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Isaimozhi
Lyrics & meaning

Paadum Pothu Naan

From Netru Indru Naalai · 1974

Lyricist
Pulamaipithan
Singer
S. P. Balasubrahmanyam
Music director
M. S. Vishwanathan
Details
Netru Indru Naalai1974

Lyrics & meaning

Tanglish lyrics English translation
Male
Ahaaa…aaa…aaa…aaaa(Melodic vocalization)
Ahaahaaa..ahaaa..haaa…aaa…aaa…(Melodic vocalization)
Ahaa…aaa…ahaa..aaa….haaa…aaa…(Melodic vocalization)
Male
Naan varumbothuWhen I arrive,
Aayiram aadal aada vandhadhennaWhy did a thousand dances come to dance?
Nenjam aasai kondadhenna….Why did the heart fill with desire?
Male
Paadumbothu naan thendral kaatruWhen I sing, I am the gentle breeze,
Paruva mangaiyo thennang keetruAnd the young maiden is a coconut frond.
Male
Melliya poongodi valaithuBending the delicate flowering creeper,
Malar maeniyai konjam anaithuGently embracing her flower-like body,
Melliya poongodi valaithuBending the delicate flowering creeper,
Malar maeniyai konjam anaithuGently embracing her flower-like body,
Male
Idhazhil thaenai kudithuDrinking the honey from her lips,
Oru inba naadagam nadithuEnacting a play of sweet joy,
Idhazhil thaenai kudithuDrinking the honey from her lips,
Oru inba naadagam nadithuEnacting a play of sweet joy,
Male
Engum paadum thendral kaatrumAre the breeze singing everywhere
Naanum ondruthaanaeAnd I not one and the same?
Inba naalum indruthaanaeIs not today the day of joyful happiness?
Male
Paadumbothu naan thendral kaatruWhen I sing, I am the gentle breeze,
Paruva mangaiyo thennang keetruAnd the young maiden is a coconut frond.
Male
Haa..haa..hooo…ooo(Melodic vocalization)
Haa..haa..hooo…ooo(Melodic vocalization)
Male
Ellaigal illa ulagamA world without any boundaries,
En idhayamum adhupol nilavumMy heart too shines just like that.
Ellaigal illa ulagamA world without any boundaries,
En idhayamum adhupol nilavumMy heart too shines just like that.
Male
Pudhumai ulagam malarumA new, modern world will bloom,
Nalla pozhudhaai yaarukkum pularumDawn will break as a good time for everyone.
Pudhumai ulagam malarumA new, modern world will bloom,
Nalla pozhudhaai yaarukkum pularumDawn will break as a good time for everyone.
Male
Yaarum vaazha paadum kaatrumThe wind that sings for everyone to live well,
Naanum ondruthaanaeAre we not one and the same?
Inba naalum indru thaanaeIs not today the day of joyful happiness?
Male
Paadumbothu naan thendral kaatruWhen I sing, I am the gentle breeze,
Paruva mangaiyo thennang keetruAnd the young maiden is a coconut frond.
Male
Naan varumbothuWhen I arrive,
Aayiram aadal aada vandhadhennaWhy did a thousand dances come to dance?
Nenjam aasai kondadhenna….Why did the heart fill with desire?
Male
Paadumbothu naan thendral kaatruWhen I sing, I am the gentle breeze,
Paruva mangaiyo thennang keetruAnd the young maiden is a coconut frond.
Haahaahaahaa…aaa…(Melodic vocalization)

Beyond the translation

Song interpretation

Paadumbothu Naan Thendral Kaatru is an uplifting romantic and philosophical song from the 1974 Tamil film Netru Indru Naalai. The protagonist likens himself to a refreshing gentle breeze that brings delight to nature and sways young coconut fronds and flowering creepers. Beyond romantic imagery, the song reflects an idealist vision of a world without boundaries, where a bright new dawn breaks to bring joy, equality, and happiness to all people.

Writing craft

Poetic devices

Uvamaani / Metaphor

Paadumbothu naan thendral kaatru / Paruva mangaiyo thennang keetru

Compares the singer to the refreshing gentle breeze and the young woman to a swaying coconut frond.

Monaai / Initial Alliteration

Melliya poongodi valaithu / Malar maeniyai konjam anaithu

Repetition of the 'M' sound at the beginning of adjacent lines creates poetic harmony.

Iyaibu / End Rhyme

Engum paadum thendral kaatrum / Naanum ondruthaanae

Matching end sounds 'kaatrum' and 'ondruthaanae' establish a rhythmic cadence.

Did you know?

Trivia

Netru Indru Naalai (1974) starred M. G. Ramachandran (MGR) and Jayalalithaa. The music was composed by M. S. Viswanathan, lyrics were penned by Pulamaipithan, and the song was rendered by T. M. Soundararajan.

Keep listening

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