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Kalyanam Panni Paar album cover
Lyrics & meaning

Yaezhumalai Aaandavane

From Kalyanam Panni Paar · 1952

Lyricist
Thanjai N. Ramaiah Dass
Singer
P. Leela
Music director
Ghantasala
Movie name
Kalyanam Panni Paar
Movie release year
1952
Lyrics added on
20 Oct 2025

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Yaezhumalai aandavanae vengadaa ramanaa
Yaezhumalai aandavanae vengadaa ramanaa
Sabtham seiyyaathae niththirai sei swaami
Paarkadalin alaigalumae manjamaai vilanga
Paaraalum chandhira kalai malaranaiyumaaga
Paarkadalin alaigalumae manjamaai vilanga
Paaraalum chandhira kalai malaranaiyumaaga
Kannil minnum
Kadhalanai panneerai thoova
Kannil minnum
Kadhalanai panneerai thoova
Kaarththu vazhi paarththidum
Un alamaelu mangai
Kaarththu vazhi paarththidum
Un alamaelu mangai
Yaezhumalai aandavanae vengadaa ramanaa
Sabtham seiyyaathae niththirai sei swaami
En thiyaana idhaya oli
Endru nambinaen swaami
En vaazhvin inbamae
Ennai maranthidaathae
Peepi naachcharampa
Padhungi nindraal swaami
Peepi naachcharampa
Padhungi nindraal swaami
Yaavarum ariyaamal indrae
Arugil varuvaen swaami
Yaavarum ariyaamal indrae
Arugil varuvaen swaami
Yaezhumalai aandavanae vengadaa ramanaa
Sabtham seiyyaathae niththirai sei swaami
O Lord of the Seven Hills, Venkataramana,
O Lord of the Seven Hills, Venkataramana,
Make no sound, sleep peacefully, my Lord...
While the waves of the milk ocean become your bed,
And the moonbeams that rule the world become a bed of flowers...
While the waves of the milk ocean become your bed,
And the moonbeams that rule the world become a bed of flowers...
With a sparkle in her eyes,
Sprinkling rosewater upon her beloved,
With a sparkle in her eyes,
Sprinkling rosewater upon her beloved,
Waiting and watching the path,
Is your Alamelu Mangai...
Waiting and watching the path,
Is your Alamelu Mangai...
O Lord of the Seven Hills, Venkataramana,
Make no sound, sleep peacefully, my Lord...
As the light of my meditating heart,
That is how I trusted you, my Lord,
O sweetest joy of my life,
Please do not forget me,
Bibi Nachiyar,
Stood waiting in hiding, my Lord,
Bibi Nachiyar,
Stood waiting in hiding, my Lord,
Without anyone knowing, this very day,
I will come right by your side, my Lord...
Without anyone knowing, this very day,
I will come right by your side, my Lord...
O Lord of the Seven Hills, Venkataramana,
Make no sound, sleep peacefully, my Lord...
Female
Female
Female
Female
Female
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Female

Beyond the translation

Overall song meaning

This song is a tender, lullaby-like romantic composition layered with deep devotional symbolism. The heroine lovingly addresses her paramour as Lord Venkateswara (the Lord of the Seven Hills). She coaxingly asks him to rest and sleep without any disturbance, picturing their surroundings through grand cosmic imagery—where the rolling waves of the divine ocean act as his couch and the soft moonlight serves as a bed of blossoms.

Writing craft

Poetic devices

Allegory / Metaphor (Uvamai / Ani)

Yaezhumalai aandavanae vengadaa ramanaa

The heroine metaphorically compares her beloved to Lord Venkateswara (the deity of Tirupati) and compares herself to his consorts, Alamelu Mangai and Bibi Nachiyar, elevating earthly love to divine devotion.

Monai (Initial Alliteration)

Paarkadalin alaigalumae... / Paaraalum chandhira kalai...

The initial letter sound 'Paa' is repeated at the start of consecutive lines, creating a pleasing rhythmic resonance.

Iyaipu (End Rhyme)

Sabtham seiyyaathae niththirai sei swaami

The honorific word 'swaami' is repeatedly used at the end of multiple lines throughout the song to maintain a rhythmic, chanting quality.

Did you know?

Trivia

'Kalyanam Panni Paar' (1952) was a legendary bilingual comedy-drama produced by Vijaya Vauhini Studios and directed by L. V. Prasad, starring N. T. Rama Rao and Savitri. The music composed by Ghantasala became iconic, with singer P. Leela delivering a memorable performance. A culturally rich aspect of the lyrics by Thanjai N. Ramaiah Dass is the reference to 'Bibi Nachiyar' (Thulukka Nachiyar), reflecting the South Indian Vaishnavite tradition of a Muslim princess who became an esteemed devotee and consort of the deity.

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