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Sabaash Meena album cover
Lyrics & meaning

Selvam Nilaiyallave Maname

From Sabaash Meena · 1958

Lyricist
Ku. Ma. Balasubramaniam
Singer
T. M. Soundararajan
Music director
T. G. Lingappa
Movie name
Sabaash Meena
Movie release year
1958
Lyrics added on
22 Sept 2019

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Selvam nilaiyallaavae
Indha selvam nilaiyallavae manamae
Selvam nilaiyallavae
Piranthidum bothu panamenbathaedhu
Piranthidum bothu panamenbathaedhu
Iranthidum bothu kuda varaathu
Iranthidum bothu kuda varaathu
Perum porul serpadhu veenae
Sumaithaanae
Perum porul serpadhu veenae
Sumaithaanae
Indha selvam nilayallavae
Selvam nilaiyallaavae manamae
Selvam nilaiyallavae
Panam irundhaal yeman payapaduvaanoo
Panam irundhaal yeman payapaduvaanoo
Pangu thanthaalum namai viduvaanoo
Pangu thanthaalum namai viduvaanoo
Paapangal seiyavae naadum naalai oodum
Paapangal seiyavae naadum naalai oodum
Indha selvam nilaiyallavae
Manamae selvam nilaiyallaavae
Manamae selvam nilaiyallavae
Manamae selvam nilaiyallavae
Manamae selvam nilaiyallavae
Manamae selvam nilaiyallavae
Manamae……….ae…ae…..
Nilaiyallavae selvam nilaiyallavae
Nilaiyallavae selvam nilaiyallavae
Nilaiyallavae selvam nilaiyallavae
Nilaiyallavae selvam nilaiyallavae
Nilaiyallavae selvam nilaiyallavae
Nilaiyallavae selvam nilaiyallavae
Wealth is not permanent
Oh my mind, this wealth is not permanent
Wealth is not permanent
When we are born, what money do we have?
When we are born, what money do we have?
When we die, it will not come along with us
When we die, it will not come along with us
Gathering great wealth is in vain
It is only a burden!
Gathering great wealth is in vain
It is only a burden!
This wealth is not permanent
Oh my mind, wealth is not permanent
Wealth is not permanent
If you have money, will Yaman (the god of death) be afraid?
If you have money, will Yaman (the god of death) be afraid?
Even if we offer him a share, will he spare us?
Even if we offer him a share, will he spare us?
It only tempts us to sin, and tomorrow it will vanish
It only tempts us to sin, and tomorrow it will vanish
This wealth is not permanent...
Oh my mind, wealth is not permanent
Oh my mind, wealth is not permanent
Oh my mind, wealth is not permanent
Oh my mind, wealth is not permanent
Oh my mind, wealth is not permanent
Oh my mind... oh...
It is not permanent, wealth is not permanent...
It is not permanent, wealth is not permanent...
It is not permanent, wealth is not permanent...
It is not permanent, wealth is not permanent...
It is not permanent, wealth is not permanent...
It is not permanent, wealth is not permanent...
Male
Male
Male
Male
Chorus
Male
Chorus

Beyond the translation

Overall song meaning

This philosophical track from the film Sabaash Meena (1958) meditates on the transient nature of worldly riches and material wealth. The song serves as a reminder to the mind ('manamae') that money has no existence at birth and offers no companionship after death. Accumulating immense wealth is characterized as an empty, burdensome pursuit that only incites bad deeds before vanishing.

Writing craft

Poetic devices

Moni (Initial Alliteration)

Piranthidum bothu panamenbathaedhu

Repetition of the initial sound 'p' in 'Piranthidum' and 'panamenbathaedhu'.

Edhugai (Second Letter Rhyme)

Piranthidum bothu panamenbathaedhu / Iranthidum bothu kuda varaathu

Rhyming of the second letter 'ra' across lines in 'Piranthidum' and 'Iranthidum'.

Rhetorical Question

Panam irundhaal yeman payapaduvaanoo

A philosophical question asking if Lord Yama (death) fears money, emphasizing that death treats everyone equally regardless of wealth.

Repetition (Adukkuthodar)

Nilaiyallavae selvam nilaiyallavae

Continuous repetition of the phrase 'nilaiyallavae' to reinforce the thematic message of impermanence.

Did you know?

Trivia

Sabaash Meena (1958) was directed by B. R. Panthulu and starred Sivaji Ganesan and J. P. Chandrababu. The soundtrack was composed by T. G. Lingappa with lyrics written by Ku. Ma. Balasubramaniam, capturing the classic golden-age Tamil cinema trope of embedding deep philosophical commentary within popular narrative films.

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