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Deviyin Thiruvilayadal album cover
Lyrics & meaning

Mazhai Koonthal Mudhal

From Deviyin Thiruvilayadal · 1982

Lyricist
Vaali
Singer
S. P. Balasubrahmanyam
Music director
M. S. Vishwanathan
Movie name
Deviyin Thiruvilayadal
Movie release year
1982
Lyrics added on
26 Nov 2021

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Aa….aa….aa…..aa….aah….aah….
Aa….aa….aah….aa….aah….aah….
Mazhai koondhal mudhal malarpaatham varai
Dheiva kaatchi therigindrathu
Mazhai koondhal mudhal malarpaatham varai
Dheiva kaatchi therigindrathu
Ezhil kolangalum indhira jaalangalum
Adhil aatchi puringindrathu arulaatchi purigindrathu
Ezhil kolangalum indhira jaalangalum
Adhil aatchi puringindrathu arulaatchi purigindrathu
Mazhai koondhal mudhal malarpaatham varai
Dheiva kaatchi therigindrathu
Ilampirai nudhal meedhu
Ezhuthiya vil kandaen
Imaigalin nizhaloram
Erikazhal vizhi kandaen
Kulam valar kamalam pol….kamalam pol….
Kulam valar kamalam pol
Kuviyithal madal kandaen nudhal kandaen
Vizhi kandaen idhazh kandaen
Kaniyithazh kandaen
Kulam valar kamalam pol
Kuviyithal madal kandaen
Kuviyithazh nagaiyoram
Korkkaiyin paral kandaen
Mazhai kondhal mudhal malarpaatham varai
Dheiva kaatchi therigindrathu
Valampuri sangaaga vanjiyin kazhuththaada
Aa….aa….aa…aa….aah….aahaa…..
Valampuri sangaaga vanjiyin kazhuththaada
Oru kani kuraivaaga mukkani ezhunthaada
Oru kani kuraivaaga mukkani ezhunthaada
Megalai nagaiyaada melliya idaiyaada
Vaazhaiyin madal kettu vaangiya thodaiyaada
Megalai nagaiyaada melliya idaiyaada
Vaazhaiyin madal kettu vaangiya thodaiyaada
Meniyil edhai solla
Naan adhil edhai thalla
Naan padaiththa nyaanamellaam
Vaai pudhaiththu nindrathenna
Aa….aa….aa…aa….aah….aahaa…..
Aah….aahaa….
Poovalanthu ponnalanthu meviya
Devi unthan paadha thaamarai
Dhevarenna moovarenna
Yaavarum thedi nirkkum vedha thamarai
Kulungidum salangaigal om ena oliththida
Komaaala vadhanaththil kungumam palichchida
Iyal isai naadaga kooththukkal nadiththida
Yaezhu kadal enndhisai idipada podipada
Thagida thagida thagida thomena
Jadhiyosaiyil tharani adhirnthida
Magasakasa nisanipamakama
Swararaaga geedham isaiththida
Tuttutuvena pambai thaalam
Dumdumvena jandai melam
Amma un aranginil aattrida
Pumpumvena bhoombin saththam
Damdamdamena kottum paraigal
Kondaadum abinaya naayagi
Thaththum kalai viththai ilam
Thaththai ival thanjam ena
Pazhagu nadanam azhagu nalinam
Puvanam ariyaavae
Alaimagalum adipaniya
Kalaimagalum kavi pozhiya
Malaimagalin thirunadanam vaazhga….
Vaanamodu bhoomiyaada ulavidum
Jeevaraasi yaavum aada nadamidum
Azhagellam vizhiyellaam parugida
Arulae nerungi vaa…..
Mazhai kondhal mudhal malarpaatham varai
Dheiva kaatchi therigindrathu….aa…..aa…aa…
Aa.....aa.....aa......aa.....aah....aah......
Aa.....aa.....aah......aa.....aah....aah......
From rain-cloud hair to flower-like feet,
a divine vision appears.
From rain-cloud hair to flower-like feet,
a divine vision appears.
Graceful forms and magical wonders
rule over it, ruling with divine grace.
Graceful forms and magical wonders
rule over it, ruling with divine grace.
From rain-cloud hair to flower-like feet,
a divine vision appears...
Upon her crescent-moon forehead,
I saw drawn bow-shaped brows.
In the shade of her eyelids,
I saw fiery, glowing eyes.
Like a lotus blooming in a pond... like a lotus...
Like a lotus blooming in a pond,
I saw soft petal-like lips, I saw her forehead,
I saw her eyes, I saw her lips,
I saw her fruit-sweet lips.
Like a lotus blooming in a pond,
I saw soft petal-like lips.
Beside the smile on her soft lips,
I saw precious pearls of Korkai (ancient pearl city).
From rain-cloud hair to flower-like feet,
a divine vision appears...
Like a right-spiraled conch, her slender neck sways...
Aa.....aa.....aa.....aa.....aah.....aah-aa.....
Like a right-spiraled conch, her slender neck sways...
As two fine fruits dance like the sacred three fruits,
as two fine fruits dance like the sacred three fruits,
as her waist-chain sparkles and her slender waist sways,
as her thighs shaped like smooth plantain stems sway,
as her waist-chain sparkles and her slender waist sways,
as her thighs shaped like smooth plantain stems sway,
what part of her form can I praise?
What could I possibly leave out?
Why did all the wisdom I ever gained
stand silent with its hand over its mouth?
Aa.....aa.....aa.....aa.....aah.....aah-aa.....
Aah.....aah-aa.......
Walking gently over flowers and measuring gold with grace,
Goddess, your lotus feet,
sought by all the gods and the holy trinity,
are the sacred lotus of the Vedas!
As jangling anklets chime the sound of 'Om',
as red kumkum shines bright on her lovely face,
as literature, music, and dance drama unfold,
as the seven seas and eight directions shatter and shake,
with the rhythm of 'Thakita thakita thakita thakidathom',
as the earth trembles to the syllables of the dance beats,
Ma-ga-sa-ga-sa ni-sa-ni-pa-ma-ga-ma,
as melodious notes and ragas play...
To the rapid beats of the pambai drum,
to the booming sound of the chenda drum,
dancing upon your stage, O Mother,
with deep booming rhythms,
and the thunderous pounding of parai drums,
O queen celebrated for expressive dance!
Mastering every artistic grace, like a young
parrot seeking refuge at your feet,
practicing dance with graceful charm,
for the entire world to witness...
As Lakshmi bows at your feet,
as Saraswati showers poetic verses,
long live the sacred dance of Parvati, Goddess of the Mountains!
As the sky and the earth dance, and all
living creatures sway in tune with the dance,
so that our eyes may drink in all this beauty,
O Goddess of Grace, come closer to us...
From rain-cloud hair to flower-like feet,
a divine vision appears....aa....aa....aa.....
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Beyond the translation

