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Lyrics & meaning

Selvamellam Kodukkum

From Mamiyarum Oru Veettu Marumagale · 1961

Lyricist
A. Maruthakasi
Singer
C. S. Jayaraman
Music director
Pendyala Nageswara Rao
Details
Mamiyarum Oru Veettu Marumagale1961

Lyrics & meaning

Tanglish lyrics English translation
Male
Selvamellam kodukkumGoddess Lakshmi, who bestows all wealth,
Thirumagalaam latchmiyumThe divine goddess Lakshmi,
Kalvi namakkalikkumAnd Goddess Saraswati, who grants us education,
Kalai magalaam saraswathiyumSaraswati, the goddess of fine arts,
Male
Ullapadi maamiyumIn truth, because they are mother-in-law
Marumagalum aanadhinaalAnd daughter-in-law to each other,
Oor idathil ottrumaiyaaiThey never reside together in harmony
Ulagil iruppadhillaiAnywhere in this world.
Male
Boodhalathor pottrumIf even the deities worshipped by the people of the world
Deivam idhu polendraalAre like this towards each other,
Saadharana pengalRegarding ordinary women,
Sangadhiyai enna sollaWhat is there left to say about their situation?
Sangadhiyai enna sollaWhat is there left to say about their situation?
Saadharana pengalRegarding ordinary women,
Sangadhiyai enna sollaWhat is there left to say about their situation?
Male
Aadhalaal maamiyaarTherefore, living as a daughter-in-law
Illaa marumagalaaiWho does not have a mother-in-law,
Yedhum kavalai indriFree from any worries,
Iruppadhae uthamaam..aaa..Is truly the best and happiest state to be in!

Beyond the translation

Song interpretation

This satirical Tamil song explores the timeless friction between mothers-in-law and daughters-in-law through a witty mythological analogy. The singer highlights that Goddess Lakshmi (bestower of wealth) and Goddess Saraswati (bestower of knowledge), who are metaphorically viewed as mother-in-law and daughter-in-law in folklore, are famously said to never inhabit the same place at once. The argument follows that if even divine goddesses cannot coexist peacefully under one roof, ordinary women stand little chance of living in harmony. Ultimately, the song lightheartedly concludes that a bride enjoys the ultimate peace of mind when she marries into a home without a mother-in-law.

Writing craft

Poetic devices

Satire and Irony (Uvamai / Angadham)

Boodhalathor pottrum Deivam idhu polendraal Saadharana pengal Sangadhiyai enna solla

The lyricist uses divine deities (Lakshmi and Saraswati) to satirize everyday human domestic disputes between mothers-in-law and daughters-in-law.

Anaphora / Repetition (Sol Pinvaru Nilai Ani)

Sangadhiyai enna solla

The phrase 'Sangadhiyai enna solla' is repeated multiple times to emphasize the tragicomic dilemma of family relationships.

Edhukai (Second Letter Rhyme)

Selvamellam / Kalvi namakkalikkum

The second consonant sound matches across lines to create a rhythmic cadence in Tamil poetry.

Did you know?

Trivia

Rendered by the veteran singer C. S. Jayaraman, known for his unique high-pitched theatrical style, this song reflects the popular social comedy tropes in 1960s Tamil cinema. Penned by A. Maruthakasi, it uses ancient Tamil cultural folk wisdom—that wealth and wisdom rarely stay together—to craft a humorous commentary on domestic in-law dynamics.

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