Skip to content
Isaimozhi
Lyrics & meaning

Om Namah Shivaya

From Salangai Oli · 1983

Lyricist
Vairamuthu
Singer
S. Janaki
Music director
Ilayaraja
Details
Salangai Oli1983

Lyrics & meaning

Tanglish lyrics English translation
Female
Om …..ooooommmmmOm... Oom...
Oommm…Oom...
Om namachchivaayaa…Om Namah Shivaya...
Oooom namachchivaayaaOm Namah Shivaya
Thanga nilaavinai anindhavaaOh Lord who wears the golden moon!
Thanga nilaavinai anindhavaaOh Lord who wears the golden moon!
Aadugiren poornodhaiyaI dance, Oh supreme divine light!
ArulillaiyaaDo I not have Your grace?
Female
OooomOm
Ooommmm namachchivaayaaOm Namah Shivaya
Oooommm namachchivaayaaOm Namah Shivaya
Female
Panja boodhangalumThe five natural elements
MugavadivaagumBecome the shapes of Your faces
Aaru kaalangalum aadaigalaagumThe six seasons become Your garments
Panja boodhangalumThe five natural elements
MugavadivaagumBecome the shapes of Your faces
Aaru kaalangalum aadaigalaagumThe six seasons become Your garments
Female
Malaimagal paarvathiParvathi, the daughter of the mountain
Unnudan nadakkaWalks along with You
Ezhu adigalum surangal padikkaWhile the seven musical notes chant Your seven steps
Female
Sa dha ma ga ni sa gaSa dha ma ga ni sa ga
Ga ma tha ni sa gaGa ma tha ni sa ga
Ga ga gaGa ga ga
Sa sa saSa sa sa
Ni thaNi tha
Maga sa nitha ma ga saMa ga sa ni tha ma ga sa
Female
Un paarvaiyae ettu dhisaigalaeYour gaze encompasses all eight directions
Un sorkalae navarasangalaeYour words embody the nine artistic emotions
Gangaiyin manavazhaaaOh bridegroom of the holy Ganges!
Aaaa….aaaa…..aaa…aaa….Aaaa... aaaa... aaa... aaa...
Un mounamaeDoes Your silence
Subha nirathangal tharavillaiyaaNot grant auspicious colors to life?
Female
OooomOm
Ooommmm namachchivaayaaOm Namah Shivaya
Oooommm namachchivaayaaOm Namah Shivaya
Female
Moondru kaalangalumThe three realms of time
Undhan vizhigalAre Your eyes
Chathur vedhangalumThe four sacred Vedas
Undhan vazhigalAre Your direct paths
Female
Moondru kaalangalumThe three realms of time
Undhan vizhigalAre Your eyes
Chathur vedhangalumThe four sacred Vedas
Undhan vazhigalAre Your direct paths
Female
Ganapathi muruganumLord Ganesha and Murugan
Pirabanjam muzhudhumAlong with the entire universe
Iraivaa unnadi thodavae thudhikkumOh God, yearn to touch Your divine feet in devotion
Female
Athvaithamum neeYou are Non-Duality (Advaita)
Adhianthamum neeYou are both the Beginning and the End
Neeyengu illaiWhere are You absent?
Bhuvanam muzhudhum neeYou pervade the whole universe
Kailaasa malai vaasa kalaiyavum neeOh dweller of Mount Kailash, You are art itself!
Puvi vazhvu peravae arul puri neeBestow Your grace so that earthly life prospers
Female
Oommm…Om...
Oooom ….Om...
Oooom namachchivaayaaOm Namah Shivaya
Thanga nilaavinai anindhavaaOh Lord who wears the golden moon!
Aadugiren poornodhaiyaI dance, Oh supreme divine light!
ArulillaiyaaDo I not have Your grace?

Beyond the translation

Song interpretation

This song is a sublime classical devotional piece dedicated to Lord Shiva (Nataraja), the lord of dance. The lyricist metaphorically frames the entire universe, nature, and art as manifestations of Shiva himself. The five elements form his faces, the six seasons are his garments, the three periods of time are his eyes, and the four Vedas are the path to reach him. Through classical Bharatanatyam dance movements and swara patterns, the dancer surrenders completely to the cosmic dancer, seeking his divine grace and enlightenment. The emotional arc transitions from solemn reverent invocation into philosophical awe—attributing concepts of Advaita (non-duality), omnipresence, and eternal cosmic order to Shiva. The dancer repeatedly begs for Shiva's grace ('Arulillaiyaa'), expressing that without the Lord's blessing, earthly life lacks color and meaning.

Writing craft

Poetic devices

Uruvagamm (Metaphor)

Panja boodhangalum Mugavadivaagum

Compares the five cosmic elements (Pancha Bhootas) directly to the divine faces of Lord Shiva.

Metaphor

Moondru kaalangalum Undhan vizhigal

Equates the three tenses of time (past, present, future) to Shiva's three eyes.

Iyaipu (End Rhyme)

Un paarvaiyae ettu dhisaigalae / Un sorkalae navarasangalae

The lines end with matching rhyming suffixes ('dhisaigalae' / 'navarasangalae') to create lyrical rhythm suited for classical dance.

Muran (Antithesis)

Adhianthamum nee

Combines 'Aadi' (Beginning) and 'Antham' (End) to denote the paradoxical omnipresence of the Supreme Being.

Did you know?

Trivia

This song is from the iconic film 'Salangai Oli' (1983), which is the Tamil dubbed version of K. Viswanath's Telugu masterpiece 'Sagara Sangamam'. The musical score was composed by Maestro Ilaiyaraaja, with lyrics penned in Tamil by Vairamuthu. The song was rendered passionately by S. P. Balasubrahmanyam and S. Janaki. Kamal Haasan's portrayal of Balakrishna, an uncompromising classical dancer performing Natya Puja in this sequence, is considered one of the greatest performances in Indian cinematic history.

Keep listening

More from Salangai Oli