Overall song meaning

This song is a grand devotional hymn and classical dance panegyric praising Goddess Parvati (or the Divine Mother). The narrator beholds her glorious form from head to toe (Keshadhi Padham), describing her dark hair, crescent moon forehead, lotus-like features, shell-like neck, and graceful waist. Even Lord Shiva (the Creator/Lord of wisdom) stands mute in awe before her unmatched divine beauty and majesty. The second part of the song celebrates her ecstatic divine dance (Thirunadanam). Accompanied by traditional percussion instruments like pambai, chenda, and parai, as well as classical musical swaras, her anklets reverberate with the sacred sound of 'Om'. As Goddess Lakshmi bows and Saraswati offers poetry, the entire cosmos quakes and dances in harmony with her cosmic rhythm, inviting divine grace to draw near.

Writing craft

Poetic devices

Upamai (Simile / Metaphor)

Mazhai koondhal mudhal malarpaatham varai

Compares dark tresses to rain clouds ('Mazhai koondhal') and feet to delicate flowers ('malarpaatham').

Uruvagamb (Metaphor / Traditional Imagery)

Valampuri sangaaga vanjiyin kazhuththaada

Compares the neck to a right-whorled conch ('Valampuri sangaaga') and thighs to plantain trunks ('Vaazhaiyin madal').

Onomatopoeia (Oli Kurippu)

Tuttutuvena pambai thaalam

Use of rhythmic phonetic words replicating musical and percussion sounds like 'Thagida thagida', 'Tuttutu', 'Dumdum', 'Pumpum', and 'Damdamdam'.

Edhugai (Second-letter Rhyme)

Alaimagalum adipaniya / Kalaimagalum kavi pozhiya

Rhyming second consonants across lines ('Aazh' in Alaimagalum / Kalaimagalum / Malaimagalin).

Did you know?

Trivia

This composition is a classic example of a classical dance drum-beat song (Jathi / Mallari / Nritya song) written by the legendary lyricist Vaali for the 1982 devotional film 'Deviyin Thiruvilayadal', capturing the grand tradition of Tamil devotional literature and Bharatanatyam aesthetics.

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