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Isaimozhi
Lyrics & meaning

Pengalai Kandale

From Kann Thiranthadhu · 1959

Lyricist
V. Seetharaman
Singers
P. Susheela, Seerkazhi Govindarajan
Music director
T. R. Rajagopal
Details
Kann Thiranthadhu1959

Lyrics & meaning

Tanglish lyrics English translation
Female
Pengalai kandaale manam poleUpon seeing women, as your heart desires,
Valai veesudhal saridhaanais it right to cast a net?
Varai meerudhal muraidhaanaIs it proper to cross boundaries?
Ungha thozhilae idhudhaanaIs this your only profession?
Haa haa haaHaa haa haa
Male
Aangalai kandaale manam poleUpon seeing men, as your heart desires,
Nilai maarudhal saridhaanais it right to change your stance?
Kurai koorudhal muraidhaanaIs it proper to find faults?
Ungha thozhil dhaanaIs this your profession too?
Female
Kaeli aagumaa …unga kirukku pogumaaWill it become a joke... will your madness leave?
Male :Hoo o o o hoMale: Hoo o o o ho
Female :Kaeli aagumaa unga kirukku pogumaaFemale: Will it become a joke... will your madness leave?
Ariyaadha pengal manadhaiThe minds of innocent women,
Kalaippadhu nyaayamais it fair to disturb?
Ariyaadha pengal manadhaiThe minds of innocent women,
Kalaippadhu nyaayamais it fair to disturb?
Female
Valai veesudhal saridhaanaIs it right to cast a net?
Varai meerudhal muraidhaanaIs it proper to cross boundaries?
Ungha thozhilae idhudhaanaIs this your only profession?
Haa haa haaHaa haa haa
Female
Pengalai kandaale manam poleUpon seeing women, as your heart desires,
Male :Haa..aaaMale: Haa..aaa
Female :Valai veesudhal saridhaanaFemale: Is it right to cast a net?
Male :Hoo..o oMale: Hoo..o o
Female :Varai meerudhal muraidhaanaFemale: Is it proper to cross boundaries?
Ungha thozhilae idhudhaanaIs this your only profession?
Male
Kobam aaguma..ungha kurumbhu pogumaIs it worth getting angry... will your mischief end?
Female :Ho o o o hoFemale: Ho o o o ho
Male :Kobam aaguma..ungha kurumbhu pogumaMale: Is it worth getting angry... will your mischief end?
Kannalae pesi idhayamSpeaking through the eyes,
Kalappadhu nyaayamais it fair to mingle hearts?
Kannalae pesi idhayamSpeaking through the eyes,
Kalappadhu nyaayamais it fair to mingle hearts?
Male
Nilai maarudhal saridhaanaIs it right to change your stance?
Kurai koorudhal muraidhaanaIs it proper to find faults?
Ungha thozhil dhaanaIs this your profession too?
Haa haa haaHaa haa haa
Male
Aangalai kandaale manam poleUpon seeing men, as your heart desires,
Female :Haa..aaaFemale: Haa..aaa
Male :Nilai maarudhal saridhaanaMale: Is it right to change your stance?
Female :Hoo..o oFemale: Hoo..o o
Male :Kurai koorudhal muraidhaanaMale: Is it proper to find faults?
Ungha thozhil dhaanaIs this your profession too?

Beyond the translation

Song interpretation

This playful duet features a lighthearted banter between a man and a woman teasingly questioning each other's romantic antics. The woman accuses men of casting nets to trap innocent women's hearts and crossing boundaries, asking if flirtation is their sole occupation. In response, the man humorously counters that women change their minds as soon as they see men and excel at finding faults, questioning if complaining is their main profession instead. Through witty back-and-forth lyricism, both singers playfully explore the charming friction, flirtatious gaze, and mischief involved in falling in love.

Writing craft

Poetic devices

Edukku / Rhyme (Monai and Etukai)

Valai veesudhal saridhaana / Varai meerudhal muraidhaana

Matching rhyming sounds across line endings and line starts, such as 'Valai veesudhal' / 'Varai meerudhal'.

Metaphor (Uvamai)

Valai veesudhal saridhaana

Comparing male flirtation to casting a fishing net ('Valai veesudhal') to capture unsuspecting minds.

Rhetorical Question (Vinaa Aani)

Valai veesudhal saridhaana / Varai meerudhal muraidhaana

Use of repeated questioning (-aa endings like 'saridhaana', 'muraidhaana', 'nyaayama') to create a rhythmic banter without expecting literal answers.

Did you know?

Trivia

Kann Thiranthadhu (1959) featured music composed by T. R. Rajagopal and lyricist V. Seetharaman. The track stands out as a classic example of late 1950s playful duet compositions featuring Seerkazhi Govindarajan and P. Susheela.

Keep listening

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