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Isaimozhi
Lyrics & meaning

Sakthi Vandhaaladi

From Sakthi Leelai · 1972

Lyricist
Kannadasan
Singer
L. R. Eswari
Music director
T. K. Ramamoorthy
Details
Sakthi Leelai1972

Lyrics & meaning

Tanglish lyrics English translation
Female
Sakthi vanthaladi dhinam illarkum ullarkumGoddess Sakthi has arrived daily, for both the have-nots and the rich.
Nallarkum theeyarkum nalvakku thanthaladiShe gave good words and blessings to both the good and the evil.
Sakthi vanthaladi dhinam illarkum ullarkumGoddess Sakthi has arrived daily, for both the have-nots and the rich.
Nallarkum theeyarkum nalvakku thanthaladiShe gave good words and blessings to both the good and the evil.
Bakthi kondadiyadi unnai pennakki thaayakiCelebrate with devotion! Making you a woman and a mother,
Ellamum poiyakki munnale nindraladiRendering everything else an illusion, she stood before you.
Sakthi vanthaladi dhinam illarkum ullarkumGoddess Sakthi has arrived daily, for both the have-nots and the rich.
Nallarkum theeyarkum nalvakku thanthaladiShe gave good words and blessings to both the good and the evil.
Female
Asainthal vinnulagam asaiyum thannaleIf she sways, the heavenly world moves on its own.
Nadanthal mannulagam nadakum pinnaleIf she walks, the earthly world follows behind her.
Asainthal vinnulagam asaiyum thannaleIf she sways, the heavenly world moves on its own.
Nadanthal mannulagam nadakum pinnaleIf she walks, the earthly world follows behind her.
Female
Kaatradipathum mazhai pozhivathumThe blowing of the wind and the pouring of the rain,
Idi idipathum yaraleAnd the striking of thunder—by whom are they caused?
Janamenpathum maranamenpathumThat which is called birth and that which is called death,
Ulagil vanthathu yaraleBy whom did they come into this world?
Sakthi vanthaladi dhinam illarkum ullarkumGoddess Sakthi has arrived daily, for both the have-nots and the rich.
Nallarkum theeyarkum nalvakku thanthaladiShe gave good words and blessings to both the good and the evil.
Female
Vinnilerunthu mannil vizhunthaDescended from the heavens onto the earth,
Meiporul sakthiyadiSakthi is the ultimate truth!
Pennilerunthu pennai nadathumGuiding womanhood from within every woman,
Arputha sakthiyadiSakthi is miraculous!
Pillai vadivai ulle vaithavalShe who holds the form of a child within herself,
Annai SakthiyadiIs Mother Sakthi!
Illai endru keataal vazhangumShe bestows gifts to whoever asks, saying 'I have nothing',
Ellai sakthiyadiSakthi is boundless!
Female
Santhamum naane kopamum naaneI am peace, and I am anger too,
Deviyum naane kaliyum naaneI am the benevolent Goddess, and I am Kali too!
Santhamum naane kopamum naaneI am peace, and I am anger too,
Deviyum naane kaliyum naaneI am the benevolent Goddess, and I am Kali too!
Kaliyum naane kaliyum naaneI am Kali, I am Kali!
Kaliyum naane kaliyum naaneI am Kali, I am Kali!
Kaliyum naane kaliyum naaneI am Kali, I am Kali!
Kaliyum naane kaliyum naane….I am Kali, I am Kali...

Beyond the translation

Song interpretation

This song is a grand devotional invocation celebrating the supreme divine feminine force, Goddess Sakthi. Lyricist Kannadasan highlights the divine's absolute impartiality, showing that Sakthi bestows her grace on everyone regardless of status (the poor and rich) or character (the virtuous and wicked). The verses describe her cosmic power as the driver of nature—controlling wind, rain, thunder, birth, and death. In the climactic portion, the lyrics transition to a first-person divine declaration. The Goddess proclaims that she embodies all dualities of existence: peace and wrath, supreme grace and fierce destruction (as Kali). Through energetic rhythmic cadence, the song emphasizes that Sakthi is the boundless, ultimate reality sustaining all life and womanhood.

Writing craft

Poetic devices

Antithesis (Contrast / Muran)

Sakthi vanthaladi dhinam illarkum ullarkum / Nallarkum theeyarkum nalvakku thanthaladi

Pairs contrasting words within the same line to emphasize universality, such as 'illarkum' (poor) vs 'ullarkum' (rich) and 'nallarkum' (good) vs 'theeyarkum' (evil).

Edhukai (Second-letter rhyme)

Vinnilerunthu mannil vizhuntha / Pennilerunthu pennai nadathum

The second consonant 'nn' matches across consecutive lines, creating traditional Tamil poetic rhythm.

Anaphora & Epizeuxis (Repetition for emphasis)

Kaliyum naane kaliyum naane

Repeated chanting of 'Kaliyum naane' in rapid succession emphasizes the fiery, omnipresent form of Goddess Kali.

Did you know?

Trivia

This track from Sakthi Leelai (1972) was composed by T. K. Ramamoorthy and sung by L. R. Eswari, whose distinctively energetic vocals became synonymous with Tamil Amman/Devotional songs. Lyricist Kannadasan captured complex philosophical concepts of cosmic energy using accessible, rhythmic Tamil.

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