocalization)
Male
Aanandham pennaeBliss itself, oh woman!
Female
Dhasa nisa dhasa nisa dhani dhani maaDha Sa Ni Sa Dha Sa Ni Sa Dha Ni Dha Ni Ma (Musical swara notes)
Male
Sadhuranga naattiyam nadandhaal ennaWhat if a strategic chess-like dance takes place?
Female
Aa… aa…(Vocalization)
Male
Salangaiyin osaiyil vidindhaal ennaWhat if the day dawns to the sound of anklets?
Female
Aa… aa…(Vocalization)
Male
Naan ennai marandhenI forgot myself
Unnodu karaindhenI dissolved in you
Naan ennai marandhen unnodu karaindhenI forgot myself and dissolved in you
Kalai magalae thirumagalaeGoddess of art, Goddess of fortune
Vizhi asaindhadhu uyir varai asaindhadhuWhen her eyes moved, my soul moved to its core
Male
Ada yaar azhaithadhu kanavu raaniyaaAh, who called, oh dream queen?
Naan rasippadhu kalaiyin vaaniyaaAm I admiring Saraswati, the goddess of art?
Endhan ullam pongi vittadhuMy heart overflowed
Undhan kannil thangi vittadhuAnd came to rest in your eyes
Endhan ullam pongi vittadhuMy heart overflowed
Undhan kannil thangi vittadhuAnd came to rest in your eyes
Male
Yaar azhaithadhu kanavu raaniyaaWho called, oh dream queen?
Naan rasippadhu kalaiyin vaaniyaaAm I admiring Saraswati, the goddess of art?

Beyond the translation

Song interpretation

This song is a classical-fusion melody celebrating the divine beauty, grace, and rhythm of a dancer. The protagonist is spellbound by the maiden's footwork and expression, comparing her to 'Kalaiyin Vaani' (Goddess Saraswati) and 'Aagaaya Gangai' (the celestial river Ganges). As she performs her dance with jangling anklets (salangai) and expressive rhythmic patterns (jathis), his heart soars and aligns in pitch with her melody. The lyricist highlights how all nine aesthetic emotions (Navarasas) manifest effortlessly in her performance. In the latter half, the protagonist describes losing his self-identity, completely dissolving in her artistry and presence. The song blends poetic romanticism with classical musical notations (swaras) and dance beats (solkattu), creating a rich classical atmosphere.

Writing craft

Poetic devices

Iyaipu (Rhyming end words)

Yaar azhaithadhu kanavu raaniyaa / Naan rasippadhu kalaiyin vaaniyaa

The lines end with rhyming words ('raaniyaa' and 'vaaniyaa'), enhancing the lyrical flow.

Metaphor (Uruvagam)

Naan rasippadhu kalaiyin vaaniyaa

The dancer is directly metaphorized as 'Kalaiyin Vaani' (Goddess Saraswati of arts).

Metaphor (Uruvagam)

Aagaaya gangai

Comparing the grace and purity of the dancer or her movement to the celestial Ganges river.

Hyperbole (Ushuyokthi)

Vizhi asaindhadhu uyir varai asaindhadhu

An poetic exaggeration stating that a slight flutter of her eyes stirred his soul to its absolute depths.

Did you know?

Trivia

Written by poet Vairamuthu for the 1986 movie 'Salangaiyil Oru Sangeetham', the song integrates classical Carnatic musical solfege (swara passages like 'Dhasanipa') and Bharatanatyam rhythm syllables ('Dhitthitthai kidathai') directly into the lyric structure to accentuate the theme of dance and music.

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